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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

An explosive fiction debut from an astonishing new voice: darkly funny, wildly original stories about the power of love, and the love of power--two urgent human desires that inevitably, and often calamitously, intertwine. The unforgettable opener, "The Infamous Bengal Ming," is narrated by a misunderstood tiger whose affection for his keeper goes horribly awry. In "Demons," a woman tries to celebrate Thanksgiving after the sudden death of her husband, even though his corpse is still sprawled on their living-room floor. In "The Strange Career of Dr. Raju Gopalarajan," an ex-CompUSA employee sets up a medical practice in a suburban strip mall armed only with textbooks from the local library and fake business cards. The heroes--and anti-heroes--of I Am An Executioner include a railroad manager in a turn-of-the-century Indian village, the newlywed executioner of the title, and an elephant writing her autobiography--the creations of a riotous, singular imagination that promises to dazzle the universe of American fiction.

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Tahirih's poems are well known among Persian Baha'is, but until now there has been no suitable translation of her work that would give English-speaking readers a sense of her genius. Now Amin Banani, Professor Emeritus at UCLA in Persian history and literature; Jascha Kessler, Professor of English at UCLA; and Anthony A. Lee, historian and award-winning poet, have teamed to produce this translation of her work. The poems are brilliant in emotional impact and prophetic in their themes. They should become familiar parts of Baha'i Feasts, Holy Day celebrations, and devotional gatherings. These poems are a monument to this remarkable woman.

Drawing on extensive research and steeped in the culture of daily life in nineteenth-century Persia, this is the definitive account of the life of Tahiriha renowned poetess and one of the leading feminists of her time. She spent her life denouncing the second-class status of women, and was eventually martyred for her outspokenness and courage in the face of the male governing establishment in Persia.