Transplanted from what he considered civilization to the desolation of the Rosebud Indian Reservation, a ten-year-old boy becomes resourceful. What he learns will shape the ways in which he eventually would teach. Rather than stunting development, the reservation's history, culture and education become the stimuli for it. The boy immerses himself in the peaceful Lakota culture, reacts against its developing militancy, and eventually learns acceptance. Accustomed to team sports and ice cream shops, the fifth-grader relocates with his family to the reservation in 1957 and finds nothing familiar. He and his friends live in the poorest region of South Dakota; their only resources are their imaginations and curiosity. They explore, build, hunt, and become interested in girls. This is their story of Survival on the Rosebud Indian Reservation. It's easy for a kid to poke fun at foods and traditions different from his own. The author notes, The more experiences I had with the Lakota culture, the more respect I developed for it. I reached a point at which it was difficult to view the Lakota objectively. I'd become part of them.About the Author: David Clifford Grieser is an educator in Des Moines, Iowa. Michelangelo once described his sculpting as freeing his subjects from the marble in which they were encased. I felt the same way as I wrote: My subjects and events were encased in a past, and I wanted to eliminate the extraneous surroundings, so that readers could see them. The obstacles, then, were to extract no more or less than what I needed to be accurate. Completing the book was a testament to the Lakota people to whom I owed so much. Publisher's Website: http: //sbpra.com/DavidCliffordGriese

Highway 18 between Mission and Okreek, South Dakota, is a stretch of no more than eighteen miles, but late at night or in a blizzard it seems endless. "It feels like being somewhere between South Dakota and 'there,'" says Simon Ortiz, "perhaps at the farthest reaches of the galaxy." Acoma Pueblo poet Ortiz spent a winter in South Dakota, teaching at Sinte Gleska College on the Rosebud Lakota Sioux Reservation. The bitter cold and driving snow of a prairie winter were a reality commanding his attention through its absolute challenge to survival and the meaning of survival. Ortiz's way of dealing with the hard elements of winter was to write After and Before the Lightning, prose and verse poems that were his response to that long season between the thunderstorms of autumn and spring. "I needed a map of where I was and what I was doing in the cosmos," he writes. In these poems, which he regards as a book-length poetic work, he charts the vast spaces of prairie and time that often seem indistinguishable. As he faces the reality of winter on the South Dakota reservation, he also confronts the harsh political reality for its Native community and culture and for Indian people everywhere. "Writing this poetry reconnected me to the wonder and awe of life," Ortiz states emphatically. Readers will feel the reality of that wonder and awe—and the cold of that South Dakota winter—through the gentle ferocity of his words.

A child of a typical 1950s suburb unearths her mother's hidden heritage, launching a rich and magical exploration of her own identity and her family's powerful Native American past.

This book recalls the author's early upbringing and education on two Indian reservations. Davis assesses the policies of the United States government regarding the status of Indians in society, and relates the Indian struggle for survival, self-governance, and sovereignty.

Too Strong to Be Broken explores the dynamic life of Edward J. Driving Hawk, a Vietnam and Korean War veteran, chairman of the Rosebud Sioux Tribe, former president of the National Congress of American Indians, husband, father, recovered alcoholic, and convicted felon. Driving Hawk's story begins with his childhood on the rural plains of South Dakota, then follows him as he travels back and forth to Asia for two wars and journeys across the Midwest and Southwest. In his positions of leadership back in the United States, Driving Hawk acted in the best interest of his community, even when sparring with South Dakota governor Bill Janklow and the FBI. After retiring from public service, he started a construction business and helped create the United States Reservation Bank and Trust. Unfortunately, a key participant in the bank embezzled millions and fled, leaving Driving Hawk to take the blame. Rather than plead guilty to a crime he did not commit, the seventy-four-year-old grandfather went to prison for a year and a day, even as he suffered the debilitating effects of Agent Orange. Driving Hawk fully believes that the spirits of his departed ancestors watched out for him during his twenty-year career in the U.S. Air Force, including his exposure to Agent Orange, and throughout his life as he survived surgeries, strokes, a tornado, a plane crash, and alcoholism. With the help of his sister, Virginia Driving Hawk Sneve, Driving Hawk recounts his life's story alongside his wife, Carmen, and their five children.

Sharing Our Stories of Survival is a comprehensive treatment of the socio-legal issues that arise in the context of violence against native women--written by social scientists, writers, poets, and survivors of violence.

Raw account of modern day Oglala Sioux who now live on the Pine Ridge Indian reservation.

Taking place across the Midwest’s heartland of America, this collection of short stories offers nuance to the darker aspects of human relationships. Told primarily from the intoxicating beginnings of lust before progressing toward love, the stories fluidly transform into stark realities rather than romantic ideals. Each story provides an intimate look at how commitment and affection can turn into disloyalty or even hatred. With subtle mystery and humor sprinkled throughout, readers will be fascinated and shocked at where these winding plots lead, both physically and psychologically. Though at times jarring, the stories ultimately highlight the complexity of bonds between people in both their beauty and brutality.