Combining the studies of modern film, traditional narratology, and Roman art, this interdisciplinary work explores the complex and highly visual techniques of Tacitus' Annales. The volume opens with a discussion of current research in narratology, as applied to Roman historians. Narratology is a helpful and insightful tool, but is often inadequate to deal with specifically visual aspects of ancient narrative. In order to illuminate Tacitus' techniques, and to make them speak to modern readers, this book focuses on drawing and illustrating parallels between Tacitus' historiographical methods and modern film effects. Building on these premises, Waddell examines a wide array of Tacitus' visual narrative devices. Tacitean examples are discussed in light of their narrative effect and purpose in the Annales, as well as the ways in which they are similar to contemporary Roman art and modern film techniques, including focalization, alignment, use of the ambiguous gaze, temporal suggestion and quick-cutting. Through this approach the modern scholar gains a deeper understanding of the many ways in which Tacitus' Annales act upon the reader, and how his narrative technique helps to shape, guide, and deeply layer his history.

e emperor Nero is etched into the Western imagination as one of ancient Rome's most infamous villains, and Tacitus' Annals have played a central role in shaping the mainstream historiographical understanding of this flamboyant autocrat. This section of the text plunges us straight into the moral cesspool that Rome had apparently become in the later years of Nero's reign, chronicling the emperor's fledgling stage career including his plans for a grand tour of Greece; his participation in a city-wide orgy climaxing in his publicly consummated 'marriage' to his toy boy Pythagoras; the great fire of AD 64, during which large parts of central Rome went up in flames; and the rising of Nero's 'grotesque' new palace, the so-called 'Golden House', from the ashes of the city. This building project stoked the rumours that the emperor himself was behind the conflagration, and Tacitus goes on to present us with Nero's gruesome efforts to quell these mutterings by scapegoating and executing members of an unpopular new cult then starting to spread through the Roman empire: Christianity. All this contrasts starkly with four chapters focusing on one of Nero's most principled opponents, the Stoic senator Thrasea Paetus, an audacious figure of moral fibre, who courageously refuses to bend to the forces of imperial corruption and hypocrisy. This course book offers a portion of the original Latin text, study aids with vocabulary, and a commentary. Designed to stretch and stimulate readers, Owen's and Gildenhard's incisive commentary will be of particular interest to students of Latin at both A2 and undergraduate level. It extends beyond detailed linguistic analysis and historical background to encourage critical engagement with Tacitus' prose and discussion of the most recent scholarly thought.

Book 4 of Tacitus' Annals, described by Sir Ronald Syme as 'the best that Tacitus ever wrote', covers the years AD 23–28, the pivotal period in the principate of the emperor Tiberius. Under the malign influence of Sejanus, the henchman who duped him and was loaded with honours, Tiberius withdrew to the island of Capri and was never again seen in Rome, where the treason trials engendered an atmosphere of terror. The volume presents a new text of Book 4, as well as a full commentary on the text, covering textual, literary, linguistic and historical matters. The introduction discusses the relationship between Tacitus and Sallust. The volume completes the sequence which began with commentary on Books 1 and 2 of the Annals by F. R. D. Goodyear (1972, 1981) and was continued by commentary on Book 3 by A. J. Woodman and R. H. Martin (1996) and on Books 5-6 by A. J. Woodman (2016).

The first historical work by Rome's greatest historian, Tacitus' Histories hold a crucial place in the history of Latin literature. Book I covers the beginning of the infamous 'Year of the Four Emperors' (69 CE), which brought imperial Rome to the brink of destruction after the demise of the Julio-Claudian dynasty. Galba, Otho, and Vitellius ride the currents of senatorial politics and military sedition to power, while the survivor Vespasian waits just off-stage. After a distinguished public career during the principates of Vespasian and his sons, Tacitus, in middle age, embarked on a historical narrative recording the seering events of the Rome of his youth. This edition provides a Latin text of Book I, a commentary accessible to students of intermediate level and above, and an introduction discussing historical, literary, and stylistic issues. The chance survival of three parallel accounts permits detailed analysis of Tacitus' selection and stylization of material.

Agrippina the Younger ranks as one of the most powerful women in the history of the Roman Empire. Judith Ginsburg's book provides a fresh look at both the literary and material representations of Agrippina. Her incisive study exposes both the contrivances of the commissioned artists whose idealized portraits served to buttress the image of the regime and the contrasting designs of the historians whose rhetorical stereotypes and negative depictions aimed to undermine it.

A lively and accessible guide to the rich literary, philosophical and artistic achievements of the notorious age of Nero.

This volume explores the various strategies by which appropriate pasts were construed in scholarship, literature, art, and architecture in order to create “national”, regional, or local identities in late medieval and early modern Europe. Because authority was based on lineage, political and territorial claims were underpinned by historical arguments, either true or otherwise. Literature, scholarship, art, and architecture were pivotal media that were used to give evidence of the impressive old lineage of states, regions, or families. These claims were related not only to classical antiquity but also to other periods that were regarded as antiquities, such as the Middle Ages, especially the chivalric age. The authors of this volume analyse these intriguing early modern constructions of “antiquity” and investigate the ways in which they were applied in political, intellectual and artistic contexts in the period of 1400–1700. Contributors include: Barbara Arciszewska, Bianca De Divitiis, Karl Enenkel, Hubertus Günther, Thomas Haye, Harald Hendrix, Stephan Hoppe, Marc Laureys, Frédérique Lemerle, Coen Maas, Anne-Françoise Morel, Kristoffer Neville, Konrad Ottenheym, Yves Pauwels, Christian Peters, Christoph Pieper, David Rijser, Bernd Roling, Nuno Senos, Paul Smith, Pieter Vlaardingerbroek, and Matthew Walker.

Usages of the Past in Roman Historiography contains 11 articles on how the Ancient Roman historians used, and manipulated, the past. Key themes include the impact of autocracy, the nature of intertextuality, and the frontiers between history and other genres.

A study of the reception of Greek and Latin culture in France in the 16th and 17th centuries. There are surveys on topics as diverse as the role of French travellers to classical lands in transforming perceptible reality into narrative textuality, and the influence of ancient law in France.

Tacitus' Annals is the central historical source for first-century C.E. Rome. It is prized by historians since it provides the best narrative material for the reigns of Tiberius, Claudius, and Nero, as well as a probing analysis of the imperial system of government. But the Annals should be seen as far more than an historical source, a mere mine for the reconstruction of the facts of Roman history. While the Annals is a superb work of history, it has also become a central text in the western literary, political, and even philosophical traditions - from the Renaissance to the French and American revolutions, and beyond. This volume attempts to enhance the reader's understanding of how this book of history could have such a profound effect. Chapters will address the purpose, form, and method of Roman historical writing, the ethnic biases of Tacitus, and his use of sources. Since Tacitus has been regarded as one of the first analysts of the psychopathology of political life, the book will examine the emperors, the women of the court, and the ambitious entourage of freedmen and intellectuals who surround every Roman ruler. The final chapter will examine the impact of Tacitus' Annals since their rediscovery by Boccaccio in the 14th century.