Kaguya doesn't remember who she is or why she has a huge scar on her back. Six months ago, she was found injured and unconscious in a field of bamboo. Now she works as a housekeeper and babysitter at a brothel, living her new life simply as "Kaguya." Kaguya's real identity is entwined with two men--Hanzou, a handsome bodyguard of Okazaki Castle, and Hanzo, a leader of the ninja village of Iga. Between amnesia and mistaken identity, no one knows for sure what kind of person Kaguya is. Only her distinctive scar will lead her to the truth... -- VIZ Media

Kaguya, suffering from amnesia since being found unconscious in a bamboo field six months earlier, is led closer to the truth about her real identity by the distinctive scar on her back.

Pronouncing Sumi and Soichiro's marriage superficial, Nozomu becomes even more dogged in his quest to make Sumi his. As Nozomu teams up with Natsuki to bring Soichiro down, Soichiro finds his carefully arranged life unraveling before his very eyes... -- VIZ Media

After the devastating attack on Iga, Usagi becomes a better-skilled ninja. Even as Usagi takes solace from her friend Yuki and vows to move forward, she struggles to come to terms with her tragic losses. Meanwhile, rumor has it that Goemon is still alive in the capital! Usagi heads off to investigate, but she'll be surprised to see how much he's changed... -- VIZ Media

Serialized television drama (dianshiju), perhaps the most popular and influential cultural form in China over the past three decades, offers a wide and penetrating look at the tensions and contradictions of the post-revolutionary and pro-market period. Zhong Xueping’s timely new work draws attention to the multiple cultural and historical legacies that coexist and challenge each other within this dominant form of story telling. Although scholars tend to focus their attention on elite cultural trends and avant garde movements in literature and film, Zhong argues for recognizing the complexity of dianshiju’s melodramatic mode and its various subgenres, in effect "refocusing" mainstream Chinese culture. Mainstream Culture Refocused opens with an examination of television as a narrative motif in three contemporary Chinese art-house films. Zhong then turns her attention to dianshiju’s most important subgenres. "Emperor dramas" highlight the link between popular culture’s obsession with emperors and modern Chinese intellectuals’ preoccupation with issues of history and tradition and how they relate to modernity. In her exploration of the "anti-corruption" subgenre, Zhong considers three representative dramas, exploring their diverse plots and emphases. "Youth dramas’" rich array of representations reveal the numerous social, economic, cultural, and ideological issues surrounding the notion of youth and its changing meanings. The chapter on the "family-marriage" subgenre analyzes the ways in which women’s emotions are represented in relation to their desire for "happiness." Song lyrics from music composed for television dramas are considered as "popular poetics." Their sentiments range between nostalgia and uncertainty, mirroring the social contradictions of the reform era. The Epilogue returns to the relationship between intellectuals and the production of mainstream cultural meaning in the context of China’s post-revolutionary social, economic, and cultural transformation. Provocative and insightful, Mainstream Culture Refocused will appeal to scholars and students in studies of modern China generally and of contemporary Chinese media and popular culture specifically.

Appropriate for any public library collection, this book provides a comprehensive readers' advisory guide for Japanese manga and anime, Korean manhwa, and Chinese manhua. Japanese manga and anime, Korean manhwa, and Chinese manhua are Asian graphic novels and animated films that have gained great popularity in the last ten years and now are found in most public library collections. Mostly Manga: A Genre Guide to Popular Manga, Manhwa, Manhua, and Anime is the first readers' advisory guide to focus on this important body of literature. This guide provides information on all of the major manga and anime formats and genres, covering publications from the early 1990s to the present. It identifies important titles historically and provides a broad representation of what is available in each format. Selected major titles are described in detail, covering the general plot as well as grade level and pertinent awards. The author also discusses common issues related to manga and anime, such as terminology, content and ratings, and censorship.

Usagi goes from village darling to castle clown, but that's not going to stop her from doing her best! She's going to get her man and become a ninja, and not even two super-skilled shinobi beauties can stop her! Usagi is the granddaughter of the leader of a prestigious ninja village, but she's such a klutz that she's never made it out of the kiddie class. Frustrated with Usagi's lack of progress, her grandfather sends her to marry Lord Hanzo and have lots of ninja babies. But the lord has no interest in her or her childbearing potential! The path to love is never easy, and Usagi has some unexpected competition. It seems that another ninja clan wants to welcome Lord Hanzo into the family, and they've sent the beautiful and talented Yuri to win herself a wedding. Usagi won't be daunted by her rival's looks and skills, but will Lord Hanzo's secret feelings for an off-limits princess be enough to send her away in despair?