This volume examines the use of the image of the Jewish temple in the writings of the Anglo-Saxon theologian and historian, Bede (d. 735). The various Jewish holy sites described in the Bible possessed multiple different meanings for Bede and therefore this imagery provides an excellent window into his thought. Bede's Temple: An Image and its Interpretation examines Bede's use of the temple to reveal his ideas of history, the universe, Christ, the Church, and the individual Christian. Across his wide body of writings Bede presented an image of unity, whether that be the unity of Jew and gentile in the universal Church, or the unity of human and divine in the incarnate Christ, and the temple-image provided a means of understanding and celebrating that unity. Conor O'Brien argues that Bede's understanding of the temple was part of the shared spirituality and communal discourse of his monastery at Wearmouth-Jarrow, in particular as revealed in the great illuminated Bible made there: the Codex Amiatinus. Studying the temple in Bede's works reveals not just an individual genius, but a monastic community engaged actively in scriptural interpretation and religious reflection. O'Brien makes an important contribution to our understanding of early Anglo-Saxon England's most important author, the world in which he lived, and the processes that inspired his work.

This volume contains the first English translation of Bede's allegorical commentary on the tabernacle of Moses, which he interpreted as a symbolic figure of the Christian Church. Written in the early 720s at the monastery of Wearmouth-Jarrow in Northumbria, On the Tabernacle (De tabernaculo) was the first Christian literary work devoted entirely to this topic and the first verse-by-verse commentary on the relevant portions of the Book of Exodus. On the Tabernacle was one of Bede's most popular works, appearing in a great many manuscripts from every period of the Middle Ages.

Medieval art is wordy; inscriptions and poems, commentaries and chronicles accompany and adorn it. The Art of Words presents a series of detective stories by a renowned explorer of medieval philological evidence who here examines the thought and objects of the Venerable Bede and Theodulf of Orleans. What physical objects did Bede have in mind, for example, when writing about the paintings of his monastic churches? How did he conceive of the division of biblical books into chapters? Why was the famous Libri Carolini made for Charlemagne never published? Indeed what did it mean in the Middle Ages to publish something? Pursuing the story of Bede's calendar shows how Valentine's Day began with a reference to birds. To unravel the meaning of the image of Ezra in the Codex Amiatinus the author then demonstrates the importance of knowing the books that Bede knew and wrote. The final topic is the celebrated Apse mosaic of Germigny-des-Prés, how it was saved from destruction and how Theodulf's words explain what we see. Words matter and, in these studies Paul Meyvaert constantly delights the reader with careful excavations of that place in medieval art and thought where images and words connect and collide.

Bede's aim in De Templo is stated in Chapter I: 'That the building of the tabernacle and the temple signifies one and the same Church of Christ'. For anyone with an interest in mysticism or merely desiring spiritual nourishment, the reading of De Templo should prove a sublime experience and its own reward. This classic in Latin by an English saint is here made available in English for the first time since it was written nearly 1300 years ago. -- Amazon.com.

Grasp the Majesty, Beauty, and Significance of God's Dwelling Places At various points in Israel's history, God dwelt in specific, significant places, most notably in the tabernacle and the temple. These structures, meticulously planned, extravagantly furnished, and regularly frequented by the devout, were more than just places of worship and sacrifice. They were pictures of God's relationship with his chosen people and of the atoning work that would be done by the Messiah. To understand the tabernacle and the temple, then, is to understand how we are brought into God's family through the sacrifice of his only Son, Jesus. Visually stunning and theologically rich, this full-color resource brings together the latest scholarship and archeological discoveries to bring God's dwelling places alive for modern believers. It places these important structures in their historical and theological contexts, connects them with the overall biblical story, and shows how they bring meaning and depth to the faith of Christians today.

