Fictionalizes the turbulent relationship between twentieth-century poets Sylvia Plath and Ted Hughes, including the role played by Sylvia's rival, Assia Wevill.

From the award-winning author of The Friendship comes a shattering, brilliantly inventive novel based on the volatile true love story of literary icons Sylvia Plath and Ted Hughes. In 1963 Sylvia Plath took her own life in her London flat. Her death was the culmination of a brief, brilliant life lived in the shadow of clinical depression--a condition exacerbated by her tempestuous relationship with mercurial poet Ted Hughes. The ensuing years saw Plath rise to martyr status while Hughes was cast as the cause of her suicide, his infidelity at the heart of her demise. For decades, Hughes never bore witness to the truth of their marriage--one buried beneath a mudslide of apocryphal stories, gossip, sensationalism, and myth. Until now. In this mesmerizing fictional work, Connie Palmen tells his side of the story, previously untold, delivered in Ted Hughes's own uncompromising voice. A brutal and lyrical confessional, Your Story, My Story paints an indelible picture of their seven-year relationship--the soaring highs and profound lows of star-crossed soul mates bedeviled by their personal demons. It will forever change the way we think about these two literary icons.

On 25 February 1956, twenty-three-year-old Sylvia Plath walked into a party and immediately spotted Ted Hughes. This encounter - now one of the most famous in all literary history - was recorded by Plath in her journal, where she described Hughes as a 'big, dark, hunky boy'. Sylvia viewed Ted as something of a colossus, and to this day his enormous shadow has obscured Plath's life and work. The sensational aspects of the Plath-Hughes relationship have dominated the cultural landscape to such an extent that their story has taken on the resonance of a modern myth. After Plath's suicide in February 1963, Hughes became Plath's literary executor, the guardian of her writings, and, in effect responsible for how she was perceived. But Hughes did not think much of Plath's prose writing, viewing it as a 'waste product' of her 'false self', and his determination to market her later poetry - poetry written after she had begun her relationship with him - as the crowning glory of her career, has meant that her other earlier work has been marginalised. Before she met Ted, Plath had lived a complex, creative and disturbing life. Her father had died when she was only eight, she had gone out with literally hundreds of men, had been unofficially engaged, had tried to commit suicide and had written over 200 poems. Mad Girl's Love Songwill trace through these early years the sources of her mental instabilities and will examine how a range of personal, economic and societal factors - the real disquieting muses - conspired against her. Drawing on exclusive interviews with friends and lovers who have never spoken openly about Plath before and using previously unavailable archives and papers, this is the first book to focus on the early life of the twentieth century's most popular and enduring female poet. Mad Girl's Love Songreclaims Sylvia Plath from the tangle of emotions associated with her relationship with Ted Hughes and reveals the origins of her unsettled and unsettling voice, a voice that, fifty years after her death, still has the power to haunt and disturb.

The past contemporary poet gives an account in 88 poems in letter form of hisromance and the life spent with Sylvia Plath.

Ted Hughes married Sylvia Plath in 1956, at the outset of their brilliant careers. Plath's suicide six and a half years later, for which many held Hughes accountable, changed his life, his closest relationships, his standing in the literary world and brought new significance to his poetry.In this stunning new biography of their marriage, Diane Middlebrook renders a portrait of Hughes as a man, as a poet and as a husband, haunted - and nourished - his entire life by the aftermath of his first marriage.Middlebrook presents Hughes as a complicated, conflicted figure: sexually magnetic, fiercely ambitious, immensely caring and shrewd in business. She argues that Plath's suicide, though it devastated Hughes and made him vulnerable to the savage attacks of Plath's growing readership, ultimately gave him his true subject - recreating himself for posterity through his marriage to Sylvia Plath and his struggles within his own historical circumstances.

Ted Hughes, Poet Laureate, was one of the greatest writers of the twentieth century. He was one of Britain’s most important poets. With an equal gift for poetry and prose, he was also a prolific children’s writer and has been hailed as the greatest English letterwriter since John Keats. His magnetic personality and insatiable appetite for friendship, love, and life also attracted more scandal than any poet since Lord Byron. His lifelong quest to come to terms with the suicide of his first wife, Sylvia Plath, is the saddest and most infamous moment in the public history of modern poetry. Hughes left behind a more complete archive of notes and journals than any other major poet, including thousands of pages of drafts, unpublished poems, and memorandum books that make up an almost complete record of Hughes’s inner life, which he preserved for posterity. Renowned scholar Jonathan Bate has spent five years in the Hughes archives, unearthing a wealth of new material. His book offers, for the first time, the full story of Hughes’s life as it was lived, remembered, and reshaped in his art.

Turning the Table offers a new resource to Hughes and Plath scholars studying the poets' archival materials and compositional processes. The book traces the theory of the ars poetica that each poet advanced while exploring the dialogues that emerged between Plath's Ariel and Hughes's Crow and Birthday Letters collections.

In her last days, Sylvia Plath struggled to break out from the control of the towering figure of her husband Ted Hughes. In the antique mythology of his retinue, she had become the gorgon threatening to bring down the House of Hughes. Drawing on recently available court records, archives, and interviews, and reevaluating the memoirs of the formidable Hughes contingent who treated Plath as a female hysteric, Carl Rollyson rehabilitates the image of a woman too often viewed solely within the confines of what Hughes and his collaborators wanted to be written. Rollyson is the first biographer to gain access to the papers of Ruth Tiffany Barnhouse at Smith College, a key figure in the poet’s final days. Barnhouse was a therapist who may have been the only person to whom Plath believed she could reveal her whole self. Barnhouse went beyond the protocols of her profession, serving more as Plath’s ally, seeking a way out of the imprisoning charisma of Ted Hughes and friends he counted on to support a regime of antipathy against her. The Last Days of Sylvia Plath focuses on the train of events that plagued Plath’s last seven months when she tried to recover her own life in the midst of Hughes’s alternating threats and reassurances. In a siege-like atmosphere a tormented Plath continued to write, reach out to friends, and care for her two children. Why Barnhouse seemed, in Hughes’s malign view, his wife’s undoing, and how biographers, Hughes, and his cohort parsed the events that led to the poet’s death, form the charged and contentious story this book has to tell.

Anecdotal and immensely charming, Ted and I is a unique portrait of a shared childhood between Gerald Hughes and his younger brother Ted, one of the finest and best-loved poets of modern times. Ted's love for Gerald was probably one of the most enduring and sustaining forces in his life. Hughes brings alive a period when the two brothers would roam the countryside, camping, making fires, pitching tents, hunting rabbits, rats, wood pigeon and stoats. Ted's fascination with all wildlife subsequently fed directly into his sublime poetry. Gerald describes watching his brother evolving into a great poet and describes them continuing their relationship, even when many miles apart. Containing a great many unique and never-before seen family photographs of Ted Hughes, as well as unpublished material, this extraordinary memoir is an achingly poignant tale of childhood and youth and togetherness; the tenderness of brotherly love and the development of a poetic mind as Hughes went into the air force, on to Cambridge where he published his first poems and met Sylvia Plath, before settling in Devon with Sylvia, where their children were born. Ted and I also features a foreword by Gerald's niece Frieda Hughes, the daughter of Ted Hughes and Sylvia Plath and herself a well-known painter and poet.