This volume contains two unusual and appealing satirical works by the well-known European philosopher Kolakowski. The first, Tales from the Kingdom of Lailonia, is set in a fictional land. Each story illustrates some aspect of human inability to come to terms with imperfection, infinitude, history, and nature. The second, The Key to Heaven, is a collection of seventeen biblical tales from the Old Testament told in such a way that the story and the moral play off each other to illustrate political, moral, or existential foibles and follies.

This book brings together various discourses concerned with violence and punishment, paying special attention to the extreme variations of these phenomena. Starting from a narrow definition of violence as an infliction of physical harm, paired with a broad discussion of its causes and a wide definition of punishment as an authority claim to retribution or reform, the book maps and interprets political-theoretical discourses on the death penalty, historical explanations of the changes of violence and punishment, and comparative differences in punishment. It also puts violence and punishment into perspective with political power, world religions, literature and film, and criminological theory. The final chapter changes the perspective taken in the bulk of the book, dealing with discourses of theodicy in the face of cases of extreme violence and suffering. By juxtaposing many unusual discourses, the book attempts to fulfill three primary functions. First, it skeptically probes numerous discourses explaining and legitimizing violence and punishment in the light of extreme cases. The book is a map of violence and punishment. Second, it invites the reader to confront, choose, and combine these discourses when thinking about facts and norms of punishment. The book provides an analytical toolbox for research of violence and punishment. Third, the book presents wider sense-seeking strategies employed to deal with suffering such as irony, redemption, or rationalization.

Complete the Old Testament series of the Word Biblical Commentary with Dr. David Clines’ monumental study of Job. Volume 18B is devoted entirely to the response of the Lord from the tempest to Job, together with the replies of Job (Job 38–42), presenting the Lord's own explanation of his manifold purposes in creation and bringing to an unexpected conclusion Job's dramatic quest for justice. Difficult portions of the Hebrew text are thoroughly handled, but the commentary is written for the non-technical reader and scholar alike. Clines uncovers the driving force of the argument and the drama of the book. The Explanation sections at the end of each chapter brilliantly summarize the views of the speakers and offer thoughtful reflections on their theological value. The volume concludes with a unique 250-page bibliography of virtually everything that has been written about the Book of Job, including its influence on art, music and literature. Features include: Complete new translation and verse by verse commentary on the Book of Job, in constant dialogue with other commentators Extensive scholarly notes on the Hebrew text of the book and its many obscure terms Unparalleled bibliography gives sweeping coverage of all aspects of the Book of Job from scholarly books to art, literature, and music

The late Leszek Kolakowski was one of the most influential philosophers of the twentieth century. A prominent anticommunist writer, Kolakowski was also a deeply humanistic thinker, and his meditations on society, religion, morality, and culture stand alongside his political writings as commentaries on intellectual—and everyday—life in the twentieth century. Kolakowski’s extraordinary empathy, humor, and erudition are on full display in Is God Happy?, the first collection of his work to be published since his death in 2009. Accessible and wide ranging, these essays—many of them translated into English for the first time—testify to the remarkable scope of Kolakowski’s work. From a provocative and deeply felt critique of Marxist ideology to the witty and self-effacing “In Praise of Unpunctuality” to a rigorous analysis of Erasmus’ model of Christianity and the future of religion, these essays distill Kolakowski’s lifelong engagement with the eternal problems of philosophy and some of the most vital questions of our age.

Asking if there is humor in any religious text might seem blasphemous to many readers. Religious texts are there to instruct us, not entertain us. Religious texts are serious works, not frivolous. However, if part of being human entails having a sense of humor, then it would be more surprising indeed for Scripture not to have humor. Humor instructs us as much as it entertains us. God at the Improv seeks to show that being religious and being humorous are not opposites, but actually work in tandem to enhance and enliven our faith and practice.

God Owes Us Nothing reflects on the centuries-long debate in Christianity: how do we reconcile the existence of evil in the world with the goodness of an omnipotent God, and how does God's omnipotence relate to people's responsibility for their own salvation or damnation. Leszek Kolakowski approaches this paradox as both an exercise in theology and in revisionist Christian history based on philosophical analysis. Kolakowski's unorthodox interpretation of the history of modern Christianity provokes renewed discussion about the historical, intellectual, and cultural omnipotence of neo-Augustinianism. "Several books a year wrestle with that hoary conundrum, but few so dazzlingly as the Polish philosopher's latest."—Carlin Romano, Washington Post Book World "Kolakowski's fascinating book and its debatable thesis raise intriguing historical and theological questions well worth pursuing."—Stephen J. Duffy, Theological Studies "Kolakowski's elegant meditation is a masterpiece of cultural and religious criticism."—Henry Carrigan, Cleveland Plain Dealer

Igor Chabrowski analyses the history of the development of opera in Sichuan, arguing that opera serves as a microcosm of the profoundtransformation of modern Chinese culture between the 18th century and 1950s.

A Hybrid Approach to Teaching Chinese through Digital Humanities, CALL, and Project-Based Learning presents an exposition of current thinking, research, and best practices in Computer-Assisted Language Learning (CALL), Digital Humanities (DH), and Project-Based Language Learning (PBLL) in the context of teaching Chinese as a foreign language (TCFL). It proposes integrating CALL and DH into PBLL to form a Digital Humanities–Augmented Technology-Enhanced Project-Based Language Learning (DATEPBLL) approach to transform student learning. By combining DH pedagogy and CALL technology with PBLL, the approach takes advantage of their synergies, which enables instructors to help students develop linguistic and cultural competency as well as 21st century skills. Case studies and best practices from experienced Chinese language teachers are presented to demonstrate the value of the DATEPBLL approach. This is the first volume that covers all three fields and makes a strong case for the importance of incorporating CALL, DH, and PBLL for effective language learning. Written for professionals in language education, including educators, curriculum designers and developers, graduate students, publishers, government personnel, and researchers, the book provides theoretical insights and practical applications of CALL, DH, and PBLL.

Arguably more than any other region, the area known as Eastern Europe has been defined by its location on the map. Yet its inhabitants, from statesmen to literati and from cultural-economic elites to the poorest emigrants, have consistently forged or fathomed links to distant lands, populations, and intellectual traditions. Through a series of inventive cultural and historical explorations, Eastern Europe Unmapped dispenses with scholars’ long-time preoccupation with national and regional borders, instead raising provocative questions about the area’s non-contiguous—and frequently global or extraterritorial—entanglements.

'A modern philosopher who has never once suspected himself of being a charlatan,' writes Leszek Kolakowski at the start of this endlessly stimulating book, 'must be such a shallow mind that his work is probably not worth reading.' For over a century, philosophers have argued that philosophy is impossible or useless, or both. Although the basic agenda dates back tot he days of Socrates, there is still disagreement about the nature of truth, reality, knowledge, good and God. This may make little practical difference to our lives, but it leaves us with a feeling of radical uncertainty described by Kolakowski as 'metaphysical horror'. Is there any way out of this cul-de-sac? This trenchant analysis confronts these dilemmas head on. Philosophy may not provide definitive answers to the fundamental questions, yet the quest itself transforms our lives. It may undermine most of our certainties, yet it still leaves room for our spiritual yearnings and religious beliefs. Kolakowski has forged a dazzling demonstration of philosophy in action. It is up to readers to take up the challenge of his arguments.