In this book, Dustin Griffin explores the lifelong conversation between two great eighteenth-century English writers, Swift and Pope.

This book investigates slavery in the work of Jonathan Swift, Alexander Pope and John Gay. These writers were connected with a Tory ministry, which attempted to increase the English share of the international slave trade.

“Drawing on deep familiarity with the period and its personalities, Rogers has given us a witty and richly detailed account of the ongoing war between the greatest poet of the eighteenth century and its most scandalous publisher.”—Leo Damrosch, author of The Club: Johnson, Boswell, and the Friends Who Shaped an Age “What sets Rogers’s history apart is his ability to combine fastidious research with lucid, unpretentious prose. History buffs and literary-minded readers alike are in for a punchy, drama-filled treat.”—Publishers Weekly The quarrel between the poet Alexander Pope and the publisher Edmund Curll has long been a notorious episode in the history of the book, when two remarkable figures with a gift for comedy and an immoderate dislike of each other clashed publicly and without restraint. However, it has never, until now, been chronicled in full. Ripe with the sights and smells of Hanoverian London, The Poet and Publisher details their vitriolic exchanges, drawing on previously unearthed pamphlets, newspaper articles, and advertisements, court and government records, and personal letters. The story of their battles in and out of print includes a poisoning, the pillory, numerous instances of fraud, and a landmark case in the history of copyright. The book is a forensic account of events both momentous and farcical, and it is indecently entertaining.

1. Wotton vs. Temple -- 2. Bentley vs. Christ Church -- 3. Stroke and Counterstroke -- 4. The Querelle -- 5. Ancient Greece and Modern Scholarship -- 6. Pope's Iliad -- 7. Pope and the Quarrel between the Ancients and the Moderns -- 8. Bentley's Milton -- 9. History and Theory -- 10. Ancients -- 11. Moderns -- 12. Ancients and Moderns.

Draws on discoveries made in the past three decades to paint a new portrait of the satirist, speculating on his parentage, love life, and relationships while claiming that the public image he projected was intentionally misleading.

Written in 1727, The Art of Sinking in Poetry was one of Alexander Pope's contributions to the literary output of the legendary Scriblerus club - a circle of writers dedicated to mocking what they perceived as a culture of mediocrity and false learning prevalent in the arts and sciences of their day. Taking the form of an ironic guide to writing bad verse, Pope's tongue-in-cheek essay is wickedly funny in its lampooning of various pompous poetasters, as well as being essential reading for any budding writer wishing to avoid sinking to the unintentionally ridiculous, and instead reach for the sublime.

Alexander Pope (1688-1744) was the greatest English poet of his age, whose acerbic insights into human nature have entered the language, and whose verse still astonishes with its energy and inventiveness centuries after his death. This new selection of Pope's work follows the path of his poetic genius over his lifetime. It contains early poems including the masterly mock-epic 'The Rape of the Lock', which satirizes a notorious society scandal through glorious heroic couplets, the brilliantly aphoristic 'An Essay on Criticism' and excerpts from his translation of the Iliad. Later poems represented include Pope's ironic adaptations of Horace's Epistles, Satires and Odes, and the remarkable 'Dunciad', a stinging attack on his literary rivals and the mediocrity of Grub Street hacks. Here too are selected prose works and letters from Pope to his contemporaries such as John Gay and Jonathan Swift.