Like a majestic ocean liner or a grand hotel, the Victorian-era Sutro Baths dazzled visitors with its over-the-top opulence and its many attractions: seven swimming pools filled with filtered and heated seawater, a museum, restaurants, tropical plants, promenades, and seating for thousands of spectators, all covered by more than 100,000 square feet of glass. The creation of Comstock millionaire Adolph Sutro, the Baths opened in 1894 and ended in fire in 1966. Once the debris was cleared, little remained of Sutro's ambitious structure, which he intended to outshine the baths of Rome. Today, visitors explore its concrete ruins and mysterious tunnels, which are protected by the National Park Service as part of the larger Lands End site. Sutro's Glass Palace, the fascinating story of a vanished but enduring piece of San Francisco history, comprehensively answers the question, "What was this place?". Inside you'll find: An in-depth account of the rise and fall of Sutro Baths Detailed architectural renderings and diagrams Historical and contemporary photographs News stories of the day revealing the Baths' darker side A field guide to the ruins

History of the various buildings known as the Cliff House, in photographs.

Adolph Sutro was forever seeking challenges. Emigrating from Prussia to the U.S. at age 20, the California gold rush lured him west. At the Comstock Lode in Nevada, he conceived an idea for a tunnel to drain the hot water that made the mines perilous and inefficient. But he would have to overcome both physical obstacles and powerful opposition by the Bank of California to realize his vision. Back in San Francisco, Sutro bought one twelfth of the city, including the famous Cliff House perched over the Pacific Ocean. When it burned to cinders on Christmas Day, 1894, he built a massive, eight-story Victorian replacement. He used his expertise in tunneling and water solutions to create the world's largest enclosed swimming structure, the Sutro Baths--six glass-covered heated saltwater pools with capacity of 1,000 swimmers. Other challenges followed but Sutro was not invincible. After a two-year term as mayor of San Francisco, he succumbed to debilitating strokes which left him senile. His death in 1898 started disputes among his heirs--six children by his wife and two by his mistress--that lasted more than a decade.

The history of this fabled site spans 150 years, beginning in

The bestselling book from two prizewinning, critically acclaimed contemporary chroniclers of San Francisco-a rich, illustrated, idiosyncratic portrait of this great city. In Spirits of San Francisco, #1 bestselling Cool Gray City of Love author Gary Kamiya joins forces with celebrated, bestselling artist Paul Madonna to take a fresh look at this one-of-a-kind city. Marrying image and text in a way no book about this city has done before, Kamiya's illuminating narratives accompany Madonna's masterful pen-and-ink drawings, breathing life into San Francisco sites both iconic and obscure. Paul Madonna's atmospheric images will awe: his wide-angle drawings offer a new perspective on the “crookedest street in the world” and vistas across the city. And Kamiya's engaging prose, accompanying each image, offers striking vignettes of this incredible city: witness his story of “Dumpville,” the bizarre community that sprang up in the 19th century on top of a massive garbage dump. Handsome and irresistible-much like the city it chronicles-Spirits of San Francisco is both a visual feast and a detailed, personal, loving, informed portrait of a beloved city.

After a family tragedy orphans her, Rachel, the daughter of a Danish mother and a black G.I., moves into her grandmother's mostly black community in the 1980s, where she must swallow her grief and confront her identity as a biracial woman in a world that wants to see her as either black or white. A first novel. Reprint.

Honeymooners Viktor and Liesel Landauer are filled with the optimism and cultural vibrancy of central Europe of the 1920s when they meet modernist architect Rainer von Abt. He builds for them a home to embody their exuberant faith in the future, and the Landauer House becomes an instant masterpiece. Viktor and Liesel, a rich Jewish mogul married to a thoughtful, modern gentile, pour all of their hopes for their marriage and budding family into their stunning new home, filling it with children, friends, and a generation of artists and thinkers eager to abandon old-world European style in favor of the new and the avant-garde. But as life intervenes, their new home also brings out their most passionate desires and darkest secrets. As Viktor searches for a warmer, less challenging comfort in the arms of another woman, and Liesel turns to her wild, mischievous friend Hana for excitement, the marriage begins to show signs of strain. The radiant honesty and idealism of 1930 quickly evaporate beneath the storm clouds of World War II. As Nazi troops enter the country, the family must leave their old life behind and attempt to escape to America before Viktor's Jewish roots draw Nazi attention, and before the family itself dissolves. As the Landauers struggle for survival abroad, their home slips from hand to hand, from Czech to Nazi to Soviet possession and finally back to the Czechoslovak state, with new inhabitants always falling under the fervent and unrelenting influence of the Glass Room. Its crystalline perfection exerts a gravitational pull on those who know it, inspiring them, freeing them, calling them back, until the Landauers themselves are finally drawn home to where their story began. Brimming with barely contained passion and cruelty, the precision of science, the wild variance of lust, the catharsis of confession, and the fear of failure - the Glass Room contains it all.

From the author of the best-selling and Booker Prize–shortlisted The Glass Room and Trapeze An historical thriller that brings back Marian Sutro, ex-Special Operations agent, and traces her romantic and political exploits in post-World War II London, where the Cold War is about to reshape old loyalties As Allied forces close in on Berlin in spring 1945, a solitary figure emerges from the wreckage that is Germany. It is Marian Sutro, whose existence was last known to her British controllers in autumn 1943 in Paris. One of a handful of surviving agents of the Special Operations Executive, she has withstood arrest, interrogation, incarceration, and the horrors of Ravensbrück concentration camp, but at what cost? Returned to an England she barely knows and a postwar world she doesn’t understand, Marian searches for something on which to ground the rest of her life. Family and friends surround her, but she is haunted by her experiences and by the guilt of knowing that her contribution to the war effort helped lead to the monstrosities of Hiroshima and Nagasaki. When the mysterious Major Fawley, the man who hijacked her wartime mission to Paris, emerges from the shadows to draw her into the ambiguities and uncertainties of the Cold War, she sees a way to make amends for the past and at the same time to find the identity that has never been hers. A novel of divided loyalties and mixed motives, Tightrope is the complex and enigmatic story of a woman whose search for personal identity and fulfillment leads her to shocking choices.

In Conjure wife, Norman Saylor learns that his wife is a sorceress. In Our Lady of Darkness, horror writer Franz Westen searches for the paranormal in San Francisco.

As people move through life, they continually shift affiliation from one position to another, dependent on the wider contexts of their interactions. Different forms of material culture may be employed as affiliations shift, and the connotations of any given set of artifacts may change. In this volume the authors explore these overlapping spheres of social affiliation. Social actors belong to multiple identity groups at any moment in their life. It is possible to deploy one or many potential labels in describing the identities of such an actor. Two main axes exist upon which we can plot experiences of social belonging – the synchronic and the diachronic. Identities can be understood as multiple during one moment (or the extended moment of brief interaction), over the span of a lifetime, or over a specific historical trajectory. From the Introduction The international contributions each illuminate how the various identifiers of race, ethnicity, sexuality, age, class, gender, personhood, health, and/or religion are part of both material expressions of social affiliations, and transient experiences of identity. The Archaeology of Plural and Changing Identities: Beyond Identification will be of great interest to archaeologists, anthropologists, historians, curators and other social scientists interested in the mutability of identification through material remains.