In 1896, Kate Cranston, the pioneer of Glasgow tea rooms in the late nineteenth century, commissioned Charles Rennie Mackintosh -- who would become one of the Western world's most renowned designers -- to design her tea rooms, and over the next two decades he did so with dazzling inventiveness. (Mackintosh's wife, Margaret, herself an artist, also made important contributions to the interior designs.) A pair of perfectionists, Cranston and Mackintosh opened up a unique, avant-garde artistic world to thousands of ordinary people. Their tea rooms became internationally famous. Taking Tea with Mackintosh illustrates this exciting collaboration with black-and-white historical photographs of the tea rooms and color photographs of their surviving components. In addition, sixteen recipes for traditional tea room cakes, breads, and pastries are supplied, offering the best chance the reader will have to revisit these extraordinary places.

An outstanding debut collection of stories in a similar vein as Nobody Belongs Here More than Me; Girl, Interrupted; and Prozac Nation Announcing the arrival of an extraordinary new voice, this is a viciously funny, gut-wrenching, and shockingly frank account of sexual misadventure, familial disintegration, bereavement, and self-discovery. To produce this highly autobiographical work, Anneliese Mackintosh has taken the most intense episodes of her life so far, and reimagined them in these profound, funny, and poignant tales of damaged young women trying to understand what womanhood means in the 21st century.

This work offers an in-depth study of Charles Rennie Macintosh's water colours which assesses how they relate to his work in architectural and furniture design. Illustrations of the artist's work are provided and a catalogue raisonne is also included.

Discover the twisty, gripping Richard & Judy Book Club pick and Sunday Times Number One bestseller. And don't miss Clare's brand-new thriller: A Game of Lies is out now. You do the same thing every day. You know exactly where you're going. You're not alone . . . When Zoe Walker sees her photo in the classifieds section of a London newspaper, she is determined to find out why it's there. There's no explanation: just a grainy image, a website address and a phone number. She takes it home to her family, who are convinced it's just someone who looks like Zoe. But the next day the advert shows a photo of a different woman, and another the day after that. Is it a mistake? A coincidence? Or is someone keeping track of every move they make . . . Praise for I See You: 'A breathless thriller . . . It's a must-finish-at-all-costs job' Daily Mail 'A chilling and original story . . . kept me reading until dawn' Rachel Abbott 'Accomplished, addictive and thought-provoking - you'll never feel the same about taking the tube again' B A Paris 'A deliciously creepy tale of urban paranoia' Ruth Ware 'Wonderfully sinister. Had me looking over my shoulder every time I travelled on the tube' Fiona Barton 'Another edge-of-your-seat thriller . . . a terrifyingly plausible plot and gasp-inducing ending' Good Housekeeping 'I had chills the entire way through' Jenny Blackhurst

A showcase of the artistic output of Charles Rennie Mackintosh, Herbert MacNair, Margaret and Frances Macdonald, known simply as 'The Four'.

Between 1896 and 1906, Charles Rennie Mackintosh (1868–1928) produced a series of buildings and interiors in and around Glasgow of such startling invention that he immediately established himself as one of the truly great figures in early twentieth-century architecture and design. David Brett argues that Mackintosh's originality was grounded in a highly subjective "poetics of workmanship", in which the structure, features, interiors and furnishings of each individual building became subject to a unifying system of forms, metaphors and unconscious associations. The system Mackintosh evolved allowing for the formulation of an almost infinite series of ensembles. After focusing on the various decorative details and interior spaces of Mackintosh's buildings the author reaches to the heart of Mackintosh's poetic system – the suffused eroticism of the sleek, "feminine" and intensely private "white interiors". A notable feature of this persuasive reappraisal of Mackintosh's work is the wealth of photographs by the author showing rarely featured details of buildings, interiors and furnishings.

DK Eyewitness Travel Guide: Great Britain takes you by the hand, leading you straight to the best attractions England, Scotland, and Wales have to offer. DK's insider travel tips and essential local information will help you discover the best of Great Britain, from the famous landmarks in the hearts of the capital cities to the day trips around the countryside. See Big Ben from the London Eye, enjoy a pint on the sidewalk outside a pub, discover the mysterious and magnificent Stonehenge, and explore fairytale castles. Discover DK Eyewitness Travel Guide: Great Britain. + Detailed itineraries and "don't-miss" destination highlights at a glance. + Illustrated cutaway 3-D drawings of important sights. + Floor plans and guided visitor information for major museums. + Guided walking tours, local drink and dining specialties to try, things to do, and places to eat, drink, and shop by area. + Area maps marked with sights. + Detailed city map of London includes street finder indexes for easy navigation. + Insights into history and culture to help you understand the stories behind the sights. + Hotel and restaurant listings highlight DK Choice special recommendations. With hundreds of full-color photographs, hand-drawn illustrations, and custom maps that illuminate every page, DK Eyewitness Travel Guide: Great Britain truly shows you this region as no one else can.

Amazing Art Adventures gathers together hundreds of exciting, unexpected and memorable art experiences from around the world.

Of the many practitioners of art nouveau in Great Britain, Charles Rennie Mackintosh (1868-1928) has outlasted them all. His work bridged the more ornate style of the later nineteenth century and the forms of international modernism that followed. Like Frank Lloyd Wright, with whom he is frequently compared, he is known for so thoroughly integrating art and decoration that the two became inseparable. His work has been honored by a major exhibition at the Metropolitan Museum of Art, and his designs have proliferated to such an extent that they can be found reproduced in posters, prints, jewelry, and even new buildings. His most important project was the Glasgow School of Art, which still functions as a highly prestigious art school. This glorious building is visited each year by thousands of tourists from around the world. Built over a dozen years, beginning in 1897, the Glasgow School of Art is Mackintosh's greatest and most influential legacy. This completely redesigned and heavily illustrated edition of Mackintosh's Masterwork has been greatly expanded and contains newly discovered material about both the early life of the architect and the formative years in which his plans for the School of Art were executed.

Like Charles Rennie Mackintosh, John Cairney began his career at the age of 15 at the Glasgow School of Art. He tells of the working life of Charles Rennie Mackintosh as well as the beautiful love story which tragically ended with Mackintosh's sudden death at the age of 60. His wife and co-artist, Margaret Macdonald died three years later.