In Sweet Lechery, cultural journalist Jeet Heer offers a quirky collection of literary criticism that touches on a wide range of contemporary topics. From Margaret Atwood to Philip K. Dick, from Seth to Marshall McLuhan, Heer considers the literary and social contributions of canonical authors, artists, theorists and polemicists alike. Drawing from a variety of disciplines and genres, he links sex to economics, porn to high-brow literature, and tackles the oddball themes of cannibalism and vegetable sex in Canadian fiction. He examines the struggles of science fiction writers and the artistic opportunities of comic artists, weighing in on partisan politics for good measure. Rich with contextual detail and social commentary, these essays examine the cultural, historical and political forces that inform the books we read and write.

Ever want to talk to a world-famous holy book about your deepest secret? What would this book say? What would others think of your conversation? For the first time here are authentic Biblical words on your deepest secret. This is made possible by an historic fusion of the latest artificial intelligence software from Europe, advanced computer hardware from China, and pioneering psychic reading techniques from Chicago. Contains the best 10,000 Biblegrams (anagrams) computer-selected from millions. This handy prayerbook-size edition fits snugly in your pants or blouse. Take it everywhere for emergency reference!

'The Last Omen of Heaven' is a body of poetry contesting a dark romance with tragedy. It highlights the greatness and struggles of the heart with love, passion, praise and nostalgia. This is man's immortal story.

About half the essays consider Williams's fiction. They explore the theological roots of his theory of imagery; the rhetorical implications of his belief that language is inherently meaningful; his methods of creating "subjective correlatives" for heightened states of consciousness; and, in individual works of fiction, his revisionary use of time-travel and ghost-story conventions, his rhetorical application of Blakean "contraries," aspects of his diction and syntax, and his call to pursue integrity of speech as an ideal.

The capstone and crowning achievement of the Future History series, from the New York Times bestselling Grand Master of Science Fiction... Time Enough for Love follows Lazarus Long through a vast and magnificent timescape of centuries and worlds. Heinlein's longest and most ambitious work, it is the story of a man so in love with Life that he refused to stop living it; and so in love with Time that he became his own ancestor.

An arranged marriage unites two Scottish clans—and two Highland hearts—in a captivating novel from the New York Times–bestselling author. The vivid scar that spans Sir Iain MacLagan’s cheek is a daily reminder of the wife he lost—and of the enemy that still stalks him. Commanded by Scotland’s king to remarry in order to unite two powerful border clans, lain reluctantly weds Islaen MacRoth, a woman whose delicate appearance belies a playful, seductive nature that proves dangerously attractive to a man who has vowed never to jeopardize his heart, or his loved ones, again . . . Raised with eleven boisterous brothers, Islaen has little time for foolish romantic notions. Even so, she hoped for more than a forced marriage to a man who shares her bed, but not her life. Step by step, Islaen sets out to wear down Iain's defenses.

T. S. Eliot was raised in the Unitarian faith of his family in St. Louis but drifted away from their beliefs while studying philosophy, mysticism, and anthropology at Harvard. During a year in Paris, he became involved with a group of Catholic writers and subsequently went through a gradual conversion to Catholic Christianity. Many studies of Eliot's writings have mentioned his religious beliefs, but most have failed to give the topic due weight, and many have misunderstood or misrepresented his faith. More recently, scholars have begun exploring this dimension of Eliot's thought more carefully and fully. In this book readers will find Eliot's Anglo-Catholicism accurately defined and thoughtfully considered. Essays illuminate the all-important influence of the French Catholic writers he came to know in Paris. Prominent among them were those who wrote for or were otherwise associated with the Nouvelle Revue Française, including André Gide, Paul Claudel, and Charles-Louis Philippe. Also active in Paris at that time was the notorious Charles Maurras, whose influence on Eliot has been exaggerated by those who wished to discredit Eliot's traditionalist views. A more measured assessment of Maurras's influence has been needed and is found in several essays here. A wiser French Catholic writer, Jacques Maritain, has been largely ignored by Eliot scholars, but his influence is now given due consideration. The keynote of Eliot's cultural and political writings is his belief that religion and culture are integrally related. Several contributors examine his ideas on this subject, placing them in the context of Maritain's ideas, as well as those of the Catholic historian Christopher Dawson. Contributors take account of Eliot's intellectual relationship with such figures as John Henry Newman, Charles Williams, and the expert on church architecture, W. R. Lethaby. Eliot's engagement with other contemporaries who held a variety of Christian beliefs—including George Santayana, Paul Elmer More, C. S. Lewis, and David Jones—is also explored. This collection presents the subject of Eliot's religious beliefs in rich detail, from a number of different perspectives, giving readers the opportunity to see the topic in its complexity and fullness.

No one captures the windswept romance of the Scottish Highlands like New York Times bestselling author Hannah Howell. In this dazzling novel, a beautiful young woman fights to regain her birthright--and to resist the rugged knight who ignites her deepest desire. For six years, Sine Catriona Brodie has clung to a vow of vengeance. A pickpocket and street performer by trade, Sine bides her time until she can defeat her treacherous kinsmen. Nothing will sway her from her path, not even Gamel Logan--a tall, lean knight whose hungry gaze and heated embrace stir a longing that is both delicious and distracting. From his first glimpse of her at a roadside camp, Gamel knows that Sine, with violet eyes and hair like silken moonlight, is the soul mate he has sought. Yet Sine insists she belongs to another man, though her eager response to his seduction belies her every word. Gamel pledges to help Sine win back her lands from a cunning enemy, but the greater battle will be convincing her to conquer her past and trust in his enduring love. . . Includes an excerpt of Hannah Howell's upcoming Highland romance, Highland Fire!

Originally published in 1958, The Cathedral is a verse sequence evoking the spirit of an English cathedral and the characters associated with its history. Although Salisbury is at its core, the book does not focus on the portrait of one specific cathedral, but instead includes features from many. It brings to life the figures that it portrays, giving voices to a wide variety of characters from the Peasant’s Daughter to The Devil, and the Spire-Builder to the Queen. The Cathedral will appeal to those with an interest in poetry, Christianity, and religious architecture.