Experiences in Alipore jail as a political prisoner, 1908-1909; original text was serialized in Bengali monthly Suprabhāta.

A “profound, sometimes hilarious, often heartbreaking” (The New York Times) view of prison life, as told by currently and formerly incarcerated people, from the co-creators and co-hosts of the Peabody- and Pulitzer-nominated podcast Ear Hustle “A must-read for fans of the legendary podcast and all those who seek to understand crime, punishment, and mass incarceration in America.”—Piper Kerman, author of Orange Is the New Black When Nigel Poor and Earlonne Woods met, Nigel was a photography professor volunteering with the Prison University Project and Earlonne was serving thirty-one years to life at California’s San Quentin State Prison. Initially drawn to each other by their shared interest in storytelling, neither had podcast production experience when they decided to enter Radiotopia’s contest for new shows . . . and won. Using the prize for seed money, Nigel and Earlonne launched Ear Hustle, named after the prison term for “eavesdropping.” It was the first podcast created and produced entirely within prison and would go on to be heard millions of times worldwide, garner Peabody and Pulitzer award nominations, and help earn Earlonne his freedom when his sentence was commuted in 2018. In This Is Ear Hustle, Nigel and Earlonne share their own stories of how they came to San Quentin, how they created their phenomenally popular podcast amid extreme limitations, and what has kept them collaborating season after season. They present new stories, all with the same insight, balance, and rapport that distinguish the podcast. In an era when more than two million people are incarcerated across the United States—a number that grows by 600,000 annually—Nigel and Earlonne explore the full and often surprising realities of prison life. With characteristic candor and humor, their moving portrayals include unexpected moments of self-discovery, unlikely alliances, inspirational resilience, and ingenious work-arounds. One personal narrative at a time, framed by Nigel’s and Earlonne’s distinct perspectives, This Is Ear Hustle reveals the complexity of life for incarcerated and formerly incarcerated people while illuminating the shared experiences of humanity that unite us all.

Prison Life Writing is the first full-length study of one of the most controversial genres in American literature. By exploring the complicated relationship between life writing and institutional power, this book reveals the overlooked aesthetic innovations of incarcerated people and the surprising literary roots of the U.S. prison system. Simon Rolston observes that the autobiographical work of incarcerated people is based on a conversion narrative, a story arc that underpins the concept of prison rehabilitation and that sometimes serves the interests of the prison system, rather than those on the inside. Yet many imprisoned people rework the conversion narrative the way they repurpose other objects in prison. Like a radio motor retooled into a tattoo gun, the conversion narrative has been redefined by some authors for subversive purposes, including questioning the ostensible emancipatory role of prison writing, critiquing white supremacy, and broadly reimagining autobiographical discourse. An interdisciplinary work that brings life writing scholarship into conversation with prison studies and law and literature studies, Prison Life Writing theorizes how life writing works in prison, explains literature’s complicated entanglements with institutional power, and demonstrates the political and aesthetic innovations of one of America’s most fascinating literary genres.

TIME’S #1 FICTION TITLE OF THE YEAR • NEW YORK TIMES NOTABLE BOOK OF 2018 FINALIST for the MAN BOOKER PRIZE and the NATIONAL BOOK CRITICS CIRCLE AWARD LONGLISTED for the ANDREW CARNEGIE MEDAL An instant New York Times bestseller from two-time National Book Award finalist Rachel Kushner, The Mars Room earned tweets from Margaret Atwood—“gritty, empathic, finely rendered, no sugar toppings, and a lot of punches, none of them pulled”—and from Stephen King—“The Mars Room is the real deal, jarring, horrible, compassionate, funny.” It’s 2003 and Romy Hall, named after a German actress, is at the start of two consecutive life sentences at Stanville Women’s Correctional Facility, deep in California’s Central Valley. Outside is the world from which she has been severed: her young son, Jackson, and the San Francisco of her youth. Inside is a new reality: thousands of women hustling for the bare essentials needed to survive; the bluffing and pageantry and casual acts of violence by guards and prisoners alike; and the deadpan absurdities of institutional living, portrayed with great humor and precision. Stunning and unsentimental, The Mars Room is “wholly authentic…profound…luminous” (The Wall Street Journal), “one of those books that enrage you even as they break your heart” (The New York Times Book Review, cover review)—a spectacularly compelling, heart-stopping novel about a life gone off the rails in contemporary America. It is audacious and tragic, propulsive and yet beautifully refined and “affirms Rachel Kushner as one of our best novelists” (Entertainment Weekly).

