Spike Gillespie tells it like it is. Whether she's writing about men, mothering or money, she cuts to the chase, unabashedly recounting the exhilaration and uncertainty she is forever encountering along the odd path that is her life. Gillespie approaches her subjects with a keen eye for curious details and a readiness to ask hard questions and give honest, even brutal, answers. Her willingness to "put it all down—the painful, the funny, the mundane, the embarrassing" has won legions of readers for her print and online columns. Surrender (But Don't Give Yourself Away) collects forty-six essays, which initially appeared in such publications as the Washington Post, Austin Chronicle, Dallas Morning News, Bust, Gargoyle, and thecommonspace.org. As Gillespie describes them, "There are odes to my good days and bad, to trips I've taken—both real and metaphorical, to holiness found in unexpected places, to men I have not slept with, to learning to live sober. Too, there are miscellaneous ruminations on my alter-ego, my inner-teen, the floor mat in my car, a dead squirrel in the road." Binding these pieces is the thread of hope: there are moments the thread slips out of view only to resurface in some unexpected location. Sometimes it takes awhile, but Gillespie always relocates hope, discovering even in her darkest times that life is full of an embarrassment of riches.

Late one evening in the fall of 2005, just twenty minutes outside of Charlottetown, Prince Edward Island, a thirty-seven-year-old man takes a break from Coldplay to go outside his trailer on a farmer's field only to find out he is not alone. There was something floating a mere hundred feet or so just above him. It was the classic case of alien visitation, only there was nothing to suggest it was actually alien . . . just alien to him. Indeed it looked more like an Area 51 project gone astray. There were two of them, both identical and jet-black except for lights, extremely stealthy looking and totally silent. It wouldn't be the last time Mr. Anderson would come face-to-face with the paranormal. Something about their behavior seemed to be telling him that it was just "somebody's mistake" and to just go back inside the house and forget he had seen anything . . . trouble was . . . he didn't forget! He starts to wonder about his French speaking skills. Next morning he awoke to Sarah McLachlan's rendition of Black Bird.

Forced apart by distance and circumstance, Dari and Eric fight to find their way back to each other, but war is brewing. Friends turned enemies and unlikely allies can either help save or destroy their love. Hold onto your seats, because the tides are turning and it’s going to be a bumpy ride.

Rooted in the creative success of over 30 years of supermarket tabloid publishing, the Weekly World News has been the world's only reliable news source since 1979. The online hub www.weeklyworldnews.com is a leading entertainment news site.

Biography.

Rooted in the creative success of over 30 years of supermarket tabloid publishing, the Weekly World News has been the world's only reliable news source since 1979. The online hub www.weeklyworldnews.com is a leading entertainment news site.

"Providing a wealth of practical interventions and activities - all organized within a state-of-the-art modular framework - this invaluable book helps child clinicians expand their intervention toolkits. Building on the bestselling Clinical Practice of Cognitive Therapy with Children and Adolescents, which addresses the basics of treatment, Friedberg et. al., in their latest volume, provide additional effective ways for engaging hard-to-reach clients, addressing challenging problems, and targeting particular cognitive and behavioral skills. Fun and productive games, crafts, and other activities are described in step-by-step detail. Special features include over 30 reproducible forms and handouts, which bookbuyers can also download and print from Guilford's website in a convenient full-page size."--Pub. desc.

Hear, in the uplifting words of the author, why Poetry With God was written. "In March 2005, I was involved in a near-fatal car accident in which I sustained a mild traumatic brain injury. I regained consciousness with migraine-like headache pain, whiplash and the sound of a male Voice, loud and clear as day, in my head. I was told to walk, write and pray. In time, that's exactly what I did. Within hours after the accident, I was placed on an opiate pain killer, told to follow the prescription, and to follow up with my primary care physician. And so the war began: a seemingly endless amount of pills and The Voice telling me to walk, write and pray. The drugs had me putting everything off until tomorrow. The Voice that now was with me day and night began to torment me, and continued to do so, until I began to walk, write and pray. In time, God revealed many voices, and now reveals the Spirit of Truth unto me. They now call me the Advocate of Truth." Perhaps in this stirring and heartfelt book, Poetry With God, you too will find the spirit to walk, write and pray.

"When the Twin Towers suddenly reappear in the Badlands of South Dakota twenty years after their fall, nobody can explain their return. To the hundreds, then thousands, then tens of thousands drawn to the 'American Stonehenge'--including Parker and Zema, siblings on their way from L.A. to visit their mother in Michigan--the Towers seem to sing, even as everybody hears a different song. A rumor overtakes the throng that someone can be seen in the high windows of the southern structure"--Amazon.com.

A veteran music journalist explores how four legendary rock bands—KISS, Cheap Trick, Aerosmith, and Starz—laid the foundation for two diametrically opposed subgenres: hair metal in the '80s and grunge in the '90s. It was the age when heavy-footed, humorless dinosaurs roamed the hard-rock landscape. But that all changed when into these dazed and confused mid-'70s strut-ted four flamboyant bands that reveled in revved-up anthems and flaunted a novel theatricality. In They Just Seem a Little Weird, veteran entertainment journalist Doug Brod offers an eye- and ear-opening look at a crucial moment in music history, when rock became fun again and a gig became a show. This is the story of friends and frenemies who rose, fell, and soared once more, often sharing stages, studios, producers, engineers, managers, agents, roadies, and fans-and who are still collaborating more than forty years on. In the tradition of David Browne's Fire and Rain and Sheila Weller's Girls Like Us, They Just Seem a Little Weird seamlessly interweaves the narratives of KISS, Cheap Trick, and Aerosmith with that of Starz, a criminally neglected band whose fate may have been sealed by a shocking act of violence. This is also the story of how these distinctly American groups-three of them now enshrined in the Rock and Roll Hall of Fame-laid the foundation for two seemingly opposed rock genres: the hair metal of Poison, Skid Row, and Mötley Crüe and the grunge of Nirvana, Alice in Chains, and the Melvins. Deeply researched, and featuring more than 130 new interviews, this book is nothing less than a secret history of classic rock.