Awarded the Nobel Prize for Literature in 1913, Rabindranath Tagore was India’s leading litterateur of the early twentieth century. Tagore was one of the country’s pioneering novelists, keen to experiment with form and bold in his choice of subjects. His novels are remembered for their innovative narrative structures, profound insights into human relationships, and evocatively lyrical language. This collector’s edition of Rabindranath Tagore’s novels in English translation brings together the writer’s best-known novels in two omnibus volumes. The first volume features three novels—Chokher Bali, Ghare Baire and Yogayog—and two novellas: Chaturanga and Malancha. Chokher Bali (A Grain of Sand) is a classic exposition of an extramarital affair that takes place within the confines of a joint family. Asha, the simple, demure wife of the rich, flamboyant Mahendra, befriends Binodini, a vivacious young widow who comes to live with them; but both Mahendra and Binodini betray Asha’s trust and elope, leaving the marriage in ruins. Set against the backdrop of the Partition of Bengal by the British in 1905, Ghare Baire (Home and the World) is also the tale of a triangular relationship: between the liberal-minded zamindar Nikhilesh, his educated and sensitive wife Bimala, and Sandip, Nikhilesh’s friend, a charismatic revolutionary who Bimala becomes attracted to. Chaturanga (Quartet) traces the philosophical and emotional developments between Sachish, a brilliant young atheist who turns ascetic after the untimely death of his mentor, his friend Sribilash, and Damini, a young widow sheltered by the guru Lilananda, who Sachish and Sribilash become devotees of. Set in the historical context of the decline of the landed aristocracy in Bengal and the emergence of the entrepreneur class, Yogayog (Nexus) is the tale of Kumudini, the daughter of a cultured family that has fallen on bad times, who is torn between her loyalties to Madhusudan, her crass and self-serving husband, and Bipradas, her artistic and compassionate brother, as she struggles desperately to find an identity for herself. Finally, Malancha (The Garden) features the loving but childless couple Aditya and Neerja whose calm domestic world is shattered when Neerja is struck down by illness and suspects Sarala, Aditya’s childhood friend, of usurping her place both in Aditya’s heart and in their beloved garden. Written in Tagore’s inimitable style and full of surprising turns of plot and unforgettable studies of the human psyche, each of these novels, available here in modern, lucid translations, will delight all lovers of classic fiction.

A dry-fruit seller from Kabul with a heart of molten gold and a fist of iron. Escapades of naughty schoolboys travelling on a train with an unusual teacher. The decisive battle of skill and oratory between two poets in a king's court. The everydayjoys and sadness of a sick boy who sees the world through a half-open window of hope. A bemusing world of Cards/based on rules and class divides. Morning and night/life and death, poverty and riches, working girls and growing boys... everything touched Rabindranath Tagore's mind and heart/and flowed into writing through his magical, unstoppable pen. Tagore's genius has yet to be fathomed completely. His writings continue to stay fresh and crisp/ surprising us/ provoking us and moving us a hundred years after he won the Nobel Prize for Literature. Original and touching/ intense and unforgettable, the stories, plays and poems in this volume have been carefully selected and translated into a definitive and valuable collection of Tagore's masterpieces.

Rabindranth Tagore Omnibus I brings six of the author's acclaimed works together. Gitanjali, his Nobel Prize winning work, is a collection of 103 poems selected by Tagore from his several Bengali books of poetry. It was largely the Gitanjali poems that took the western world by storm and led W.B.Yeats to comment ...(the poems) have stirred my blood as nothing for years... . The Post Office, rich in symbolism and allegory and mixing simplicity with sophistication, is hailed as a masterpiece and a world classic. Creative Unity (1922), acclaimed as the finest and wisest of Tagore's collected essays in English, reveals some of his fundamental tenets of art and aesthetics, of life and religion and of the 'religion of the poet.' Tagore was the first modern Bengali short story writer

Between 1915 and 1941, Tagore (1861-1941) and Gandhi (1869-1948) differed and argued about many things of personal, national, and international significance---satyagraha, non-cooperation, the boycott and burning of foreign cloth, the efficacy of fasting as a means of resistance and Gandhi’s mantra connecting “swaraj” and “charkha”. The author tracks the development of this dialogue and argues that the debate was about more fundamental issues, such as the nature of truth and swaraj/freedom and the possibilities of untruth that Tagore saw in Gandhi’s movements for truth and freedom. Puri shows that the differences between the two men’s perspectives came from differently negotiated relationships to (and understandings of) tradition and modernity. Tagore was part of the Bengal renaissance and powerfully influenced by the idea that the Enlightenment consisted in the freedom of the individual to reason for herself. Gandhi, on the other hand, remained close to the Indian philosophical tradition which linked individual freedom to moral progress. Puri points out that Tagore cannot, however, be unreflectively assimilated to the Enlightenment project of Western modernity, for he came fairly close to Gandhi in rejecting the anthropocentricism of modernity and shared Gandhi’s belief in an enchanted cosmos. The only single-authored volume on the Tagore-Gandhi debate, this book is a welcome addition to the existing literature.

