Take Me Home Huey: Honoring American Heroes Through Art is the moving story of visionary artist Steve Maloney's mission to honor Vietnam veterans by resurrecting a shattered medevac helicopter that was shot down on Valentine's Day in 1969 and dramatically transforming the Huey into a traveling memorial to those who served. Take Me Home Huey documents, through stunning photographs and Maloney's narrative, how the sculpture evolved - from a wish to honor Vietnam veterans 50 years after the war's end into a touchstone for solace and connection among veterans, including some with PTSD. Drawing on in-depth conversations with survivors of the doomed Huey, others who served in the helicopter war, therapists, and historians, Maloney's work is a stirring tribute to the heroes of the war in Southeast Asia. The 216-page (9"x11") book is the cornerstone of a groundbreaking multimedia project that also includes an Emmy award-winning film and an original song. The unique narrative provides vital context for the entire project through interviews with the surviving medevac crewmen, other veterans, PTSD survivors, doctors, art therapists, and historians, including Joe Galloway, the official spokesperson of the national Vietnam War Commemoration. With the addition of personal stories from those touched by the artwork, the book adds a new dimension to the art of the war memorial and is a perfect capstone to the Take Me Home Huey project.

THE STORIES: MARGARET’S BED. Elsie picks up Ben at the symphony and brings him back to the apartment she shares with Margaret, who is away for the night. Ben assumes that this is a prelude to sex, but truly Elsie is just desperate for Ben to sleep in Margaret’s empty bed, because she has a pathological fear of sleeping in an empty apartment. (1 man, 1 woman.) THE KILLING. Mac meets Huey at a bar and brings him home to his apartment to share a bottle of whiskey, but this isn’t the kind of pick-up you might think. Mac, who is a religious man and fears damnation, hopes to convince Huey, who does not believe, to kill him. (2 men.) THE POWER OF SILENCE. Teachers at the same school, Emma and Louise have been receiving mysterious phone calls, and when Emma answers, no one speaks. Louise is less disturbed by the calls, but they make Emma frantic, and she is sure that one of her students is responsible. After several silent calls, someone rings their door buzzer repeatedly. But who’s there? (2 men, 2 women.) PRODIGAL. Terry is a troubled teen who’s been arrested multiple times and is on probation. In fact, if his mother won’t let him stay with her, Terry has to turn himself in and go back to “the farm.” Nancy has a chance at a new life with a new husband, though, and she can’t handle her son anymore. But her decision has dire consequences for others. (1 man, 2 women.) THE CALL. Joe has traveled to New York City from Billings, Montana for a Shriners-like convention and parade, but he is weighed down by his sense of failure and fear of a changing world. He can’t even bring himself to stay with his successful actress sister and her husband in their tony apartment, preferring to drag his heavy suitcase to find a hotel room on a low floor. (2 men.) THE LOVE DEATH. Byron is a successful writer, living alone in a well-decorated apartment, who makes a series of calls to his mother, friends, and the critic who gave his last book of short stories a terrible review to let them know that he is about to commit suicide. (1 man, voices.) MOVED-IN. The super of the apartment complex, Mr. Flicker, is leaving, and the board has offered his job to Carlton. But Carlton, an African American who struggled to get admitted to the complex in the first place, isn’t sure he wants to take the job and give up the hate he feels for many of his fellow tenants. (2 men, 1 woman.)

In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.

Nightmares, anger, fear, flashbacks, guilt, feelings of betrayal, short memory span, forgetful. These are all just a sample of the symptoms of Posttraumatic Stress Disorder (PTSD) that plague the author and have challenged him since the end of his Vietnam War tour of duty in 1966. The author hopes that, by putting his words on paper and baring his deepest, darkest memories of his PTSD experiences, he can show how his writing has helped him to adjust, cope, and actually control these symptoms. The author and members of the writing group he facilitates at the Loma Linda Veterans Hospital have had some poetry readings at some local California colleges, libraries, and at the Loma Linda Healthcare System in Loma Linda, California. The reaction and acceptance from other veterans in the audiences has given the author a feeling of pride and happiness to see how the veterans are moved by the power of the written word. Each member of the writing group writes, shares, and has control of their own work. Their recovery journey from their writing really shows in the demeanor and actions of each member, and some have also published their own books. Others are still putting together their own books to be published in the future. The author fights through his fear of speaking in front of others and is willing to bare those feelings he writes about just to get other veterans to understand that they are not alone in their pain, and that they are not alone in life. The author feels that he is on his recovery journey, and through this book, he hopes to reach other victims and give them courage to look for professional help in their own journey.

In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.

In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.

Helicopter pilots in Vietnam kidded one another about being nothing but glorified bus drivers. But these "rotor heads" saved thousands of American lives while performing what the Army classified as the most dangerous job it had to offer. One in eighteen did not return home. Tom A. Johnson flew the UH-1 "Iroquois" -- better known as the "Huey" -- in the 229th Assault Helicopter Battalion of the First Air Cavalry Division. From June 1967 through June 1968, he accumulated an astonishing 1,600 flying hours (1,150 combat and 450 noncombat). His battalion was one of the most highly decorated units in the Vietnam War and, as part of the famous First Air Cavalry Division, helped redefine modern warfare. With tremendous flying skill, Johnson survived rescue missions and key battles that included those for Hue and Khe Sanh and operations in the A Shau and Song Re valleys, while many of his comrades did not. His heartfelt and riveting memoir will strike a chord with any soldier who ever flew in the ubiquitous Huey and any reader with an interest in how the Vietnam War was really fought.

They survived the insanity of the Vietnam War by telling themselves, "It don't mean nuthin'." But it did. This collection of nonfiction short works tells the story of how war damages our soldiers, and then pulls back the curtain of trauma treatment to offer a rare glimpse of how these veterans strive to integrate those combat experiences and to recover. Though intimately revealing the human shadow and darkness of war, this is a hopeful book: it is about transformation, restoring meaning and connection, and navigating the archetypal hero's journey as survivors come home from war. It seeks to unite our warriors and civilian public together in learning and healing. Their stories are this liminal bridge. This narrative arose from the psychotherapeutic process of treating our nation's combat veterans for Post-Traumatic Stress Disorder. But this book is also about the author's own self-discovery, tracing his evolution as a clinical psychologist and combat trauma specialist dedicated to working with Vietnam veterans. The author serves as a therapist, narrator, advocate, keeper of veterans' sacred "dark" wisdom, and fellow traveler.

The collection of short essays in Carry Me Home begins as a lament for what in September 2005 looked to be the lost city of New Orleans. Over the following two-and-one-half years, these brief essays become a lyrical celebration of the city and the people, and a journal of a 20-year expatriate's decision to move home after the flood. Mark Folse is a former journalist who, after a twenty-year remove first to Washington, D.C. and later to the upper Midwest, returned with his family to the city of his birth. He currently resides in the Mid-City neighborhood of New Orleans with his wife Rebecca, and their two children Killian and Matthew. He continues to chronicle his life in the city of New Orleans at his weblog Toulouse Street -- Odd Bits of Life in New Orleans (www.toulousestreet.net)

In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.