"Sevastopol Sketches (Sebastopol Sketches)" is a collection of three works of historical fiction in which Tolstoy draws upon his real life experiences during the Siege of Sevastopol. The titular location draws its name from that of a city in Crimea and takes place during the Crimean war. The three tales in this collection are respectively titled "Sevastopol in December", "Sevastopol in May", and "Sevastopol in August". In the December tale Tolstoy introduces us to Sevastopol by giving the reader a tour and introducing us to the settings, mannerisms, and background that would relevant in the following tales. In the May tale Tolstoy examines the senselessness of war, musings that would lay the foundation for his much larger work and magnum opus "War and Peace." In the third and final tale the fall of the town is detailed. Published in 1855 "Sevastopol" was written near the beginning of the author's literary career. It is a book in which we begin to see the writer exhibit a quality of prose that would one day establish him as the greatest of all writers in the Russian and any other language.

In the final years of his life, Chekhov had reached the height of his powers as a dramatist, and also produced some of the stories that rank among his masterpieces. The poignant 'The Lady with the Little Dog' and 'About Love' examine the nature of love outside of marriage - its romantic idealism and the fear of disillusionment. And in stories such as 'Peasants', 'The House with the Mezzanine' and 'My Life' Chekhov paints a vivid picture of the conditions of the poor and of their powerlessness in the face of exploitation and hardship. With the works collected here, Chekhov moved away from the realism of his earlier tales - developing a broader range of characters and subject matter, while forging the spare minimalist style that would inspire such modern short-story writers as Hemingway and Faulkner.

Please note that the maps available in the print edition do not appear in the ebook. From "the great storyteller of modern Russian historians," (Financial Times) the definitive account of the forgotten war that shaped the modern age The Charge of the Light Brigade, Florence Nightingale—these are the enduring icons of the Crimean War. Less well-known is that this savage war (1853-1856) killed almost a million soldiers and countless civilians; that it enmeshed four great empires—the British, French, Turkish, and Russian—in a battle over religion as well as territory; that it fixed the fault lines between Russia and the West; that it set in motion the conflicts that would dominate the century to come. In this masterly history, Orlando Figes reconstructs the first full conflagration of modernity, a global industrialized struggle fought with unusual ferocity and incompetence. Drawing on untapped Russian and Ottoman as well as European sources, Figes vividly depicts the world at war, from the palaces of St. Petersburg to the holy sites of Jerusalem; from the young Tolstoy reporting in Sevastopol to Tsar Nicolas, haunted by dreams of religious salvation; from the ordinary soldiers and nurses on the battlefields to the women and children in towns under siege.. Original, magisterial, alive with voices of the time, The Crimean War is a historical tour de force whose depiction of ethnic cleansing and the West's relations with the Muslim world resonates with contemporary overtones. At once a rigorous, original study and a sweeping, panoramic narrative, The Crimean War is the definitive account of the war that mapped the terrain for today's world..

This edition of Tolstoy's earlier works includes The Cossacks, together with other examples which demonstrate the quality of his writing in the years before War and Peace and Anna Karenina.

In 1851, at the age of twenty-two, Tolstoy joined the Russian army and travelled to the Caucasus as a soldier. The four years that followed were among the most significant in his life, and deeply influenced the stories collected here. Begun in 1852 but unfinished for a decade, The Cossacks describes the experiences of Olenin, a young cultured Russian who comes to despise civilization after spending time with the wild Cossack people. Sevastopol Sketches, based on Tolstoy's own experiences of the siege of Sevastopol in 1854-55, is a compelling consideration of the nature of war, while Hadji Murat, written towards the end of his life, returns to the Caucasus of Tolstoy's youth to explore the life of a great leader torn apart by a conflict of loyalties. Written at the end of the nineteenth century, it is amongst the last and greatest of Tolstoy's shorter works.

In the years following the Napoleonic Wars, a mysterious manuscript began to circulate among the dissatisfied noble elite of the Russian Empire. Entitled The History of the Rus', it became one of the most influential historical texts of the modern era. Attributed to an eighteenth-century Orthodox archbishop, it described the heroic struggles of the Ukrainian Cossacks. Alexander Pushkin read the book as a manifestation of Russian national spirit, but Taras Shevchenko interpreted it as a quest for Ukrainian national liberation, and it would inspire thousands of Ukrainians to fight for the freedom of their homeland. Serhii Plokhy tells the fascinating story of the text's discovery and dissemination, unravelling the mystery of its authorship and tracing its subsequent impact on Russian and Ukrainian historical and literary imagination. In so doing he brilliantly illuminates the relationship between history, myth, empire and nationhood from Napoleonic times to the fall of the Soviet Union.

This is the story of the families of the plains—obsessed with their land and history, their culture and mythology—and of the man who ventured into their world. First published in 1982, The Plains is a mesmerising work of startling originality. This handsome new hardback edition is introduced by Ben Lerner, author of the internationally acclaimed novels Leaving the Atocha Station and 10:04, and a work of criticism, The Hatred of Poetry.