These are stories about strong women: survivors that include professionals or professional whores, writers, educators, counselors and curanderas, the bewitched and the bewitchers. The title story and its description of the sexual abuse of a young girl by her stepfather will make it clear that this work treats outrages as well as mysteries, and the reader will come to learn that a part of surviving is to begin to understand outrageous humanity.

SURVIVING will astonish you. An unlikely journey from a poverty-ridden small village in the northeast of Brazil to an enchanted town in New Jersey, the child heroine will take you along as she struggles to find friendship, love, joy, and protection in a harsh world where co-existing is an overwhelming challenge. Quiteria Cloutman gives us the child heroine in her elementary school days in Rio de Janeiro, where she moves to at age six. Fighting to adjust in a new region that feels like a foreign land to her, she encounters many obstacles that she will handle with resilience and heroism. All throughout her tough journey, the child doesn’t lose hope as she is always in great spirits. Her character is never broken. Moving to the United States as a mature woman and settling in New Jersey, the heroine finds happiness and a whole world of new experiences. You will be stunned at what you will experience here. From receiving a gift on Christmas Night from a very special visitor, to meeting Katharine Hepburn’s double at Walmart, the author will surprise you at every turn. You will even have a chance to meet the heroine’s idol—who might just be yours, too. The stories are profound, hilarious, sad, moving, and unforgettable. They are about the heroine—and they are about you, as much as they are about me and everyone else. They are about the human journey. So the door is open. Come on in. Let’s survive together!

Zainab Salbi's media profile soared with her first book, a memoir of growing up in Saddam Hussein's inner circle. Her foundation, Women for Women International, plays a vital role in helping to heal war-torn nations. Here, with images by award-winning photographers, Salbi presents a collection of letters and first-person narratives by amazing women who survived war's devastation and now must find the strength to rebuild families and communities. Overviews by the author explain how each nation's history led to violent conflict; then the women tell their stories--of horror, cruelty, and suffering, but also of profound inspiration, as they work toward renewal and toward the day their fierce determination is rewarded with productivity, prosperity, and lasting joy.--From publisher description.

Edited by the author's grandson, the novelist Matthew Yorke, and with an Introduction by John Updike, this book is an excellent selection of Henry Green's uncollected writings. It includes a number of outstanding stories never previously published, written during the '20s and '30s ("Bees", "Saturday", "Excursion", and the remarkable "Mood" among them). It contains a highly entertaining account of Green's service in the London Fire Brigade during the War; a short play written in the 1950s; and a selection of his journalism, including revelatory articles about the craft of writing, a marvellous evocation of Venice, a description of falling in love, reviews which illuminate his literary enthusiasm and the entertaining interview with Terry Southern for the Paris Review. It is rounded off with a biographical memoir by Green's son, Sebastian Yorke. Fascinating and invaluable as an introduction to Green, Surviving casts new light on his work and illustrates the many facets of this exceptional writer, one of the two most important English novelists of his time.

A Katrina survivor waits for rescue on his roof in the brutal heat, reflecting on the life choices that brought him to this moment. A young woman discovers there’s more to her perfect man than she thought. A gay journalist travels to Italy to interview his teen idol, only to discover a darkness in the Tuscan hills. A gay man cleans his home, reflecting on his sociopathic criminal mother. Chanse MacLeod returns to his hometown to help his younger brother, accused of murder. A daughter keeps her father’s legacy alive while hiding his darkest secrets. Including five new stories written for this collection (along with the first-ever Chanse MacLeod short story), Greg Herren’s tales of murder, crime, and the darkness that lives inside all of us are evocative of the proud Southern Gothic tradition of writers and are now available, for the first time, in a single collection.

"This unique and original book sets the standard for such volumes. I can't see anyone coming along for quite some time who would be able to supersede it or top it for quality and inclusiveness."—Brian Swann, editor of Coming to Light "It is a masterful treatment of oral literature…a wonderful combination of great verbal art and sound scholarship, carefully crafted so that the collection begins and ends with a powerful creation tale."—Leanne Hinton, author of Flutes of Fire "Since each of the contributing specialists has first-hand familiarity with the material, the translations are of unusual authenticity and the annotations are of unusual insightfulness. Luthin's own introductory sections are especially vivid and well-informed."—William Bright, author of A Coyote Reader

This text contains excerpts from over 400 letters from 78 correspondents sent during World War II featuring the author's father Oswald A. Holzer, MD, and his family and friends.

THE SUNDAY TIMES AND INTERNATIONAL BESTSELLER 'A standalone classic . . . An incredible book, remarkable for its unflinching gaze at the past and also for its hope' GUARDIAN, 'Books to Give You Hope' 'Remarkable . . . Makes it clear just what an achievement it was starting over again, when survivors were not only economically and physically depleted, but emotionally devastated, too' SCOTSMAN Eva was arrested by the Nazis on her fifteenth birthday and sent to Auschwitz. Her survival depended on endless strokes of luck, her own determination and the love and protection of her mother Fritzi, who was deported with her. When Auschwitz was liberated, Eva and Fritzi began the long journey home. They searched desperately for Eva's father and brother, from whom they had been separated. The news came some months later. Tragically, both men had been killed. Before the war, in Amsterdam, Eva had become friendly with a young girl called Anne Frank. Though their fates were very different, Eva's life was set to be entwined with her friend's for ever more, after her mother Fritzi married Anne's father Otto Frank in 1953. This is a searingly honest account of how an ordinary person survived the Holocaust. Eva's memories and descriptions are heartbreakingly clear, her account brings the horror as close as it can possibly be. But this is also an exploration of what happened next, of Eva's struggle to live with herself after the war and to continue the work of her step-father Otto, ensuring that the legacy of Anne Frank is never forgotten.

For readers of The Boy Who Dared and Prisoner B-3087, a collection of unforgettable true stories of children hidden away during World War II. Jaap Sitters was only eight years old when his mother cut the yellow stars off his clothes and sent him, alone, on a fifteen-mile walk to hide with relatives. It was a terrifying night, one he would never forget. Before the end of the war, he would hide in secret rooms and behind walls. He would suffer from hunger, sickness, and the looming threat of Nazi raids. But he would live.This is just one of the true stories told in Hidden Like Anne Frank, a collection of eye-opening first-person accounts that share the experience of going into hiding to escape the Holocaust. Some were just toddlers when they were hidden; some were teenagers. Some hid with neighbors or family, while many were with complete strangers. But all know the pain of losing their homes, their families, even their own names. They describe the secret network that kept them safe. And they share the coincidences and close calls that made all the difference.