"The fundamental inanity of existence has already pierced my heart, and I know now that only cakes have any savor." In a tiny room under the Parisian rooftops, a precocious student concocts a rather unusual plan for a simple task: suicide. A dizzying array of desserts--pastries, chocolates, cookies, custards and more--are the instruments of her demise. A Sweet Death is the macabre and humorous record of a young woman's eccentric progression. A rumination on life, literature, philosophy, fashion, love, and--most importantly--food. By turns sumptuous, horrific and hopeful, Claude Tardat's novel is an original and compelling exploration of what it means to be alive.

Originally published in 1991, Reflecting on Miss Marple looks at the incongruous combination of violence, murder and a sweet, white-haired old lady, and examines why this makes such a potent but unlikely formula. The book is an astute and engaging account which reveals Miss Marple as a feminist heroine, triumphantly able to exploit contemporary prejudices against unmarried women in order to solve her case. The authors explore the inherent contradictions of Agatha Christie’s Miss Marple novels, their social context, and their place in detective fiction as a whole.

Mysteries are among the most popular books today, and women continue to be among the most creative and widely read mystery writers. This book includes alphabetically arranged entries on 90 women mystery writers. Many of the writers discussed were not even writing when the first edition of this book was published in 1994, while others have written numerous works since then. Writers were selected based on their status as award winners, their commercial success, and their critical acclaim. Each entry provides biographical information, a discussion of major works and themes, and primary and secondary bibliographies. The volume closes with appendices and a selected, general bibliography. Public library patrons will value this guide to their favorite authors, while students will turn to it when writing reports.

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An extensive study of self-sacrificial images in Indian art, this book examines concepts such as head-offering, human sacrifice, blood, suicide, valour, self-immolation, and self-giving in the context of religion and politics to explore why these images were produced and how they became paradigms of heroism.

The Mystery Fancier, Volume 8 Number 2, March-April 1984, contains: "The Morals of Parker," by Frank D. McSherry, Jr., "Violence and Gunplay in Crime Fiction," by Robert E. Skinner and "A Report from Scandinavia," by K. Arne Blom.

Edgar- and Agatha-nominated author Colleen Barnett here updates her essential reference for readers and writers of mystery, examining women who detect, women as sleuths, and the evolving roles of women in professions and in society.

Mark Twain was an American writer, journalist, and publisher. Among his most famous novels are “The Adventures of Tom Sawyer” and its sequel, “The Adventures of Huckleberry Finn.” His wit and satire, in prose and in speech, earned praise from critics and peers. This volume includes some of his amazing works: a novel about Buffalo Bill’s favorite horse “A Horse’s Tale, ” a short story “The Celebrated Jumping Frog of Calaveras County,” and “Letters from the Earth,” the most controversial work of the author. The story shows a unique view on the Satan's exile from heaven and his experiences on Earth.

The Jester and the Sages approaches the life and work of Mark Twain by placing him in conversation with three eminent philosophers of his time—Friedrich Nietzsche, Sigmund Freud, and Karl Marx. Unprecedented in Twain scholarship, this interdisciplinary analysis by Forrest G. Robinson, Gabriel Noah Brahm Jr., and Catherine Carlstroem rescues the American genius from his role as funny-man by exploring how his reflections on religion, politics, philosophy, morality, and social issues overlap the philosophers’ developed thoughts on these subjects. Remarkably, they had much in common. During their lifetimes, Twain, Nietzsche, Freud, and Marx witnessed massive upheavals in Western constructions of religion, morality, history, political economy, and human nature. The foundations of reality had been shaken, and one did not need to be a philosopher—nor did one even need to read philosophy—to weigh in on what this all might mean. Drawing on a wide range of primary and secondary materials, the authors show that Twain was well attuned to debates of the time. Unlike his Continental contemporaries, however, he was not as systematic in developing his views. Brahm and Robinson’s chapter on Nietzsche and Twain reveals their subjects’ common defiance of the moral and religious truisms of their time. Both desired freedom, resented the constraints of Christian civilization, and saw punishing guilt as the disease of modern man. Pervasive moral evasion and bland conformity were the principal end result, they believed. In addition to a continuing focus on guilt, Robinson discovers in his chapter on Freud and Twain that the two men shared a lifelong fascination with the mysteries of the human mind. From the formative influence of childhood and repression, to dreams and the unconscious, the mind could free people or keep them in perpetual chains. The realm of the unconscious was of special interest to both men as it pertained to the creation of art. In the final chapter, Carlstroem and Robinson explain that, despite significant differences in their views of human nature, history, and progress, Twain and Marx were both profoundly disturbed by economic and social injustice in the world. Of particular concern was the gulf that industrial capitalism opened between the privileged elite property owners and the vast class of property-less workers. Moralists impatient with conventional morality, Twain and Marx wanted to free ordinary people from the illusions that enslaved them. Twain did not know the work's of Nietzsche, Freud, and Marx well, yet many of his thoughts cross those of his philosophical contemporaries. By focusing on the deeper aspects of Twain’s intellectual makeup, Robinson, Brahm, and Carlstroem supplement the traditional appreciation of the forces that drove Twain’s creativity and the dynamics of his humor.