The Creature Campers are back for another adventure! To pass their map and compass skills test, they must find their way to a hidden spot in the forest, where a picnic feast awaits! Follow Norm the Bigfoot and his friends as they brave a swampy lake, a scheming creature collector, and a starry night surprise to get to their deliciously sweet reward--and learn the true meaning of teamwork and trust.

Being the new kid at camp is never easy, especially for a bigfoot, a hyperactive jackalope, a fairy who can barely fly, and the only human boy! From Epic! Originals, Creature Campers is a funny, heartwarming series about the unlikely friendships forged at Camp Moonlight--"where being different isn't unusual...it's FUNusual!" Norm is worried about fitting in at camp. Literally. He's not just tall for a kid. He's tall even for a bigfoot. Oliver, the only human at camp, has the opposite problem: he's small enough that a strong wind might knock him over. With the help of their new friends, Hazel (a hyperactive jackalope) and Wisp (a boy fairy who has trouble flying), they'll have to work together to earn their canoeing certification without disturbing the resident lake monster--or Barnaby Snoop, who will stop at nothing to capture Norm for his personal rare creature collection.

Join the Creature Campers as they tackle their biggest challenge yet! The campers must take turns leading each other through the Camp Moonlight Obstacle Course... of DOOM! Together, they learn that sometimes it's good to be small, and sometimes it's good to be tall, but it's always good to face a challenge with friends.

Gabe Brown's brother Ben has his own show on the Internet called Discover Cryptids. Gabe and his friends Tyler and Sean help Ben hunt down these monsters and make sure the show goes on! For this episode the Monster Hunters travel to the sunny southland to search the South Carolina swamps for the Lizard Man. The evidence they gather points to a man in a lizard suit. But what made those three-toed tracks? Aligned to Common Core standards and correlated to state standards. Calico is an imprint of Magic Wagon, a division of ABDO.

Jack's dad is the new caretaker for the Dareville Community Theater. Jack is not looking forward to living in the rundown theater. To make matters worse, a ghost visits him on the very first day. The ghost promises to haunt Jack until he helps solve the mystery of his disappearance. What will Jack discover is the answer to the ghost's disappearance? The ending is Up2U. Aligned to Common Core Standards and correlated to state standards. Calico is an imprint of Magic Wagon, a division of ABDO.

Cooper and Cruz Garcia are in the mountains at Camp Nowhere. They are following big footprints in search of their missing bunkmate. They hear more blood-curdling screams. It's cold and getting dark. But it's when they feel they are being watched that things get really interesting! Aligned to Common Core standards and correlated to state standards. Spellbound is an imprint of Magic Wagon, a division of ABDO.

Cooper and Cruz Garcia follow Bigfoot through the woods to his cave. They can't believe what they find there! Even more incredible is what they learn about Camp Nowhere. Can they keep it a secret?

First came video and more recently high definition home entertainment, through to the internet with its streaming videos and not strictly legal peer-to-peer capabilities. With so many sources available, today’s fan of horror and exploitation movies isn’t necessarily educated on paths well-trodden — Universal classics, 1950s monster movies, Hammer — as once they were. They may not even be born and bred on DAWN OF THE DEAD. In fact, anyone with a bit of technical savvy (quickly becoming second nature for the born-clicking generation) may be viewing MYSTICS IN BALI and S.S. EXPERIMENT CAMP long before ever hearing of Bela Lugosi or watching a movie directed by Dario Argento. In this world, H.G. Lewis, so-called “godfather of gore,” carries the same stripes as Alfred Hitchcock, “master of suspense.” SPINEGRINDER is one man’s ambitious, exhaustive and utterly obsessive attempt to make sense of over a century of exploitation and cult cinema, of a sort that most critics won’t care to write about. One opinion; 8,000 reviews (or thereabouts.

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