In December 2008, twentysomething Jill Grunenwald graduated with her master's degree in library science, ready to start living her dream of becoming a librarian. But the economy had a different idea. As the Great Recession reared its ugly head, jobs were scarce. After some searching, however, Jill was lucky enough to snag one of the few librarian gigs left in her home state of Ohio. The catch? The job was behind bars as the prison librarian at a men's minimum-security prison. Talk about baptism by fire.

*Silver Medal, 2015 IBPA Benjamin Franklin Awards, Best New Voice* *Finalist, Memoir, 2015 Maine Literary Award* In this gripping nonfiction account, Robert Reilly provides a look inside America’s prison system unlike any other, and the way that it affects not only the prisoners themselves but also the corrections officers and their families. After 13 years of struggling in the music business, Robert Reilly found himself broke and on the edge of despair. The specter of success in the music business had become a monster about to ruin his family life. Something had to change, or something was going to break beyond repair. A chance conversation with a neighbor led him to apply, somewhat half-heartedly, for a job at the county prison. Although he hated the thought of a “real job,” a regular salary of $40,000 with benefits, and paid time off seemed like a small fortune. “Amazingly, I somehow got hired. So, in an effort to do the right thing and put my family first, I left the madness of the music business and entered the insanity of the U.S. prison system.” Robert Reilly served a seven-year term as a prison guard in Pennsylvania and Maine. Entering America’s industrial prison system in search of a way to support his young family, the struggling musician found himself in a looking-glass world where, often, only the uniforms distinguished guards from prisoners. Life in Prison chronicles the horrors of a place where justice is arbitrary, outcomes are preordained, and the private sector makes big money while the public looks away. This is Reilly’s story of doing time. To call the experience sobering would be the ultimate understatement: “As time crawls by, I become jealous of the inmates leaving the prison. I start to slip; I start to feel like I’m losing my faith. Any trace of innocence that I thought I still had starts to evaporate. I begin to feel trapped, imprisoned, locked in a dark heartbreaking world, just like an inmate.”

Sent to prison at age 19 on a minor drug offense, a 10-to-20 year sentence, Susan Marie Lefevre chose to escape the life she'd been dealt and begin a new one. She spent the next thirty-two years living the life she'd always planned, all the while carrying the secret of her past. When her two lives collided, the results were played out in the courtrooms and news media.

Britain’s prison system is in crisis. Prisoners catatonic on Spice, prison officers under extreme stress, overcrowding, riots, fatal stabbings – barely a week goes by without disturbing reports reaching the outside world of life inside our jails. For eleven years, Neil Samworth worked as a prison officer in perhaps the most notorious of all prisons, Strangeways, now HM Prison Manchester. He left in 2016 and, having kept a diary for many years, is ready to tell his story. Strangeways: My Life As A Prison Officer is a no-holds-barred account of one man’s struggle to keep his professional composure and sanity in one of Britain’s toughest jails. From the chaotic, intimidating atmosphere of K wing, which houses more than 200 prisoners spread over three landings, to the healthcare unit where the prison’s most mentally disturbed prisoners are held, Neil has seen it all – cell fires, suicides, terrifying violence. He has had to beat back his own emotions as he deals with psychopathic killers and witnessed the worst of human nature but also the best, and some of the most moving passages in the book recall the embattled camaraderie among his colleagues.

A riveting, behind-the-bars look at one of America's most feared prisons: San Quentin-- by a minister to the lost souls sitting on death row. Himself a former criminal, Smith shares the most important lessons he's learned from years of helping inmates discover God's plan for them. Their stories show us that it is still possible to find God's grace and mercy from behind bars, and that it's never too late to turn our lives around.