"Although this book provides a selection from sources and interpretations of warfare in Viking-Age England, and presents a consideration of them, it is more than a purely historiographical study. It investigates the current state of scholarship and the key points of its development, indicating areas for enquiry and point out some less familiar sources along the way. The intention is not to deal with the canon of historical works on the Anglo-Saxon army, for remarkably there is no 'canon' as such. Much, though by no means all, scholarship on the organization of military systems in the Anglo-Saxon state has been undertaken by historians and scholars from related disciplines for whom warfare is not a primary concern. Many of the sources used will be familiar to students of early medieval England, but others are included because they are less often considered ... I have not attempted to use a chronological structure, nor have I retold any particular narrative history of the English Kingdom during the Viking Age, although for the reader's convenience a chronology of events is included as an appendix. The focus is rather the exploration of the practice and politics of warfare."--Preface.

Ben Jonson was a Londoner. He lived there from infancy, left for only brief periods of travel, and used various locales in or near London as the settings for eleven of his seventeen plays. Ben Jonson's London opens with a discussion of the purpose, scope, and success of Jonson's use of London settings as Placenames. Chalfant demonstrates that Ben Jonson brought the same judicious, erudite, and dramatically functional insight to his handling of London topography-from overall settings to very brief mentions-as he did to his well-known use of classical, mythological, and iconographical detail.

Friend and rival of Shakespeare, Ben Jonson was one of the most learned and interesting men of his age. Throughout his fascinating life, he served not only as a bricklayer but also a soldier, an adventurer, an actor, a poet, and a playwright. The breadth of his experiences, acquaintances, friends, and enemies was legendary, and his literary canon is equally as diverse. The Ben Jonson Encyclopedia covers in detail the works, life, and times of this seminal figure of the English Renaissance. The cross-referenced entries include summaries of all Jonson’s plays, masques, and entertainments, as well as sketches of Jonson’s friends, enemies, patrons, disciples, actors, and fellow writers. In addition, the book identifies historical figures, mythological characters, and classical authors, as well as Jonson’s contemporaries and London place names mentioned in the works. Individuals who danced or participated in the masques and entertainments or tournaments for which Jonson wrote speeches are noted, as are the main actors known to have acted in the plays. All major scholars—from Jonson’s own day until the twenty-first century—who have commented on Jonson or his works are also included. An extensive bibliography completes this invaluable scholarly reference tool. Because of Jonson’s centrality to—and influence in and beyond—his age, this encyclopedia provides a dynamic, unparalleled vision of the English Renaissance literary scene. Capturing the depth and breadth of Jonson’s understanding of early Modern England, The Ben Jonson Encyclopedia will be especially useful for students, librarians, and academics interested in the literary and cultural scene from 1500 to 1650.