Engaging the Crusades is a series of volumes which offer windows into a newly emerging field of historical study: the memory and legacy of the crusades. Together these volumes examine the reasons behind the enduring resonance of the crusades and present the memory of crusading in the modern period as a productive, exciting, and much needed area of investigation. Crusading was a part of the rich tapestry of family history, with tales of crusading developed as evidence of heroic endeavour to enhance family prestige. Lists of crusaders were published to satisfy this market and heraldry was a visible means of displaying such lineage. Drawing on extensive research and previously untapped sources, this book charts continuing British interest in the crusades, focusing on the nineteenth century. The volume discusses what was available to read on the subject and how this was discussed in numerous journals. Set in the British context of growing local and regional interest in history and archaeology, the study also considers the physical artefacts associated with the crusades. Tales of the Crusaders – Remembering the Crusades in Britain is the ideal resource for students and scholars of the history of memory and crusades history in a British context.

Considers how elite women could participate in Crusade, their means and motivations. The popular perception of the medieval Crusades is of conflicts spanning from the Holy Land to the Baltic, with huge armies of religious zealots led by knights wearing crosses. However, the reality is far more nuanced. The vast majority of those living in western Europe did not go on crusade at all. But that does not mean that crusading was not on their minds, or that they could not influence the movement. They urged others to take up the cross, provided financial support, and prayed for the campaigns in the Holy Land; for them, this was crusade. This book investigates how English laywomen were encouraged to support crusades and identify with holy war during the Middle Ages, challenging preconceptions of what crusade "meant", and bringing out the diverse ways of their participation. It draws on detailed analysis of cartularies, judicial records, chronicles and lyrical sources; it also examines the rich material culture of commemoration that celebrated the endeavour, alongside the papal propaganda which idealised women's sponsorship of crusade. This study therefore sheds new light not only on the role of women in crusade, but on their influence and piety more generally.

The relationship between medievalism and reception explored via a rich variety of case studies. At the intersection of the twin fields of medievalism and reception studies is the timely and fascinating question of how a contested past is deployed in the context of a conflicted and contradictory present. Despite their shared roots and a fundamental orientation towards the entanglement of past and present, the term "reception" is rarely taken up in medievalist scholarship, and they have developed along parallel but divergent lines, evolving their own emphases, problematics, sensibilities, vocabularies, and critical tools. This book is the first to reunite these two fields. Its introduction and first chapter clearly set out their tangled intellectual and disciplinary histories. The ten essays that follow reflect upon the relationship between medievalism and reception in theory and in practice, through thematically, temporally, and geographically expansive case studies, engaging with theories of translation, postcolonialism, fan studies, persona studies, and Indigenous studies. Individual topics examined include the cultural impact of Robin Hood; the Tulsa rase massacre; the crusades in the nineteenth century; later representations of Chaucer's works; Victorian representations of Anne Boleyn; and media such as Star Wars and Game of Thrones. As a whole, this collection models and demonstrates the value of a new and self-aware approach to medievalism, enriched by a conscious and critical redeployment of reception theories and methodologies.

Engaging the Crusades is a series of concise volumes (up to 50,000 words) which offer initial windows into the ways in which the crusades have been used in the last two centuries, demonstrating that the memory of the crusades is an important and emerging subject. Together these studies suggest that the memory of the crusades, in the modern period, is a productive, exciting, and much needed area of investigation. Despite their ‘intrinsic internationalism’, the crusades have long been conscripted for nationalist ends. The last decade has seen an upsurge in usage of the crusades to justify and inspire violence played out within and across national contexts. This volume furthers study of nationalist uses of the crusades and crusading by broadening the focus of study beyond north-western Europe and by showcasing different approaches to illustrate how the memory of the crusades has been employed within and between nations. This takes the form of tightly focused case studies and broader overviews covering the ambivalent role of foreign crusaders in Portuguese commemorations of the battle of Lisbon in 1947, Russian holy war rhetoric and theology, Zionist perceptions of the crusader castle of ‘Athlit, the role of individuals as ‘cultural brokers’ of crusader heritage amidst European imperial competition, and how crusading as a part of European medievalism was received and reflected in Japan in the late nineteenth and early twentieth centuries. This book will be of interest to scholars and students considering national identity, medievalism, and religious violence and to those with specific interest in the contexts of each chapter.

