A series of short stories concerning the land of New Albion and the weird and wonderful folk who inhabit it. There is Ellen Hall the tomboy adventuress, Sir Grenville Lushthorpe a bonkers inventor, Admiral Sherman a crime solving dog and plenty more besides. Come into my world of airships, ornithopters and steam locomotives, but beware there are strange goings-on in the shadows.

New Albion follows the lives of the employees of the New Albion theatre in London, England, in 1850, through the journal entries of the stage manager, Emlyn Phillips. Fighting its own reputation, hindered by its location and “sketchy” (at best) audience, as well as a police commissioner who demands “morally upstanding” plays, and a playwright so decrepit and addicted to laudanum that the actors of the New Albion are never sure what to expect, the troupe attempts to put on the best show possible, each and every night. The reader is introduced to the entire company of actors, all of whom have their own set of issues, who consistently band together as a community and family in the face of every obstacle - and there are more than a few of those. As the theatre encounters problem after problem, Phillips must decide how much he’s willing to sacrifice for the sake of his passion.

A chronicle of violent fury and compassion, written when Surrealism was still vigorous and doing battle with psychotic "reality," The Journal of Albion Moonlight is the American monument to engagement.

In this "startling, fasciniating, disturbing" (Library Journal) companion to Lilian's Story, Kate Grenville takes on a daunting challenge: to imagine, from the inside out, how an apparently respectable Victorian gentleman can persuade himself that he has a right, perhaps even a "manly" duty to rape any woman under his control: his shopgirls, his servants, his wife, even his daughter.

Albion. Land of mists and mysteries, where mankind resembled gods. But these gods were flawed and they turned their powers on each other, making rivers of blood and birthing horrors we were not meant to know, until giants battled demons over the fate of the world. And then, as the fighting reached its peak, a great power reached out and Albion simply vanished. For over a thousand years it has been hidden from the eyes of men. When the impenetrable mists hiding Albion began to lift, the King of the Old World sent a rag tag group to explore and settle there. Initially, reports of wonders and wealth came back, then, without warning, all went quiet. Now a new convoy is being sent, seven ships sailing for the mysterious land of Albion. Their crews and captains have many reasons to risk the journey, a mix of opportunists, adventurers, and those keen to leave behind their old lives. But the sins of the past are not so easily left behind and the lure of power and magic weaves its spell long before arrival. Before the ships have even made landfall, old rivalries simmer and, without warning, one ship turns its weapons upon another.

1588: The London of Elizabeth I is rocked by news of a daring raid on the Tower. The truth is known only to a select few: that, for twenty years, a legendary doomsday device, its power fabled for millennia, has been kept secret and safe in the Tower.

The days of magic and adventure are fading away, giving way to the age of industry and science. As the aged last Hero sits upon the throne of Albion, two friends-the privileged Thomas and his loyal servant, John- set out for the East in search of a legendary beast: the vicious, rarely-seen balverine. But their desire for adventure may be their ultimate undoing-because their quarry has just found them...

Many cultures, including Greeks, Romans, French, and British, have taken great pride in legends that recount the foundation of their society. This book demonstrates the contexts in which a medieval British matriarchal legend, the Albina narrative, was paired over time with a patriarchal narrative, which was already widely disseminated, leading to the attribution of British origins to the warrior Brutus. By the close of the Middle Ages, the Albina tale had appeared in multiple versions in French, Latin, English, Welsh, and Dutch. This study investigates the classical roots of the narrative and the ways it was manipulated in the Middle Ages to function as a national foundation legend. Of especial interest are the dynamic qualities of the text: how it was adapted over the span of two centuries to meet the changing needs of medieval writers and audiences. The currency in the Middle Ages of the Albina narrative is attested to by its inclusion in nearly all the extant manuscripts of the Middle English Prose Brut, many of the French and Latin Bruts, and in a variety of other chronicles and romances. In total, there are over 230 manuscripts surviving today that contain versions of the Albina tale. Despite this, however, relatively little modern scholarship has focused on this widely disseminated and adapted legend. This book provides the first-ever overview of the entire Albina tradition, from its roots to its eventual demise as a popularly accepted narrative. The Classical basis of the narrative in the Hypermnestra story and the ways it was manipulated in the medieval era to function as a national foundation legend are considered. Folkloric, biblical, and legal influences on the development of the tradition are addressed. The tale is viewed through a variety of lenses to suggest ways it may have functioned or was put to use in the Middle Ages. The study concludes with an overview of the narrative's demise in the Renaissance. This is a useful reference source for medievalists and other scholars interested in chronicle studies, literature, folklore, foundation narratives, manuscript studies, and historiography. It will also be useful to art historians who wish to study the various depictions of the Albina narrative in illuminated texts. The tale's emphasis on matriarchy and its subversion of the accepted societal norm will attract the interest of scholars in feminist studies. As the first analysis of the Albina tradition as a whole, it will be a valuable cornerstone for later studies.

This fascinating book is the first volume in a projected cultural history of the United States, from the earliest English settlements to our own time. It is a history of American folkways as they have changed through time, and it argues a thesis about the importance for the United States of having been British in its cultural origins. While most people in the United States today have no British ancestors, they have assimilated regional cultures which were created by British colonists, even while preserving ethnic identities at the same time. In this sense, nearly all Americans are "Albion's Seed," no matter what their ethnicity may be. The concluding section of this remarkable book explores the ways that regional cultures have continued to dominate national politics from 1789 to 1988, and still help to shape attitudes toward education, government, gender, and violence, on which differences between American regions are greater than between European nations.

Experience the dazzling brilliance of a world like ours—yet infinitely bolder and brighter: a place of kings and warriors, bards and battles, feats of glory and honour. It is a place you will forever wish to be. It is Albion. "When I opened my eyes, I was no longer in the world I knew." Lewis Gillies is an American graduate student in Oxford who should be getting on with his life. Yet for some reason, he finds himself speeding north with his roommate Simon on a lark—half-heartedly searching for a long-extinct creature allegedly spotted in a misty glen in Scotland. Expecting little more than a weekend diversion, Lewis accidently crosses through a mystical gateway where two worlds meet: into the time-between-times, as the ancient Celts called it. And into the heart of a collision between good and evil that's been raging since long before Lewis was born. First published more than twenty years ago, The Song of Albion Trilogy has become a modern classic that continues to attract passionate new readers. Part of The Song of Albion trilogy: Book One: The Paradise War Book Two: The Silver Hand Book Three: The Endless Knot Epic historical fantasy Book length: 138,000 words Includes additional insights from the author in “Albion Forever!” and an interview