This volume brings together work from leading specialists in Indo-European languages to explore the macro- and micro-dynamic factors that contribute to variation and change in alignment and argument realization. Alignment is taken to include both basic alignment patterns associated with major construction types, as well as various valency-decreasing constructions such as passives, anticausatives, and impersonals. The chapters explore synchronic and diachronic aspects of alignment morphosyntax based on data from Anatolian, Indo-Iranian, Greek, Italic, Armenian, and Slavic. All have a strong empirical focus, drawing on both qualitative and quantitative methods, and range from broad comparative studies to detailed investigations of specific constructions in individual languages. The book is one of very few studies to examine variation and change in alignment typology across languages in a single family. It contributes to a greater understanding of the roles played by analogy/extension, reanalysis, and areal factors in alignment change, and demonstrates the extent of variation found in the morphosyntax of argument realization in genetically-related languages.

Plautine Trends: Studies in Plautine Comedy and its Reception, a collective volume published as a Festschrift in honour of Prof. D. Raios (University of Ioannina), aims to contribute to the current, intense discussion on Plautine drama and engage with most of the topics which lie at the forefront of recent scholarship on ‘literary Plautus’. 13 papers by experts on Roman Comedy address issues concerning a) the structure of Plautine plot in its social, historical and philosophical contexts, b) the interfaces between language and comic plot, and c) plot and language as signs of reception. Participants include (in alphabetical order): A. Augoustakis, R.R. Caston, D.M. Christenson, M. Fontaine, S. Frangoulidis, M. Hanses, E. Karakasis, D. Konstan, K. Kounaki–Philippides, S. Papaioannou, A. Sharrock, N.W. Slater, and J.T. Welsh. The papers of the volume are preceded by an introduction offering a review of the extensive literature on the subject in recent years and setting the volume in its critical context. The preface to the volume is written by R.L. Hunter. The book is intended for students or scholars working on or interested in Plautine Comedy and its reception.

Reprint of the original, first published in 1866.

Roman plays have been well studied individually (even including fragmentary or spurious ones more recently). However, they have not always been placed into their ‘context’, though plays (just like items in other literary genres) benefit from being seen in context. This edited collection aims to address this issue: it includes 33 contributions by an international team of scholars, discussing single plays or Roman dramatic genres (including comedy, tragedy and praetexta, from both the Republican and imperial periods) in contexts such as the literary tradition, the relationship to works in other literary genres, the historical and social situation, the intellectual background or the later reception. Overall, they offer a rich panorama of the role of Roman drama or individual plays in Roman society and literary history. The insights gained thereby will be of relevance to everyone interested in Roman drama or literature more generally, comparative literature or drama and theatre studies. This contextual approach has the potential of changing the way in which Roman drama is viewed.