This is the second book of "Beginning to the End" continuation of the story arc.Please, sit tight and enjoy the stories as it goes through the SCP universe. Tales range from mystery to horror stories. If you are looking for inspiration or creative idea, the original website the SCP Foundation has tons of authors and ideas to look through.About SCP foundationMankind in its present state has been around for a quarter of a million years, yet only the last 4,000 have been of any significance.So, what did we do for nearly 250,000 years? We huddled in caves and around small fires, fearful of the things that we didn't understand. It was more than explaining why the sun came up, it was the mystery of enormous birds with heads of men and rocks that came to life. So we called them 'gods' and 'demons', begged them to spare us, and prayed for salvation.In time, their numbers dwindled and ours rose. The world began to make more sense when there were fewer things to fear, yet the unexplained can never truly go away as if the universe demands the absurd and impossible.Mankind must not go back to hiding in fear. No one else will protect us, and we must stand up for ourselves.While the rest of mankind dwells in the light, we must stand in the darkness to fight it, contain it, and shield it from the eyes of the public, so that others may live in a sane and normal world.

SCP means secure contain and protect. I have compiled one of the top tales from the foundation which is SCP. I put it together as a book to bring more presence to the website. Please, sit tight and enjoy the stories as it goes through the SCP universe. Tales range from mystery to horror stories. If you are looking for an inspiration or creative idea, the original website the SCP foundation has tons of authors and ideas to look through.About SCP foundationMankind in its present state has been around for a quarter of a million years, yet only the last 4,000 have been of any significance.So, what did we do for nearly 250,000 years? We huddled in caves and around small fires, fearful of the things that we didn't understand. It was more than explaining why the sun came up, it was the mystery of enormous birds with heads of men and rocks that came to life. So we called them 'gods' and 'demons', begged them to spare us, and prayed for salvation.In time, their numbers dwindled and ours rose. The world began to make more sense when there were fewer things to fear, yet the unexplained can never truly go away, as if the universe demands the absurd and impossible.Mankind must not go back to hiding in fear. No one else will protect us, and we must stand up for ourselves.While the rest of mankind dwells in the light, we must stand in the darkness to fight it, contain it, and shield it from the eyes of the public, so that others may live in a sane and normal world.

If you start reading or just heard about SCP and the writing community. This is the book to start reading. I put down some stories, so it is easy to begin and get into the SCP universe.SCP means secure contain and protect. I have compiled easy to begin stories, so it is easy to start reading and learning about the SCP foundation. I put it together as a book to bring more presence to the website. Please, sit tight and enjoy the stories as it goes through the SCP universe. Tales range from mystery to horror stories. If you are looking for inspiration or creative idea, the original website the SCP Foundation has tons of authors and ideas to look through.About SCP foundationMankind in its present state has been around for a quarter of a million years, yet only the last 4,000 have been of any significance.So, what did we do for nearly 250,000 years? We huddled in caves and around small fires, fearful of the things that we didn't understand. It was more than explaining why the sun came up, it was the mystery of enormous birds with heads of men and rocks that came to life. So we called them 'gods' and 'demons', begged them to spare us, and prayed for salvation.In time, their numbers dwindled and ours rose. The world began to make more sense when there were fewer things to fear, yet the unexplained can never truly go away as if the universe demands the absurd and impossible.Mankind must not go back to hiding in fear. No one else will protect us, and we must stand up for ourselves.While the rest of mankind dwells in the light, we must stand in the darkness to fight it, contain it, and shield it from the eyes of the public, so that others may live in a sane and normal world.

An antimeme is an idea with self-censoring properties; an idea which, by its intrinsic nature, discourages or prevents people from spreading it. Antimemes are real. Think of any piece of information which you wouldn't share with anybody, like passwords, taboos and dirty secrets. Or any piece of information which would be difficult to share even if you tried: complex equations, very boring passages of text, large blocks of random numbers, and dreams ... But anomalous antimemes are another matter entirely. How do you contain something you can't record or remember? How do you fight a war against an enemy with effortless, perfect camouflage, when you can never even know that you're at war? Welcome to the Antimemetics Division. No, this is not your first day.

