After Brigit’s mysterious death at the NoBash, Ariana will stop at nothing to make sure Kaitlynn gets what she deserves. With all the spots now open, getting into the Stone and Grave should be a breeze—but Ariana is not willing to share her new life with her worst enemy. Will Ariana be able to rid herself of her past without exposing where she came from?

In Dreams and Sweet Deceit, Milana L. Walter weaves the pursuit of dreams, the law of attraction and life's interruptions through a zigzag path of tests and triumphs. This is Garbo Madrid's Wyatt's story, a smart determined, navie - African-American woman.

Diana Rainville would do anything for her beloved, aging husband, the Duke of Wimberly. To protect the family legacy from his disreputable nephew, the Duke begs his wife to produce an heir by another man. She agrees to bear the child of Gavin Winslow, but how could she accept the feelings Gavin evoked? Bound by honor they part ways, but when a disaster threatens all they hold dear, Diana and Gavin prove their ties were sanctioned by the heart.

After Ali deGroot's fiancé lies and steals from her, she moves for a fresh beginning and starts up her own promotions business. While she nurses her wounds, her new neighbor charms her into going out for a date. Soon the two are together, but there is more to her neighbor than meets the eye. Jase VanDam relocated into a new house in an attempt to maintain anonymity. As the owner of chain bakery store A Real Sweetie, he's tired of being chased after by people who only have his money in mind. When he meets Ali, he pretends to be a baker at A Real Sweetie rather than reveal his true identity. A little white lie can't hurt, especially when it is for the good of their relationship. But Ali's had it with lies. When she finds out the truth, she wants nothing to do with Jase. She breaks it off with him and vows never to see him again, even though this means giving up the lucrative promotions account of her dreams with his company. When disaster strikes one of Jase's bakeries, they must find a way to establish trust in their relationship before their love can lead them to the hope of a future together.

Law professor Myles Eaton knows a lot can happen in ten years. A decade ago, Philadelphia's finest bachelor was a hotshot attorney engaged to a woman he swore he'd love forever—until she left him to marry a powerful politician. The only thing more difficult than forgiving her has been forgetting the searing heat they shared. And just when Myles is sure he's over her, Zabrina Cooper arrives back in his life. Nothing could stop Zabrina from loving Myles, not even when she was blackmailed into becoming wife—in name only—to another man. And as her secrets are revealed, Zabrina has one summer to convince Myles that beyond their incredible chemistry is a soul-deep bond that never faded.

The visual, material, and literary cultures of the English Renaissance are littered with objects that depict, utilise, or respond to the metaphor of musical harmony--yet harmony in this period relied on a certain amount of carefully mannered dissonance. Using visual and literary sources alongside musical works, author Eleanor Chan explores the rise of the false relation, a variety of dissonance that, despite being officially frowned upon by contemporary theoretical treatises, became characteristic of English vocal music between ca. 1550 and 1630.

“Intoxicating . . . Sexy, political and deeply humane . . . We all owe Penguin Classics a round of shots for A Last Supper of Queer Apostles.” —The Washington Post A galvanizing look at life on the margins of society by a crowning figure of Latin America's queer counterculture who celebrated “melodrama, kitsch, extravagance, and vulgarity of all kinds” (Garth Greenwell) in playful, performative, linguistically inventive essays, now available in English for the first time A Penguin Classic “I speak from my difference,” wrote Pedro Lemebel, an openly queer writer and artist living through Chile’s AIDS epidemic and the collapse of the Pinochet dictatorship. In brilliantly innovative essays—known as crónicas—that combine memoir, reportage, fiction, history, and poetry, he brought visibility and dignity to sexual minorities, the poor, and the powerless. Touching on everything from Che Guevara to Elizabeth Taylor, from the aftermath of authoritarian rule to the daily lives of Chile’s locas—a slur for trans women and effeminate gay men that he boldly reclaims—his writing infuses political urgency with playfulness, realism with absurdism, and resistance with camp, and his AIDS crónicas immortalize a generation of Chileans doubly “disappeared” by casting each loca, as she falls sick, in the starring role of her own private tragedy. This volume brings together the best of his work, introducing readers of English to the subversive genius of a literary activist and queer icon whose acrobatic explorations of the Santiago demimonde reverberate around the world. For more than seventy-five years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 2,000 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

The Art of Meditation and the French Renaissance Love Lyric examines the poetics of meditation in the French love lyric at the height of the Lyonnais Renaissance as illustrated by one of the country's most prominent writers. Maurice Scève's Délie is the first French sequence of poems devoted to a single woman in the manner of Petrarch's Rime. It is also the first Renaissance work to use emblems in a sustained work on love. At their core, most amatory lyrics involve a triple relation among lover, beloved, and the meaning of love. Whether the poet-lover is a man or woman, poetic discourse generally takes the form of an interior monologue frequently intermingled with direct and indirect address to the beloved. Though the dominant quality of this lyric is personal introspection, Michael Giordano finds Délie to be consistent with traditions of Christian meditation. He argues that the amatory lyric served as a vehicle for contests of value and paradigm change not only because it was conditioned both by sacred and profane sources, but also because it occurred at a time of religious upheaval and scientific revolution.