The story broke in 2006: Since 9/11, US intelligence services have had access to practically any international money transfer data by infiltrating the SWIFT (Society for Worldwide Interbank Financial Telecommunication) network. Banks worldwide transfer money orders and personal customer data through this network. While the surveillance was all-embracing in 2001, it was gradually limited over the course of the last few years. Revealed by the New York Times, the SWIFT affair has had global as well as national implications. While this dissertation first examines the international dimension of the SWIFT surveillance, the analysis mainly focuses on the national repercussions for Switzerland. Arditi Prize 2010 in International Affairs.

Winner, 2010 Donald Murphy Prize for a Distinguished First Book, American Conference on Irish Studies Renowned as one of the most brilliant satirists ever, Jonathan Swift has long fascinated Hibernophiles beyond the shores of the Emerald Isle. Sean Moore's examination of Swift's writings and the economics behind the distribution of his work elucidates the humorist's crucial role in developing a renewed sense of nationalism among the Irish during the eighteenth century. Taking Swift's Irish satires, such as A Modest Proposal and the Drapier's Letters, as examples of anticolonial discourse, Moore unpacks the author's carefully considered published words and his deliberate drive to liberate the Dublin publishing industry from England's shadow to argue that the writer was doing nothing less than creating a national print media. He points to the actions of Anglo-Irish colonial subjects at the outset of Britain's financial revolution; inspired by Swift's dream of a sovereign Ireland, these men and women harnessed the printing press to disseminate ideas of cultural autonomy and defend the country's economic rights. Doing so, Moore contends, imbued the island with a sense of Irishness that led to a feeling of independence from England and ultimately gave the Irish a surprising degree of financial autonomy. Applying postcolonial, new economic, and book history approaches to eighteenth-century studies, Swift, the Book, and the Irish Financial Revolution effectively links the era's critiques of empire to the financial and legal motives for decolonization. Scholars of colonialism, postcolonialism, Irish studies, Atlantic studies, Swift, and the history of the book will find Moore's eye-opening arguments original and compelling.

This short and accessible volume will provide an analytical description detailing the origins of the not-for-profit financial institution: The Society for Worldwide Interbank Financial Telecommunication (S.W.I.F.T.). In this book the authors will focus on how the design and current state of SWIFT was influenced by its historical origins, presenting a comprehensive account in a succinct form which provides an informative guide to the history, structure, activities and future challenges of this key international organization.

'Perfectly controlled, superbly written. Waterland is original, compelling and narration of the highest order' Guardian In the years since its first publication, in 1983, Waterland has established itself as one of the classics of twentieth-century British literature: a visionary tale of England's Fen country; a sinuous meditation on the workings of history; and a family story startling in its detail and universal in its reach. This edition includes an introduction, by the author, written to celebrate the book's 25th anniversary. 'Graham Swift has mapped his Waterland like a new Wessex. He appropriates the Fens as Moby Dick did whaling or Wuthering Heights the moors. This is a beautiful, serious and intelligent novel, admirably ambitious and original' Observer 'A 300-page tour de force . . . A burst of exuberant fictive energy' Evening Standard 'Waterland is a formidably intelligent book, animated by an impressive, angry pity at what human creatures are capable of doing to one another in the name of love and need. The most powerful novel I have read for some time' New York Review of Books

Draws on discoveries made in the past three decades to paint a new portrait of the satirist, speculating on his parentage, love life, and relationships while claiming that the public image he projected was intentionally misleading.

An account of Swift's dealings with books and texts, showing how the business of print was transformed during his lifetime.

"Swift has been said to have little interest in history; his attempts to write it have been disparaged and his desire to become Historiographer Royal ridiculed. Ashley Marshall argues that history mattered enormously to Swift. He read a vast amount of history and uses historical examples copiously in his own works. This study traces Swift's classical and modern historiographical inheritance; analyses his unsuccessful attempt to write a history of England; and offers radical re-reading of his History of the Four Last Years of the Queen. A systematic analysis of Swift's view of 'authority' is highly revealing. His attitudes toward power and authority, sovereigns' and subjects' rights, parliamentary representation, and succession are reflected in his lifelong engagement with and pervasive use of the past. Studying Swift and history enables a deeper understanding of his authoritarian and historiographically Tory outlook--and how it changed when Swift's party fell from power in 1714"--

A book about Taylor. Made with love. By fans. For fans. “Delightful...A rich and exhaustive production...Swifties have gotten their bible.” —The New Yorker Ten years ago, an unknown sixteen-year-old released a self-titled debut country album. A decade later, Taylor Swift has reached record-breaking, chart-topping heights. A ten-time Grammy winner, Swift has been hailed for her songwriting talent, crossed effortlessly from country to pop, and established herself as a musician who can surprise, delight, and inspire, all while connecting with her fans in a way that only she can. Amazingly, after all these years, there is no great, comprehensive book about Swift for her fans. Until now. This book, a fan-generated celebration of Swift’s first decade as an artist, collects the best writing and images from the past ten years in one gorgeous volume. From prefame interviews with Swift in local Pennsylvania newspapers to major profiles in The New Yorker and Rolling Stone; from album reviews by top critics such as Robert Christgau, Sasha Frere-Jones, and Ann Powers to essays by beloved novelists like Maggie Shipstead; from Tavi Gevinson’s classic ode to Swift in The Believer to Q&As with Chuck Klosterman and humorous analysis from McSweeney’s and The Hairpin; from album-themed crossword puzzles and adult coloring pages to profiles of Taylor’s biggest fans; from an excerpt of the soon-to-be-published novel Taylor Swift: Girl Detective to a “book within a book” of Swift’s most inspiring quotations titled (naturally) The Tao of Tay, this book is the vital collection of all things Taylor. Here, finally, is the must-have book for every Swiftie and every music lover. For, as Klosterman wrote in GQ, “If you don’t take Swift seriously, you don’t take contemporary music seriously.” * This book is a tribute to Taylor Swift, but she was not involved in its creation. *