Digital fiction has long been perceived as an experimental niche of electronic literature. Yet born-digital narratives thrive in mainstream culture, as communities of practice create and share digital fiction, filling in the gaps between the media they are given and the stories they seek. Neverending Stories explores the influences of literature and computing on digital fiction and how the practices and cultures of each have impacted who makes and plays digital fiction. Popular creativity emerges from subordinated groups often excluded from producing cultural resources, accepting the materials of capitalism and inverting them for their own carnivalesque uses. Popular digital fiction goes by many different names: webnovels, adventure games, visual novels, Twitter fiction, webcomics, Twine games, walking sims, alternate reality games, virtual reality films, interactive movies, enhanced books, transmedia universes, and many more. The book establishes digital fiction in a foundation of innovation, tracing its emergence in various guises around the world. It examines Infocom, whose commercial success with interactive fiction crumbled, in no small part, because of its failure to consider women as creators or consumers. It takes note of the brief flourish of commercial book apps and literary games. It connects practices of cognitive and conceptual interactivity, and textual multiplicity-dating to the origins of the print novel-to the feminine. It pushes into the technological future of narrative in immersive and mixed realities. It posits the transmedia franchises and the practices of fanfiction as examples of digital fiction that will continue indefinitely, regardless of academic notice or approval.

Nightshift clerk and high-functioning insomniac Jack is back to work, trying his best to keep out of trouble. But when his chain-smoking coworker discovers a mysterious radio signal revealing the guarded secrets of their town, Jack will learn that an annoying new dayshift manager is far from the worst of his problems. In this second installment of the Gas Station saga, Jack finds himself entangled in his most harrowing adventure yet. With the newest crew of coworkers along for the ride and the resident psychopath out for his blood, our hero(?) must navigate the drama of small-town murder conspiracies, vigilante justice, and demonic summoning rituals...whether he wants to or not.

Published two weeks after his seventieth birthday, Ada, or Ardor is one of Nabokov's greatest masterpieces, the glorious culmination of his career as a novelist. It tells a love story troubled by incest. But more: it is also at once a fairy tale, epic, philosophical treatise on the nature of time, parody of the history of the novel, and erotic catalogue. Ada, or Ardor is no less than the superb work of an imagination at white heat. This is the first American edition to include the extensive and ingeniously sardonic appendix by the author, written under the anagrammatic pseudonym Vivian Darkbloom.

“A novelistic mosaic that simultaneously reads like a thriller and like a strange, dreamlike excursion into the subconscious.” —The New York Times Years ago, when House of Leaves was first being passed around, it was nothing more than a badly bundled heap of paper, parts of which would occasionally surface on the Internet. No one could have anticipated the small but devoted following this terrifying story would soon command. Starting with an odd assortment of marginalized youth -- musicians, tattoo artists, programmers, strippers, environmentalists, and adrenaline junkies -- the book eventually made its way into the hands of older generations, who not only found themselves in those strangely arranged pages but also discovered a way back into the lives of their estranged children. Now this astonishing novel is made available in book form, complete with the original colored words, vertical footnotes, and second and third appendices. The story remains unchanged, focusing on a young family that moves into a small home on Ash Tree Lane where they discover something is terribly wrong: their house is bigger on the inside than it is on the outside. Of course, neither Pulitzer Prize-winning photojournalist Will Navidson nor his companion Karen Green was prepared to face the consequences of that impossibility, until the day their two little children wandered off and their voices eerily began to return another story -- of creature darkness, of an ever-growing abyss behind a closet door, and of that unholy growl which soon enough would tear through their walls and consume all their dreams.

WHAT’S WRONG WITH THIS PICTURE?! An ordinary boy encounters the paranormal when a photo of the same girl starts inexplicably showing up in every book he opens. One day, the girl reaches out and pulls him into the photo to her location: a cell in a top-secret facility belonging to the SCP Foundation, an organization dedicated to the research and containment of people, objects and phenomena that defy reality! Even worse: they’ve deemed him a threat to be contained, and he’s going to have to work with them if he ever wants to see the outside world again! Content relating to the SCP Foundation, including the SCP Foundation logo, is licensed under Creative Commons Attribution-Sharealike 3.0 and all concepts originate from http://www.scp-wiki.net and its authors. SCP Foundation: Iris Through the Looking Glass, being derived from this content, is also released under Creative Commons Attribution-Sharealike 3.0. To view a copy of the license, please visit https://creativecommons.org/licenses/by-sa/3.0/ or contact Creative Commons, PO Box 1866, Mountain View, CA 94042, USA. See full list of credits at https://sevenseasentertainment.com/scp-credits/

A confederate soldier returns home to find that life and love will never be the same.