"An anthology of short fiction & poetry"--Cover.

The fourth book in the every-odd-year series from Press 53, originated by Laura Benedict and Pinckney Benedict, where "The dead will rise; witches will dance; swords will lunge; beasts will roam; gods will snicker; space and time will slip; slumbering horrors will shudder awake; innumerable eyes will watch your every move. Welcome to Surreal South '13, the fourth volume in the anthology series featuring stories imbedded in the surreal and seen through the perspective of the American South, fiction that lives on the fringe." -from the Introduction by Josh Woods, Editor

From the southern influence on nineteenth-century New York to the musical legacy of late-twentieth-century Athens, Georgia, to the cutting-edge cuisines of twenty-first-century Asheville, North Carolina, the bohemian South has long contested traditional views of the region. Yet, even as the fruits of this creative South have famously been celebrated, exported, and expropriated, the region long was labeled a cultural backwater. This timely and illuminating collection uses bohemia as a novel lens for reconsidering more traditional views of the South. Exploring wide-ranging locales, such as Athens, Austin, Black Mountain College, Knoxville, Memphis, New Orleans, and North Carolina's Research Triangle, each essay challenges popular interpretations of the South, while highlighting important bohemian sub- and countercultures. The Bohemian South provides an important perspective in the New South as an epicenter for progress, innovation, and experimentation. Contributors include Scott Barretta, Shawn Chandler Bingham, Jaime Cantrell, Jon Horne Carter, Alex Sayf Cummings, Lindsey A. Freeman, Grace E. Hale, Joanna Levin, Joshua Long, Daniel S. Margolies, Chris Offutt, Zandria F. Robinson, Allen Shelton, Daniel Cross Turner, Zackary Vernon, and Edward Whitley.

This collection documents the extensive participation of people of African descent in the international surrealist movement over the past 75 years.

This collection of essays—the first major account of surrealism in Latin America that covers both literary and visual production—explores the role the movement played in the construction and recuperation of cultural identities and the ways artists and writers contested, embraced, and adapted surrealist ideas and practices. Surrealism in Latin America provides new Latin American–centric scholarship, not only about surrealism’s impact on the region but also about the region’s impact on surrealism. It reconsiders the relation between art and anthropology, casts new light on the aesthetics of “primitivism,” and makes a strong case for Latin American artists and writers as the inheritors of a movement that effectively went underground after World War II. In so doing, it expands our understanding of important, fascinating figures who are less well known than their counterparts active in Europe and New York. Deriving from a conference held at the Getty Research Institute, the book is rich in new materials drawn from the GRI’s diverse Mexican and South American surrealist collections, which include the archives of Vicente Huidobro, Enrique Gómez-Correa, César Moro, Enrique Lihn, and Emilio Westphalen.

The traumatic surreal is the first major study to examine the leading role Germanophone women artists have played in deploying surrealism to respond to the traumatic events and legacies of the Second World War.

"This is the third and, in our humble opinion, the best, densest, and most exciting edition of the Surreal South anthology series. When we began this series, with the original Surreal South in 2007 (we did not know then, though we hoped, that it would be followed by Surreal South '09 and now this third volume), we wished to put together a book that in some sense bridged the gap between work that is perceived as 'literary' and work that is perceived as 'genre.' The first category is, as we take it, defined primarily by the excellence of its execution and the loftiness of its ambition. The second category is demarcated by its accessibility (indeed, its addictive quality) and its concentration on plot and pacing."This volume of profoundly weird stories is, we believe, an almost-perfect nexus of the literary and the genre. The stories it contains offer brilliant prose and unabashed plots. They are highly intelligent and compulsively readable. And they all celebrate ghosts and monsters. We really like ghosts and monsters. We're betting that you do too."

Surrealism, one of the influential movements of the 20th century, had a profound impact on all forms of culture. Containing over 350 illustrations, this book examines its impact in the wider fields of design and the decorative arts and its sometimes uneasy relationship with the commercial world.

The New York Times bestselling final installment of Jeff VanderMeer’s wildy popular Southern Reach Trilogy It is winter in Area X, the mysterious wilderness that has defied explanation for thirty years, rebuffing expedition after expedition, refusing to reveal its secrets. As Area X expands, the agency tasked with investigating and overseeing it--the Southern Reach--has collapsed on itself in confusion. Now one last, desperate team crosses the border, determined to reach a remote island that may hold the answers they've been seeking. If they fail, the outer world is in peril. Meanwhile, Acceptance tunnels ever deeper into the circumstances surrounding the creation of Area X--what initiated this unnatural upheaval? Among the many who have tried, who has gotten close to understanding Area X--and who may have been corrupted by it? In this last installment of Jeff VanderMeer's Southern Reach trilogy, the mysteries of Area X may be solved, but their consequences and implications are no less profound--or terrifying.

Perfect for fans of The Crown, this “intimate portrait” of England’s longest-reigning queen takes you behind the scenes of a thoroughly modern monarchy (BBC Entertainment). History knows no monarch like her. She has traveled farther than all her predecessors combined, lived the longest of any of them, and known more historic figures—from Winston Churchill to Nelson Mandela, Charles de Gaulle to Barack Obama—than anyone alive. Now, distinguished royal writer Robert Hardman has been granted special access to the world of Queen Elizabeth II in order to produce an unparalleled portrait of one of the most popular public figures on earth. Arguably Britain’s best-known observer of the royal family, Hardman follows Elizabeth’s journey through her country’s transformation from an imperial power to a multicultural nation; details a twenty-five-year period in which she steered the monarchy through more reforms than in the previous century; and interviews those closest to her, including her grandson Prince William, Duke of Cambridge. Written in celebration of Elizabeth’s Diamond Jubilee, Her Majesty celebrates the head of an ancient institution that remains simultaneously popular, regal, inclusive, and relevant in a twenty-first-century world. “At long last, we have the definitive portrait of Queen Elizabeth’s world today,” raves Andrew Roberts, author of The Royal House of Windsor. “Robert Hardman knows the true story and tells it superbly.”