Engaging the Crusades is a series of concise volumes (up to 50,000 words) which offer initial windows into the ways in which the crusades have been used in the last two centuries, demonstrating that the memory of the crusades is an important and emerging subject. Together these studies suggest that the memory of the crusades, in the modern period, is a productive, exciting, and much-needed area of investigation. This volume explores how crusading rhetoric, iconography, and historiography have been purposed by far-right, nationalist, and related groups in the recent past through case studies as varied as Brenton Tarrant, who killed 51 people at a mosque and Islamic centre in New Zealand in March 2019; a modern American ‘military order’ that uses memes to recruit members and spread its ideology; and the bestselling video game Assassin’s Creed. As nationalist and far-right ideologies have gained adherents in Europe and the Americas, understanding how ideologues have misused the crusading past for their own ends is more important than ever. The Crusades and the Far-Right in the Twenty-First Century is useful for all students and scholars interested in the intersection between the history of the crusades and far-right ideology in the modern age.

This volume examines the pervasive and persistent appropriations of the military orders across a broad chronology and several regions, including Mexico, Brazil, and Greece, areas beyond the traditional focus of prior research in medievalism. Templars, Hospitallers, and Teutonic Knights, the military orders are among the most iconic aspects of the crusades and several still survive as chivalric honours or charitable organisations. In popular culture, the orders, particularly the Templars, have been the subject of or inspiration for films, books, television, and video games, from Star Wars to The Da Vinci Code and Assassin’s Creed. In this volume, an overview of the early legacies of the military orders in the seventeenth and eighteenth centuries is followed by studies of the Templar conspiracy theories of Rosslyn Chapel, the Venerable Order of St John’s creation of a medieval past, the legacy of the Hospitallers in modern Greece, the military orders in nineteenth-century Mexico, and the use of the Knights Templar by the far-right in Bolsonaro’s Brazil. Ultimately, it expands the scope of the field and indicates further avenues for research. The Modern Memory of the Military-religious Orders is a valuable resource for students and scholars of the crusades, the military orders, and medievalism.

Few events in European history generated more historical, artistic, and literary responses than the conquest of Jerusalem by the armies of the First Crusade in 1099. This epic military and religious expedition, and the many that followed it, became part of the collective memory of communities in Europe, Byzantium, North Africa, and the Near East. Remembering the Crusades examines the ways in which those memories were negotiated, transmitted, and transformed from the Middle Ages through the modern period. Bringing together leading scholars in art history, literature, and medieval European and Near Eastern history, this volume addresses a number of important questions. How did medieval communities respond to the intellectual, cultural, and existential challenges posed by the unique fusion of piety and violence of the First Crusade? How did the crusades alter the form and meaning of monuments and landscapes throughout Europe and the Near East? What role did the crusades play in shaping the collective identity of cities, institutions, and religious sects? In exploring these and other questions, the contributors analyze how the events of the First Crusade resonated in a wide range of cultural artifacts, including literary texts, art and architecture, and liturgical ceremonies. They discuss how Christians, Jews, and Muslims recalled and interpreted the events of the crusades and what far-reaching implications that remembering had on their communities throughout the centuries. Remembering the Crusades is the first collection of essays to investigate the commemoration of the crusades in eastern and western cultures. Its unprecedented multidisciplinary and cross-cultural approach points the way to a complete reevaluation of the place of the crusades in medieval and modern societies.

This book contributes to the flourishing interest in memory and the crusades. It offers a nuanced understanding of how medieval authors presented the crusades. It opens up new avenues for research into medieval texts and songs about the crusading movement.

The Crusades is an authoritative, accessible single-volume history of the brutal struggle for the Holy Land in the Middle Ages. Thomas Asbridge—a renowned historian who writes with “maximum vividness” (Joan Acocella, The New Yorker)—covers the years 1095 to 1291 in this big, ambitious, readable account of one of the most fascinating periods in history. From Richard the Lionheart to the mighty Saladin, from the emperors of Byzantium to the Knights Templar, Asbridge’s book is a magnificent epic of Holy War between the Christian and Islamic worlds, full of adventure, intrigue, and sweeping grandeur.

An epic saga of love and war, Shadow of the Swords tells the story of the Crusades—from the Muslim perspective. Saladin, a Muslim sultan, finds himself pitted against King Richard the Lionheart as Islam and Christianity clash against each other, launching a conflict that still echoes today. In the midst of a brutal and unforgiving war, Saladin finds forbidden love in the arms of Miriam, a beautiful Jewish girl with a tragic past. But when King Richard captures Miriam, the two most powerful men on Earth must face each other in a personal battle that will determine the future of the woman they both love—and of all civilization. Richly imagined, deftly plotted, and highly entertaining, Shadow of the Swords is a remarkable story that will stay with readers long after the final page has been turned.