This is a fascinating account of surgery that throws light on forgotten and unknown aspects of its practice from antiquity to the present. It illuminates the rare periods of progress and also explains why there were lengthy times when no original operations were undertaken. Maybury has achieved this by identifying the time and place when each operation was first undertaken. The first of these was the trephination of the skull in Peru twelve thousand years ago, presumably to exorcise evil spirits. This operation over several thousand years reached Europe where Hippocrates described and rationalised it to treat head injuries, it is still practiced today and is the forerunner of each subsequent original operation. The golden ages of surgery took place in Ancient Greece and India and 1,300 years later in Western Europe and the USA. Between these periods, no original operations took place. Maybury explains why this happened and reveals the Greek theory that dominated surgery for over 2,000 years. He describes the passage and translation of the Greek manuscripts and their acceptance in the Arabian Empires and how in turn the Arabic versions strongly influenced Italy and then Western Europe. He also tells of the Edict of Tours of 1163 that devastated surgery and took 700 years to rectify and also the extraordinary modern era when all the tissues of the body were finally operated upon and very much more.

Today, astonishing surgical breakthroughs are making limb transplants, face transplants, and a host of other previously un dreamed of operations possible. But getting here has not been a simple story of medical progress. In Blood and Guts, veteran science writer Richard Hollingham weaves a compelling narrative from the key moments in surgical history. We have a ringside seat in the operating theater of University College Hospital in London as world-renowned Victorian surgeon Robert Liston performs a remarkable amputation in thirty seconds—from first cut to final stitch. Innovations such as Joseph Lister's antiseptic technique, the first open-heart surgery, and Walter Freeman's lobotomy operations, among other breakthroughs, are brought to life in these pages in vivid detail. This is popular science writing at it's best.

Killer Looks is the definitive story about the long-forgotten practice of providing free nose jobs, face-lifts, breast implants, and other physical alterations to prisoners, the idea being that by remodeling the face you remake the man. From the 1920s up to the mid-1990s, half a million prison inmates across America, Canada, and the U.K willingly went under the knife, their tab picked up by the government. In the beginning, this was a haphazard affair -- applied inconsistently and unfairly to inmates, but entering the 1960s, a movement to scientifically quantify the long-term effect of such programs took hold. And, strange as it may sound, the criminologists were right: recidivism rates plummeted. In 1967, a three-year cosmetic surgery program set on Rikers Island saw recidivism rates drop 36% for surgically altered offenders. The program, funded by a $240,000 grant from the Department of Health, Education, and Welfare, was led by Dr. Michael Lewin, who ran a similar program at Sing-Sing prison in 1953. Killer Looks draws on the intersectionality of socioeconomic success, racial bias, the prison industry complex and the fallacy of attractiveness to get to the heart of how appearance and societal approval creates self-worth, and uncovers deeper truths of beauty bias, inherited racism, effective recidivism programs, and inequality. ,

A disturbing and extraordinary history of how modern surgery developed through experiments on women.

Written by an author with plenty of experience holding a scalpel, Dr. David Schneider’s The Invention of Surgery is an in-depth biography of the practice that has leapt forward over the centuries from the dangerous guesswork of ancient Greek physicians through the world-changing developments of anesthesia and antiseptic operating rooms to the “implant revolution” of the twentieth century.The Invention of Surgery is history of surgery that explains this dramatic, world-changing progress and highlights the personalities of the discipline's most dynamic historical figures. It links together the lives of the pioneering scientists who first understood what causes disease and how surgery could powerfully intercede in people’s lives, and then shows how the rise of surgery intersected with many of the greatest medical breakthroughs of the last century. And as Schneider argues, surgery has not finished transforming; new technologies are constantly reinventing both the practice of surgery and the nature of the objects we are permanently implanting in our bodies. Schneider considers these latest developments, asking “What’s next?” and analyzing how our conception of surgery has changed alongside our evolving ideas of medicine, technology, and our bodies.

This book is a collection of short accounts of the lives and works of surgeons who began to use techniques in the nineteenth and twentieth centuries that were to form the basis of reconstructive and cosmetic surgery and give rise to the specialty of plastic surgery. Descriptions of the intricate and novel surgical operations undertaken by these pioneers are included, but the emphasis is above all on stories of widely varying and fascinating characters, from the strange or eccentric, such as Hippolyte Morestin, to the serious or ambitious and a few, such as the Dutchman Johannes Esser and the legendary Sir Howard Gillies, who were accomplished in other fields, including business, sport and art. It is related how the two World Wars played a key role in the development of new techniques and how the endeavors of the pioneers were sometimes rejected by obstructive or abusive colleagues, impacting on careers and reputations. Pioneers in Plastic Surgery will appeal to all with an interest in the history of the discipline and the figures who shaped its birth and growth.

How has a medical practice that carries substantial risk to the patient and offers very little actual benefit become so widely accepted by parents and fiercely advocated by the medical community? Historian of medicine David Gollaher tells the strange history of medicine's oldest enigma and most persistent ritual in Circumcision. From the extraordinarily painful initiation rite of the ancient Egyptians, through the Hebrew purification ritual, through circumcision's use by the rising medical community in the nineteenth century as prevention for ailments ranging from bedwetting to paralysis, the great mystery has been the persistence of the practice through vastly different social contexts.

Surgery is the most martial and masculine of medical specialties. The combat with death is carried out in the operating room, where the intrepid surgeon challenges the forces of destruction and disease. What, then, if the surgeon is a woman? Anthropologist Joan Cassell enters this closely guarded arena to explore the work and lives of women practicing their craft in what is largely a man's world. Cassell observed thirty-three surgeons in five North American cities over the course of three years. We follow these women through their grueling days: racing through corridors to make rounds, perform operations, hold office hours, and teach residents. We hear them, in their own words, discuss their training and their relations with patients, nurses, colleagues, husbands, and children. Do these women differ from their male colleagues? And if so, do such differences affect patient care? The answers Cassell uncovers are as complex and fascinating as the issues she considers. A unique portrait of the day-to-day reality of these remarkable women, The Woman in the Surgeon's Body is an insightful account of how being female influences the way the surgeon is perceived by colleagues, nurses, patients, and superiors--and by herself.

In three sections, the Oxford Handbook of the History of Medicine celebrates the richness and variety of medical history around the world. It explore medical developments and trends in writing history according to period, place, and theme.