When everything is going wrong, sometimes the only person you can trust is a complete stranger. Can Miss Fury and Lady Rawhide put aside their differences long enough to figure out what's really going on?

As the epic era-spanning tale rockets towards conclusion, reluctant heroines find themselves facing terrifying alternate versions of themselves on the road to the ultimate showdown with the Prince Of All Worlds. Can even the combined forces of Kato, Red Sonja, Dejah Thoris, Vampirella, Jungle Girl, Lady Zorro and dozens more save reality? Join us for the penultimate chapter in what critics are calling the best crossover event of the summer!

DYNAMITE'S FIERCEST FEMALES IN THEIR BIGGEST EVENT EVER! Fan favorite GAIL SIMONE (RED SONJA, BATGIRL) and rising art star SERGIO DAVILA (LEGENDERRY) combine to tell the ultimate pulp adventure, featuring Vampirella, Dejah Thoris, Red Sonja, Kato, Jungle Girl, and many, many more! Villains and heroes from a dozen worlds and eras face off against a legendary evil that threatens all their homelands. Don't miss this thrilling epic tale, an event supported by one-shot side adventures written by the hottest writers today, like G. Willow Wilson, Marguerite Bennett, Nancy Collins and more!

A team-up set up by SWORDS OF SORROW's Gail Simone, featuring the writer that she hand-picked: Mairghread Scott! Who are the villains behind the epic SWORDS OF SORROW event? Discover the darkest minds in Dynamite's roster, the kind of ladies who are fond of how bloodstains look on six-inch heels. To quote writer Mairghread Scott, "SWORDS OF SORROW is going to be a hell of a party, and CHAOS is your blood-soaked invitation. Take a ride with some of the deadliest women in the Dynamite universe as they prove the only thing you have to fear... is them!

A team-up set up by SWORDS OF SORROW's Gail Simone, featuring the writer that she hand-picked: Erica Schultz! Lady Zorro and The Black Sparrow, two women from different times, join forces to fight Prince Charming's Shards of Chaos in a prehistoric land. With their Swords of Sorrow, they fight to keep an ancient stone with mystical abilities out of the Prince's grasp.

On Barsoom, the Princess of Helium is missing, and Irene Adler is the number one suspect. As Adler struggles to maintain her liberty and capture her own quarry, there are now two Martians roaming the dark, puddled streets of London, and Princess Dejah Thoris is not dressed for the weather. An official tie-in to the epic Swords of Sorrow crossover event, written by acclaimed writer Leah Moore (Doctor Who, Sherlock Holmes).

ÒTHE HUNTÓ IS ON! Bloodshot is on the hunt. Determined to stop the violent reign of terror that plagues Colorado,Bloodshot journeys across the Rocky Mountains to destroy the remaining nanites that have caused mass murderers to spring up across the state. But will the drugs, booze, and insane visions rattling around his head put an end to his journey before it begins? Start reading here as New York Times best-selling writer Jeff Lemire (THE VALIANT, Descender) and Eisner Award-nominated artist Butch Guice (NINJAK, The Winter Soldier) begin the second staggering story arc of the chart-topping new series that Entertainment Weekly calls Òa subversive new take on ValiantÕs resident unkillable killing machine.Ó Collecting BLOODSHOT REBORN #6-9

Ancient Egyptian demon hunter and shape shifter, Pantha, is thrown across a Rift into the early twentieth century London, straight into the path of Jane Porter, American explorer, aviatrix and new wife to Tarzan. Pantha hasn’t come alone, however, as London is plunged into chaos by the appearance of a Great Pyramid in the sky… and what it contains. Up against gods, monsters, Purgatori, and each other, the pair need all the help that ancient magic and modern aviation can supply to stop London from turning into a new hell on earth. Writer Emma Beeby (Judge Dredd, Doctor Who) and artist Rod Rodolfo (Battlestar Galactica, John Carter: Warlord of Mars) reimagine these two characters - complete with all new costumes - in this turn-of-the-century pulp-action one-shot adventure.

The New York Times bestseller and basis for the Tony-winning hit musical, soon to be a major motion picture starring Cynthia Erivo and Ariana Grande With millions of copies in print around the world, Gregory Maguire’s Wicked is established not only as a commentary on our time but as a novel to revisit for years to come. Wicked relishes the inspired inventions of L. Frank Baum’s 1900 novel, The Wonderful Wizard of Oz, while playing sleight of hand with our collective memories of the 1939 MGM film starring Margaret Hamilton (and Judy Garland). In this fast-paced, fantastically real, and supremely entertaining novel, Maguire has populated the largely unknown world of Oz with the power of his own imagination. Years before Dorothy and her dog crash-land, another little girl makes her presence known in Oz. This girl, Elphaba, is born with emerald-green skin—no easy burden in a land as mean and poor as Oz, where superstition and magic are not strong enough to explain or overcome the natural disasters of flood and famine. Still, Elphaba is smart, and by the time she enters Shiz University, she becomes a member of a charmed circle of Oz’s most promising young citizens. But Elphaba’s Oz is no utopia. The Wizard’s secret police are everywhere. Animals—those creatures with voices, souls, and minds—are threatened with exile. Young Elphaba, green and wild and misunderstood, is determined to protect the Animals—even if it means combating the mysterious Wizard, even if it means risking her single chance at romance. Ever wiser in guilt and sorrow, she can find herself grateful when the world declares her a witch. And she can even make herself glad for that young girl from Kansas. Recognized as an iconoclastic tour de force on its initial publication, the novel has inspired the blockbuster musical of the same name—one of the longest-running plays in Broadway history. Popular, indeed. But while the novel’s distant cousins hail from the traditions of magical realism, mythopoeic fantasy, and sprawling nineteenth-century sagas of moral urgency, Maguire’s Wicked is as unique as its green-skinned witch.