This book is a fresh examination of Rabindranath Tagore’s ideas on nationalism and his rhetoric of cosmopolitanism. It critically analyses the poetics and the politics of his works and specifically responds to Tagore’s three lectures on nationalism delivered during the early years of the twentieth century and later compiled in his book Nationalism (1917). This volume: Discusses Tagore’s perception of nationalism – the many-sidedness of his engagement with nationalism, the root causes of his anathema against the ideology, ambiguities and limitations associated with his perception and his alternative vision of cosmopolitanism or global unity; Cross-examines an alternative view of cosmopolitanism based on Tagore’s inclusivist ideology to “seek my compatriots all over the world”; Explores how his ideas on nationalism and cosmopolitanism found myriad expressions across his works – in prose, fiction, poetry, travelogue, songs – as well as in the legacy of cinematic adaptations of his writings; Investigates the relevance of Tagore’s thoughts on nationalism and cosmopolitanism in relation to the contemporary rise of religious, nationalist and sectarian violence in the twenty-first century. A key study on the relevance of Tagore’s political philosophy in the contemporary world with contributions from eminent Tagore scholars in South Asia as well as the West, this book will be of great interest to readers and researchers in the fields of literature, political science, cultural studies, philosophy and Asian studies.

Rabindranath Tagore Omnibus II brings together four of Tagor's acclaimed works. Nationalism contains the lectures given by Tagore in /japan and the United States in 1916-17. In these essays, he criticises the nation-state in both East and West and offres his vision of a society independent of it.

Rabindranath Tagore experimented with form in his novels and was bold in his choice of subjects. This omnibus edition brings together the Nobel Prize winner’s most popular novels in translation. It is a collection that will be loved and treasured. A Grain of Sand (Chokher Bali), The Shipwreck (Noukadubi), Gora, Quartet (Chaturanga), Home and the World (Ghare Baire), Nexus (Yogayog), Farewell Song (Shesher Kabita), The Garden (Malancha), Four Chapters (Char Adhyay) Arresting, Powerful And MovingThe Best-Loved Novels of Rabindranath Tagore

Poet, novelist, painter and musician, Rabindranath Tagore (1861-1941) is the grand master of Bengali culture. Written during the 1890s, the stories in this selection brilliantly recreate vivid images of Bengali life and landscapes in their depiction of peasantry and gentry, casteism, corrupt officialdom and dehumanizing poverty. Yet Tagore is first and foremost India's supreme Romantic poet, and in these stories he can be seen reaching beyond mere documentary realism towards his own profoundly original vision.

The Essential Tagore showcases the genius of India’s Rabindranath Tagore, the first Asian Nobel Laureate and possibly the most prolific and diverse serious writer the world has ever known. Marking the 150th anniversary of Tagore’s birth, this ambitious collection—the largest single volume of his work available in English—attempts to represent his extraordinary achievements in ten genres: poetry, songs, autobiographical works, letters, travel writings, prose, novels, short stories, humorous pieces, and plays. In addition to the newest translations in the modern idiom, it includes a sampling of works originally composed in English, his translations of his own works, three poems omitted from the published version of the English Gitanjali, and examples of his artwork. Tagore’s writings are notable for their variety and innovation. His Sonar Tari signaled a distinctive turn toward the symbolic in Bengali poetry. “The Lord of Life,” from his collection Chitra, created controversy around his very personal concept of religion. Chokher Bali marked a decisive moment in the history of the Bengali novel because of the way it delved into the minds of men and women. The skits in Vyangakautuk mocked upper-class pretensions. Prose pieces such as “The Problem and the Cure” were lauded by nationalists, who also sang Tagore’s patriotic songs. Translations for this volume were contributed by Tagore specialists and writers of international stature, including Amitav Ghosh, Amit Chaudhuri, and Sunetra Gupta.

The poems of Rabindranath Tagore (1861-1941) are among the most haunting and tender in Indian and in world literature, expressing a profound and passionate human yearning. His ceaselessly inventive works deal with such subjects as the interplay between God and the world, the eternal and transient, and with the paradox of an endlessly changing universe that is in tune with unchanging harmonies. Poems such as 'Earth' and 'In the Eyes of a Peacock' present a picture of natural processes unaffected by human concerns, while others, as in 'Recovery - 14', convey the poet's bewilderment about his place in the world. And exuberant works such as 'New Rain' and 'Grandfather's Holiday' describe Tagore's sheer joy at the glories of nature or simply in watching a grandchild play.