Rose Guide to the Tabernacle is packed with fascinating facts, full-color Tabernacle pictures, charts, and diagrams not available in other books. It features images showing the inside and outside of the biblical Tabernacle—the “tent of meeting.” “See Inside” the Tabernacle of Moses with Rose Guide to the Tabernacle! Rose Guide to the Tabernacle is a full-color book on the Tabernacle of Moses, with images showing the “tent of meeting.” The Tabernacle in the Old Testament was the place where the Israelites worshiped God after the Exodus. Learn how the sacrifices, utensils, and even the structure of the Tabernacle were designed to show us something about God. See the parallels between the Old Testament sacrifices and priests’ duties, and Jesus’ service as the perfect sacrifice and perfect high priest. Gain insight into the doctrines of sin, creation, salvation, justification, and God’s sovereignty. 2009 Christian Retailing Retailers Choice Award Winner for Bible Reference! Rose Guide to the Tabernacle shows how The Tabernacle was builtThe Tabernacle sacrifices pointed towards Jesus ChristThe Tabernacle’s design revealed God’s holiness and humanity’s need for GodThe Ark of the Covenant was at the center of worship Rose Guide to the Tabernacle explains the history of the Tabernacle, its sacred objects and activities, while also illuminating deep insight into what Jesus accomplished during his life, his death, and his resurrection. This fantastic resource is great for anyone doing a Tabernacle Bible study or for anyone wanting to dig deeper into the symbolism of the Old Testament. Rose Guide to the Tabernacle explains The importance of the Feasts of the Bible, such as Shavuot (Feast of Weeks), Rosh HaShanah, Yom Kippur, Sukkot (Feast of Tabernacles), and HanukkahThe purpose behind the design of the Tabernacle of Moses: The Courtyard, The Holy Place, and The Most Holy PlaceThe significance of the sacrifices: Sin Offering, Guilt Offering, Grain/Gift Offering, Burnt Offering, and Peace OfferingThe parallels between the Tabernacle, Christ’s ministry, and the churchThe symbolism of the Tabernacle’s furnishings, such as the Golden Lampstand, the Table of the Bread of Presence, the Altar of Incense, and the Ark of the CovenantThe garments of the high priestElements of Passover and a “Christian Seder” Features Tabernacle Pictures, Charts, Diagrams, and Images Not Available Elsewhere! Packed with full-color Tabernacle pictures and images inside/outside of the Tabernacle, this is truly a visual journey through the Tabernacle of Moses. Includes Dozens of Charts and Timelines on the Tabernacle Timeline of the ExodusOld Testament CovenantsSacrifices in the TabernacleComparison of priests of the Tabernacle, Levites, and the High PriestJesus and the High PriestSymbolism of Jesus and the VeilJesus and the Ark of the Covenant

When she died in 2016, Dr Jennifer O’Reilly left behind a body of published and unpublished work in three areas of medieval studies: the iconography of the Gospel Books produced in early medieval Ireland and Anglo-Saxon England; the writings of Bede and his older Irish contemporary, Adomnán of Iona; and the early lives of Thomas Becket. In these three areas she explored the connections between historical texts, artistic images and biblical exegesis. This volume is a collection of 16 essays, old and new, relating history and exegesis in the writings of Bede and Adomnán, and in the lives of Thomas Becket. The first part consists of seven studies of Bede’s writings, notably his biblical commentaries and his Ecclesiastical History. Two of the essays are published here for the first time. The five studies in the second part, devoted to Adomnán, discuss his life of Saint Columba (the Vita Columbae) and his guide to the Holy Places (De locis sanctis). One essay (‘The Bible as Map’), published posthumously, compares his presentation of a major theme, the earthly and heavenly Jerusalem, with the approach adopted by Bede. The third section consists of two essays on the lives of Thomas Becket that were composed shortly after his death. They examine, in the context of patristic exegesis, the biblical images invoked in the texts in order to show how the saint’s biographers understood the complex relationship between hagiography and history. With the exception of the Jarrow Lecture on Bede and the essays on Becket, the studies in both parts were published originally in edited books, some of them now hard to come by. (CS1078).

Is the display of number and geometry in medieval religious architecture evidence of intended symbolism? This book offers a new perspective in the retrieval of meaning from architecture in the Greek East and the Latin West, and challenges the view that geometry was merely an outcome of practical procedures by masons. Instead, it attributes intellectual meaning to it as understood by Christian Platonist thought and provides compelling evidence that the symbolism was often intended. In so doing, the book serves as a companion volume to The Wise Master Builder by the same author, which found the same system implicit in plans of cathedrals and abbeys. The present book explains how the architectural symbolism proposed could have been understood at the time, as supported by medieval texts and its context, since it is context that can confer specific meaning. The introduction locates the study in its critical context and summarizes Christian Platonism as it determined the meaning of number and geometry. The investigation opens with the recurrent symbolism of the dome and the cube as heaven and earth in the Byzantine world and moves to the duality of the temple and the body in the East and West as reflections of Plato's universal macrocosm and human microcosm. The study then examines each of the figures of Platonic geometry in the architecture of the West against the background of their mathematics and metaphysics, before proceeding to their synthesis with the circle, as seen in circular and polygonal structures, the divisions of circles in Christian art, and their display in window tracery, culminating in the rose window. In view of the multivalency of the symbolism, the investigation establishes systematic occurrences of it, which strongly suggest patterns of thought underlying systems of design. The book concludes with a series of test cases, which show the after-life of the same symbolism as it overlapped with the Renaissance.

In this book, a distinguished team of authors explores the way space, place, architecture, and ritual interact to construct sacred experience in the historical cultures of the eastern Mediterranean. Essays address fundamental issues and features that enable buildings to perform as spiritually transformative spaces in ancient Greek, Roman, Jewish, early Christian, and Byzantine civilizations. Collectively they demonstrate the multiple ways in which works of architecture and their settings were active agents in the ritual process. Architecture did not merely host events; rather, it magnified and elevated them, interacting with rituals facilitating the construction of ceremony. This book examines comparatively the ways in which ideas and situations generated by the interaction of place, built environment, ritual action, and memory contributed to the cultural formulation of the sacred experience in different religious faiths.