Far from spinning a fantasy of what will never be, the book of Revelation depicts an alternate social world in order to shape the community and individual identity of an audience living under imperial rule. To highlight the Apocalypse’s meaning for its original audience, this volume focuses on two interrelated themes pulsing throughout Revelation: rhetoric and politics. It considers rhetorical strategies and tactics in Revelation and demonstrates how its rhetoric fits the situation in Roman Asia Minor and the struggle within the Apocalypse community. It also examines community and cultural conflicts, showing how myth, symbol, and liturgy function as means of resistance in an imperial setting. By offering a fresh window on the lively interplay between imagination and history, between words and worlds, this volume will be indispensable for anyone seeking to understand current scholarly analysis of the book of Revelation.

At once a study of biblical theology and modern Jewish thought, this volume describes a “participatory theory of revelation” as it addresses the ways biblical authors and contemporary theologians alike understand the process of revelation and hence the authority of the law. Benjamin Sommer maintains that the Pentateuch’s authors intend not only to convey God’s will but to express Israel’s interpretation of and response to that divine will. Thus Sommer’s close readings of biblical texts bolster liberal theologies of modern Judaism, especially those of Abraham Joshua Heschel and Franz Rosenzweig. This bold view of revelation puts a premium on human agency and attests to the grandeur of a God who accomplishes a providential task through the free will of the human subjects under divine authority. Yet, even though the Pentateuch’s authors hold diverse views of revelation, all of them regard the binding authority of the law as sacrosanct. Sommer’s book demonstrates why a law-observant religious Jew can be open to discoveries about the Bible that seem nontraditional or even antireligious.

To read the book of Revelation is to see a myriad of representations pass by our gaze, offering and kaleidoscope of bizarre and incongruent images. This world strikes us at first as fearfully and mysteriously strange and fantastic. But once these symbols are properly deciphered, they combine to present crucial messages for those living in the last days. These messages were designed by God to lead all successfully through these troubled times if they will read, hear, and do his will. This commentary presents a comprehensive analysis of John's book aided by the lens of LDS doctrine and Mormon experience. God delivered his messages in the form of images housed within discrete visions, with each symbol explaining, exposing, or emphasizing various aspects of the message conveyed. The challenge is getting beyond the symbols to the represented realities. Information is drawn from all the Standard Works, the Joseph Smith Translation of the Bible, and from modern Prophets and Apostles.

The Book of Revelation presents the fascinating and terrifying story of what John reports happening to him while on the Mediterranean island of Patmos. It is a far more interesting story than the tired predictions of other would-be prophets whose many forecasts of the future have always failed to materialize. Tales of the End invites readers to hear John s story anew. Rather than forcing John s story into our time, it takes the reader back to the time of its original telling, exploring both what is told and how it is told examining its plot, characters, point of view, temporal perspective, narrator, listener, author and audience. Only then can we ask how this story bears on the modern world and how it addresses enduring human concerns. David Barr s narrative analysis uncovers a complex and compelling story addressed to the communities of Jesus followers in first-century Asia Minor, a story told vividly so that the audience can participate in John s extraordinary experience and so be transformed, adopting new values, new perspectives; indeed, a new understanding of what the world is really like.