"An unrepeatable feat, a tour de force." --The Washington Post Book World In Tabloid Dreams, Pulitzer Prize-winning author Robert Olen Butler dazzles with his mastery of the short story and his empathy for eccentric and ostracized characters. Using tabloid headlines as inspiration--"Boy Born with Tattoo of Elvis," "Woman Struck by Car Turns into Nymphomaniac," and "JFK Secretly Attends Jackie Auction"--Butler moves from the fantastic to the realistic, exploring enduring concepts of exile, loss, aspiration, and the search for self. Along the way, the cast includes a woman who can see through her glass eye when it's removed from the socket, a widow who sets herself on fire after losing a baking competition, a nine-year-old hit man, and a woman who dates an extraterrestrial she met in a Walmart parking lot. Tabloid Dreams weaves a seamless tapestry of high and low culture, of the surreal, sordid, and humorously sad.

In this collection, 11 important male fiction writers in America in 2001 discuss the origin, process and achievement of their own fiction. Interviewees include Robert Olen Butler, Charles Johnson, Thom Jones, Barry Hannah, Stephen Dixon, Russell Banks, Rick Moody and Chris Offutt.

Winner of the Pulitzer Prize: “Uncannily perceptive stories written by an American from the viewpoint of Vietnamese citizens transplanted to Louisiana” (People). A Good Scent from a Strange Mountain is Robert Olen Butler’s Pulitzer Prize–winning collection of lyrical and poignant stories about the aftermath of the Vietnam War and its enduring impact on the Vietnamese. Written in a soaring prose, Butler’s haunting and powerful stories blend Vietnamese folklore and contemporary American realities, creating a vibrant panorama that is epic in its scope. This new edition includes two previously uncollected stories—“Missing” and “Salem”—that brilliantly complete the collection’s narrative journey, returning to the jungles of Vietnam to explore the experiences of a former Vietcong soldier and an American MIA. “Deeply affecting . . . A brilliant collection of stories about storytellers whose recited folklore radiates as implicit prayer . . . One of the strongest collections I’ve read in ages.” —Ann Beattie

This new edition of Southern Writers assumes its distinguished predecessor's place as the essential reference on literary artists of the American South. Broadly expanded and thoroughly revised, it boasts 604 entries-nearly double the earlier edition's-written by 264 scholars. For every figure major and minor, from the venerable and canonical to the fresh and innovative, a biographical sketch and chronological list of published works provide comprehensive, concise, up-to-date information. Here in one convenient source are the South's novelists and short story writers, poets and dramatists, memoirists and essayists, journalists, scholars, and biographers from the colonial period to the twenty-first century. What constitutes a "southern writer" is always a matter for debate. Editors Joseph M. Flora and Amber Vogel have used a generous definition that turns on having a significant connection to the region, in either a personal or literary sense. New to this volume are younger writers who have emerged in the quarter century since the dictionary's original publication, as well as older talents previously unknown or unacknowledged. For almost every writer found in the previous edition, a new biography has been commissioned. Drawn from the very best minds on southern literature and covering the full spectrum of its practitioners, Southern Writers is an indispensable reference book for anyone intrigued by the subject.

Stories by writers with Southern backgrounds deal with the modern problems of life in the South

The Guinness Book of World Records calls her the best-selling female singer in history. Billboard named her the Celebrity of the Century. Diana Ross, lead singer of the most popular girl group of the 1960s and later a consummate solo artist, has been in the public eye for over four decades. From 1964-when "Where Did Our Love Go?" rose to number one on the pop charts-to the present day, she has been the ultimate diva, an artist worshiped by fanatical fans, yet pilloried in the press for her temper tantrums and untoward demands. Ed Ifkovic delivers his own spin on this international celebrity, an idiosyncratic collection of short pieces that create a portrait of the mercurial star. From a Detroit housing project to a Connecticut mansion-who is this woman who exacts such loyalty from her fans and such vitriol from her detractors? There are pieces on Diana's tantrums, true, but also jottings on the homes she's lived in, the food she eats, the cars she drives, even her role as muse for writers. There is a collection of poetic similes commentators have employed to describe her, as well as a mind-boggling catalogue of garish tabloid headlines. This off-beat book, admittedly an obsessive fan's unembarrassed send-up-equal parts delight and censure-is a spirited yet sardonic tale that also explores the integration of black music into the white mainstream. Frankly, Diana led that noble charge. What the author delights in is the unorthodox observation and gossipy tidbit that accompanied that revolution.

Telling Stories, Talking Craft is a collection of fifteen conversations with some of the finest contemporary fiction writers. These distinguished authors discuss their lives and their craft in candid, thought-provoking interviews from the pages of Sycamore Review, Purdue University’s international journal of literature, opinion and the arts.

"Offers inspiration and practical advice from today's greatest writers ... secrets to approaching work with renewed creativity --Container.

This is the story of one of the most successful football clubs in history under one of the greatest football managers of our time. But it is also a book about what it has meant to be a Manchester United supporter during the remarkable 25-year reign of Sir Alex Ferguson. The book begins in the winter of 1986 - when Sir Alex found himself in charge of a demoralised club facing relegation - and describes the creation of his first great side, including Schmeichel, Bruce, Pallister, Keane, Ince, Giggs, Hughes and Cantona. It goes on to introduce Fergie's Fledglings - the generation of David Beckham, Nicky Butt, Paul Scholes, Gary and Phil Neville - who were thrown straight into Ferguson's side as teenagers, won the double in 1995 and went on to seal the treble in Barcelona in 1999. It then describes how, after Beckham left for Real Madrid in 2003, United were knocked off their perch first by Arsenal, then by cash-rich Chelsea. Ferguson needed a response to Jose Mourinho's spectacular revolution ... And in Rooney and Ronaldo, playing alongside Rio Ferdinand, Scholes, Giggs, Tevez and Vidic, he found one. As much an homage to a great man as it is a passionate account of one fan's lifelong devotion to his team, Life with Sir Alex is a the perfect read for football fans all over the world.

In one of those rare books that allows us to see the world not as we've never seen it before, but as we see it daily without knowing, Victoria Nelson illuminates the deep but hidden attraction the supernatural still holds for a secular mainstream culture that forced the transcendental underground and firmly displaced wonder and awe with the forces of reason, materialism, and science. In a backward look at an era now drawing to a close, The Secret Life of Puppets describes a curious reversal in the roles of art and religion: where art and literature once took their content from religion, we came increasingly to seek religion, covertly, through art and entertainment. In a tour of Western culture that is at once exhilarating and alarming, Nelson shows us the distorted forms in which the spiritual resurfaced in high art but also, strikingly, in the mass culture of puppets, horror-fantasy literature, and cyborgs: from the works of Kleist, Poe, Musil, and Lovecraft to Philip K. Dick and virtual reality simulations. At the end of the millennium, discarding a convention of the demonized grotesque that endured three hundred years, a Demiurgic consciousness shaped in Late Antiquity is emerging anew to re-divinize the human as artists like Lars von Trier and Will Self reinvent Expressionism in forms familiar to our pre-Reformation ancestors. Here as never before, we see how pervasively but unwittingly, consuming art forms of the fantastic, we allow ourselves to believe.