Collects Giant-Size Super-Villain Team-Up #1-2; Super-Villain Team-Up #1-14, #16-17; Avengers (1963) #154-156; Champions #16.

M.O.D.O.K. gathers a group of villains, including Chameleon, the Living Laser, Mentallo, Puma, and Deadly Nightshade to pull off a heist while the heroes are distracted by World War Hulk, but news of their plan may attract more villains than the group can handle.

A companion to '500 Great Comicbook Action Heroes', '500 Comicbook Villains' takes a look at the dark side of the coin. It turns the spotlight on the fiendish foes without whom those fearless champions of justice and defenders of freedom would have no one to test their mettle against; nothing to give their existence meaning and substance. A veritable Who’s Who of comicdom’s criminal elite, '500 Comicbook Villains' features an awe-inspiring line-up of the best (or should that be the worst?) bad guys (and girls!) ever to commit a crime on the comic's page. Learn of the doers of dastardly deeds, the malevolent megalo-maniacs, the evil emperors, the mischievous miscreants and the would-be world conquerors. While some have dedicated their lives to evil, some simply enjoy a bit of mayhem and chaos and others are just plain bad ... or mad.

Marvel's top talents of the 1970s take on Edgar Rice Burroughs' savage swordsman of Barsoom! John Carter, a hunted soldier on the Western frontier, is transported to an alien world filled with six-armed aliens, sinister super-science and the love of his life, the incomparable Dejah Thoris! A must-have science-fiction epic in the Mighty Marvel Manner! Collecting JOHN CARTER, WARLORD OF MARS #1-28 and ANNUAL #1-3.

Doom on the water! In an epic spanning from New York to Louisiana to California to Maryland to the Atlantic Ocean, the Avengers are forced into Dr. Doom's latest scheme by the Atlantean Attuma, who wants Earth's Mightiest Heroes to keep Doom from conquering the world - so he can conquer it, instead! COLLECTING: Avengers 150-156, Annual 6; Super -Villain Team - Up 9

Bow before the majesty of Doctor Doom! The greatest villain of all is celebrated in a tome of tyranny six decades in the making! Featuring the Latverian ruler's first battle with the accursed Reed Richards and his Fantastic Four -- and their most epic clashes since! Plus, Doom's unforgettable encounters with Spider-Man, Iron Man, the X-Men and the Avengers! A trip to hell with Doctor Strange! The power of the Beyonder! Victor von Doom's incredible life story contained in the Books of Doom! And more tales of the Lord of Latveria! COLLECTING: Fantastic Four (1961) 5-6, 39-40, 246-247, 258, 278-279, 350, 352; Amazing Spider-Man (1963) 5; Marvel Super-Heroes (1967) 20; Giant-Size Super-Villain Team-Up (1975) 1-2; Super-Villain Team-Up (1975) 13-14; Champions (1975) 16; Amazing Spider-Man Annual (1964) 14; Uncanny X-Men (1981) 145-147; Iron Man (1968) 149-150; Marvel Super Heroes Secret Wars (1984) 10-12; Marvel Graphic Novel (1982): Emperor Doom, Doctor Strange and Doctor Doom - Triumph and Torment; Fantastic Four (1998) 67-70, 500; Fantastic Four Special (2005) 1; Books of Doom (2005) 1-6; material from Fantastic Four (1961) 236, 358; Fantastic Four Annual (1963) 2; Astonishing Tales (1970) 1-3, 6-8; Marvel Double-Shot (2003) 2

In September 2013, every DC Universe comic book series will feature a special issue, revealing the origins, secrets and shocking fates of top super heroes including Superman, Batman, Wonder Woman, The Flash, Green Lantern and many more. Written and illustrated by top talent including Geoff Johns (GREEN LANTERN, THE FLASH, JUSTICE LEAGUE) Grant Morrison (ALL-STAR SUPERMAN, BATMAN INC., NEW X-MEN), Jim Lee (BATMAN: HUSH, ALL-STAR BATMAN AND ROBIN, X-MEN), Brian Azzarello (100 BULLETS, JOKER), Scott Snyder (DETECTIVE COMICS, AMERICAN VAMPIRE) and many more! Just in time for the new year, these entry-point issues are collected in a single, massive hardcover edition that will be a great holiday gift for comics fans everywhere. The first printing of this volume will feature a special 3D lenticular cover.

Describes and lists the values of popular collectible comics and graphic novels issued from the 1950s to today, providing tips on buying, collecting, selling, grading, and caring for comics and including a section on related toys and rings.

Collects Marvel Team-Up (1972) #65-77; material from Marvel Tales (1966) #255, 262-263; Marvel Treasury Edition (1974) #18. It's prime time in the Marvel Universe with Chris Claremont, John Byrne and the amazing Spider-Man! That's right, before they created the definitive X-Men, Claremont and Byrne were spinning tales with the web-slinger. And the historic Spidey exploits they have in store include Captain Britain's introduction to the Marvel U. proper, the first appearance of Arcade, adventures alongside the scintillating Tigra and the malodorous Man-Thing, a two-part tale that revives the Living Monolith and co-stars X-Men Havok and Polaris, and an encounter with Luke Cage and New York's Bravest! Also featured are a mystic turn with Doctor Strange and Clea that features the return of the Silver Dagger; adventures with Cap, Iron Man and Daredevil - and a bevy of bonus material including cover art from MARVEL TALES!

This volume aims to intensify the interdisciplinary dialogue on comics and related popular multimodal forms (including manga, graphic novels, and cartoons) by focusing on the concept of medial, mediated, and mediating agency. To this end, a theoretically and methodologically diverse set of contributions explores the interrelations between individual, collective, and institutional actors within historical and contemporary comics cultures. Agency is at stake when recipients resist hegemonic readings of multimodal texts. In the same manner, “authorship” can be understood as the attribution of agency of and between various medial instances and roles such as writers, artists, colorists, letterers, or editors, as well as with regard to commercial rights holders such as publishing houses or conglomerates and reviewers or fans. From this perspective, aspects of comics production (authorship and institutionalization) can be related to aspects of comics reception (appropriation and discursivation), and circulation (participation and canonization), including their potential for transmedialization and making contributions to the formation of the public sphere.