Tharok plans to remake Corvan IV the way the Fatal Five wants it, but the Legion steps in.

Contributions by Bart Beaty, T. Keith Edmunds, Eike Exner, Christopher J. Galdieri, Ivan Lima Gomes, Charles Hatfield, Franny Howes, John A. Lent, Amy Louise Maynard, Shari Sabeti, Rob Salkowitz, Kalervo A. Sinervo, Jeremy Stoll, Valerie Wieskamp, Adriana Estrada Wilson, and Benjamin Woo The Comics World: Comic Books, Graphic Novels, and Their Publics is the first collection to explicitly examine the production, circulation, and reception of comics from a social-scientific point of view. Designed to promote interdisciplinary dialogue about theory and methods in comics studies, this volume draws on approaches from fields as diverse as sociology, political science, history, folklore, communication studies, and business, among others, to study the social life of comics and graphic novels. Taking the concept of a “comics world”—that is, the collection of people, roles, and institutions that “produce” comics as they are—as its organizing principle, the book asks readers to attend to the contexts that shape how comics move through societies and cultures. Each chapter explores a specific comics world or particular site where comics meet one of their publics, such as artists and creators; adaptors; critics and journalists; convention-goers; scanners; fans; and comics scholars themselves. Through their research, contributors demonstrate some of the ways that people participate in comics worlds and how the relationships created in these spaces can provide different perspectives on comics and comics studies. Moving beyond the page, The Comics World explores the complexity of the lived reality of the comics world: how comics and graphic novels matter to different people at different times, within a social space shared with others.

"My World Begins in Yesterday.” After following Nemesis Kid to the 20th century, Karate Kid decides to stay there in order to find himself.

Prof. Jaxon Rugarth volunteers for a time-travel experiment at the Time Institute that drives him mad and changes him into the Infinite Man, who can summon any creature from any era to destroy the Legion and Rond Vidar.

Whatever happened to the Legion of Super-Heroes? The team is no more, and the United Planets are in total chaos as one of the Legion’s own has turned on the entire galaxy! Everyone is affected...and not everyone survived! Ultra Boy tries to put the Legion back together to face the future head on! Find out the fates of all your favorite Legionnaires like Shadow Lass, Triplicate Girl, Brainiac Five, and Bouncing Boy. Plus, a shocking twist in the Legion mythology-and a long overdue appearance by the Legion of Substitute Heroes! It’s all here in a truly way-out tale by writer Brian Michael Bendis and artist extraordinaire Riley Rossmo!

This title celebrates Superboy across the decades, from young Clark Kent in Smallville, to Superboy's 1970s adventures with the Legion of Super-Heroes, to Conner Kent's 1990s escapades, and today's Jon Kent. This title collects stories from More Fun Comics #101, Superboy (1949) #10 and 89, Adventure Comics #210, 247, 271, 369, and 370, Superboy and the Legion of Super-Heroes #233 and 259, DC Comics Presents #87, Infinite Crisis #6, Adventures of Superman #501, Superboy (1994) #59, Teen Titans #24, Adventure Comics #2, Young Justice #3, and Superman (2016) #6, 10, and 11.

First appearance of the Legion of Super-Heroes! Superboy encounters the Legion of Super-Heroes—super-powered teens from the future who want to initiate the Boy of Steel into the group. But can Superboy pass the tests put before him? Plus two additional stories!

Focusing especially on American comic books and graphic novels from the 1930s to the present, this massive four-volume work provides a colorful yet authoritative source on the entire history of the comics medium. Comics and graphic novels have recently become big business, serving as the inspiration for blockbuster Hollywood movies such as the Iron Man series of films and the hit television drama The Walking Dead. But comics have been popular throughout the 20th century despite the significant effects of the restrictions of the Comics Code in place from the 1950s through 1970s, which prohibited the depiction of zombies and use of the word "horror," among many other rules. Comics through Time: A History of Icons, Idols, and Ideas provides students and general readers a one-stop resource for researching topics, genres, works, and artists of comic books, comic strips, and graphic novels. The comprehensive and broad coverage of this set is organized chronologically by volume. Volume 1 covers 1960 and earlier; Volume 2 covers 1960–1980; Volume 3 covers 1980–1995; and Volume 4 covers 1995 to the present. The chronological divisions give readers a sense of the evolution of comics within the larger contexts of American culture and history. The alphabetically arranged entries in each volume address topics such as comics publishing, characters, imprints, genres, themes, titles, artists, writers, and more. While special attention is paid to American comics, the entries also include coverage of British, Japanese, and European comics that have influenced illustrated storytelling of the United States or are of special interest to American readers.

Gladiator, first published in 1930, tells the story of Hugo Danner, who is given superhuman speed, endurance, strength, and intelligence by his father as an experiment in creating a better human. We follow Hugo throughout his life viewed from his perspective, from childhood, when Hugo first discovers he’s different from others, to adulthood, as Hugo tries to find a positive outlet for his abilities around the time of the first World War. Gladiator has been made into a 1938 comedy movie, and is thought to be the inspiration for the Superman comic books—though this has not been confirmed.