For over a decade Luke Fletcher has been a firm fan favourite at Trent Bridge. This 6'6"e; gentle giant never gives less than 100 per cent for Nottinghamshire, but a laugh and a joke are never far from his lips. In Tales from the Front Line, 'Fletch' serves up laughs aplenty as he takes us on an anecdotal journey through our summer game.

What is "cancel culture." A new phrase in popular circulation for less than two years, it has provoked passionate denunciations from observers concerned with civil liberties, especially rights of free speech and expression, and apologetic defenses from opponents who advocate equity and accountability in light of new mores. Still others deny that "cancel culture" exists at all, while many claim never to have heard of it. In Cancel Culture: Tales from the Front Lines, noted historian and critic Paul du Quenoy presents a series of case studies that reveal the new phenomenon known as "cancel culture" as experienced or claimed in media, academia, the arts, public space, and other areas of ideological controversy. More than a bald denunciation or frustrated description of an unfamiliar new concept, this groundbreaking approach seeks to understand "cancel culture" as a process - how it starts and stops, where it comes from and leads, and how and, indeed, whether it might one day end. This penetrating and highly original analysis sheds light on a society grappling feverishly with fundamental issues of freedom and liberty.

A fully illustrated account of Middle East Command’s strike force as told by its pilots and airmen, from the author of Hunters Over Arabia. After two years servicing Vampire trainers at the RAF’s Central Flying School, Ray Deacon left Little Rissington and joined thirty fellow airmen for a voyage out to Aden aboard HMT Nevassa on her last sailing as a troopship. Posted to 8 Squadron at RAF Khormaksar, he spent the next two years living and working in the torrid heat of this desert outpost. It had its compensations, however—the opportunity not only to experience life on a busy front-line operational squadron while working on ground attack and fighter reconnaissance versions of the Hawker Hunter, but to savor the delights of a trip in aeronautical engineer Sydney Camm’s most versatile aircraft topping his list. In addition to defending the skies above Aden and its Protectorates, Middle East Command expended a large proportion of its energy supporting army activities in the mountains of the Aden hinterland: dropping supplies, transporting personnel between posts, and in the case of the Hunter squadrons, attacking dissident targets and patrolling the border with Yemen. It was against this background that Deacon wrote his first book on RAF Middle East Command operations, Hunters over Arabia. Tales from the Frontline: Middle East Hunters is a fully illustrated companion volume that comprises anecdotes, stories, and experiences of life on the Hunter squadrons as told by the pilots and airmen who flew and maintained the Hunter during its twelve-year tenure in Arabia.

A history of 1805’s Battle of Trafalgar between the British Royal Navy and the joint forces of the French and Spanish navies. Tales from the Front Line: Trafalgar offers a unique insight into the most significant naval battle in history, told through the accounts of those who were actually there. Here you will find original accounts from the great military leaders of the time—including Horatio Nelson and Napoleon—as well as the experiences of the ordinary seamen and civilian witnesses. This title is drawn from a variety of contemporary sources including letters, diaries, newspapers and ships’ logs. Praise for Tales from the Front Line: Trafalgar “For contemporary accounts, you cannot do better . . . Based almost entirely on the testimony of survivors from both sides, the book superbly recreates the hell of 19th Century naval warfare.” —The Mail on Sunday (UK)

Tales from the Front lines of Indie Film an other assorted tips for the beginning moviemaker has 19 articles, cautionary tales, and Making Of chronicles from award winning filmmaker Peter John Ross, director of "Horrors of War" and several Sonnyboo Productions. A perfect book for the aspiring Camcorder Kubricks and Backyard Spielbergs just starting out.

Producer Linson gives readers a brutally honest, funny, and comprehensive tour through the horrors of Hollywood, from script to screen.

Three centuries of war. Three centuries of sacrifice. “Tales of love and heroism from conflicts such as the Napoleonic Wars and Afghanistan today.” —The Mirror In this brilliant and profoundly moving collection of farewell letters written by servicemen and women to their loved ones, Siân Price offers a remarkable insight into the hearts and minds of some of the soldiers, sailors and airmen of the past three hundred years. Each letter provides an enduring snapshot of an impossible moment in time when an individual stares death squarely in the face. Some were written or dictated as the person lay mortally wounded; many were written on the eve of a great charge or battle; others were written by soldiers who experienced premonitions of their death, or by kamikaze pilots and condemned prisoners. They write of the grim realities of battle, of daily hardships, of unquestioning patriotism or bitter regrets, of religious fervor or political disillusionment, of unrelenting optimism or sinking morale and above all, they write of their love for their family and the desire to return to them one day. Be it an epitaph dictated on a Napoleonic battlefield, a staunch, unsentimental letter written by a Victorian officer, or an email from a soldier in modern day Afghanistan, these voices speak eloquently and forcefully of the tragedy of war and answer that fundamental human need to say goodbye. “The poignant farewells encapsulate the final words of servicemen to their loved ones before they were killed in action.” —The Telegraph “A timely reminder of the tremendous sacrifices made by fighting men and women of all countries in all ages.” —Military History Monthly

For over a decade Luke Fletcher has been a firm fan favourite at Trent Bridge. This 6'6" gentle giant never gives less than 100 per cent for Nottinghamshire, but a laugh and a joke are never far from his lips. In Tales from the Front Line, 'Fletch' serves up laughs aplenty as he takes us on an anecdotal journey through our summer game.

Here is the autobiography of Cheetah Chrome, lead guitarist of the Dead Boys, one of the greatest punk bands ever. It’s a tale of success--and excess: great music, drugs (he overdosed and was pronounced dead three times), and resurrection. The Dead Boys, with roots in the band Rocket from the Tombs, came out of Cleveland to dominate the NYC punk scene in the mid-1970s. Their hit “Sonic Reducer” soon became a punk anthem. Now, for the first time, Cheetah dishes on the people he’s known onstage and off, including the Dead Boys’ legendary singer Stiv Bators, Johnny Thunders of the New York Dolls, the Ramones, the Clash, Pere Ubu, and the Ghetto Dogs, as well as life at CBGBs, a year with Nico, and more. Straight from the man, these are the backstage stories that every punk fan will want to hear. Never mind the Sex Pistols, here’s Cheetah Chrome!

This open access book marks the first historical overview of the autism rights branch of the neurodiversity movement, describing the activities and rationales of key leaders in their own words since it organized into a unique community in 1992. Sandwiched by editorial chapters that include critical analysis, the book contains 19 chapters by 21 authors about the forming of the autistic community and neurodiversity movement, progress in their influence on the broader autism community and field, and their possible threshold of the advocacy establishment. The actions covered are legendary in the autistic community, including manifestos such as “Don’t Mourn for Us”, mailing lists, websites or webpages, conferences, issue campaigns, academic project and journal, a book, and advisory roles. These actions have shifted the landscape toward viewing autism in social terms of human rights and identity to accept, rather than as a medical collection of deficits and symptoms to cure.