With playfulness and ingenuity in the tradition of Douglas Adams, the Cuban science fiction master Yoss delivers a space opera of intergalactic proportions withSuper Extra Grande, the winner of the 20th annual UPC Science Fiction Award in 2011.

Cuban culture has long been available to English speakers via translation. This study examines the complex ways in which English renderings of Cuban texts from various domains—poetry, science fiction, political and military writing, music, film—have represented, reshaped, or amended original texts. Taking in a broad corpus, it becomes clear that the mental image an Anglophone audience has formed of Cuban culture since 1959 depends heavily on the decisions of translators. At times, a clear ideological agenda drives moves like strengthening the denunciatory tone of a song or excising passages from a political text. At other moments, translators’ indifference to the importance of certain facets of a work, such as a film’s onscreen text or the lyrics sung on a musical performance, impoverishes the English speaker’s experience of the rich weave of self-expression in the original Spanish. In addition to the dynamics at work in the choices translators make at the level of the text itself, this study attends to how paratexts like prefaces, footnotes, liner notes, and promotional copy shape the audience’s experience of the text.

"Yoss (Super Extra Grande) is an eminent Cuban SF writer who also fronts a heavy metal band; his iconoclastic spirit and rock-and-roll aesthetic are on full ingenious display in this daring, rollicking, and joyous novel.... This extended dirty joke is also an impressive science fiction novel with much to say about sex, culture, and what it means to be alien." --Publishers Weekly, Starred Review In the 24th century, Josué Valdés' rise from an orphan in the slums of Rubble City, Cuba to one of the galaxy's most accomplished explorers was nothing short of meteoric. On the streets, Josue raced cockroaches for cash--until he discovered his true-calling: as a sexual ambassador for humanity and the Nu Barsa colony. Every so-called "condomnaut" knows that diplomacy and trade deals depend on sexual pacts in the galactic community--and every encounter becomes a close encounter. While some condomnauts have been raised and genetically enhanced to meet the needs of any tentacled insectoid in the galaxy, Josué is a natural whose ego could eclipse the big dipper. Our intrepid condomnauts travel light years across the galaxy and discover that old rivalries--and prejudices--are never far behind. When the first extragalactic beings arrive in the Milky Way, and with them the potential to negotiate for extraordinary new technologies, Josué must call upon every ounce of his talent to seal the deal for his colony and all of humanity. Indirectly investigating current sexual mores, Cuban science fiction rock star Yoss plays upon stereotypes while making it clear that under Communist Cuba what is daring is not always funny and vice versa. Following the success of Super Extra Grande and A Planet for Rent, Yoss brings us another uproarious space adventure with Condomnauts, a wildly inventive and unapologetic tale that would make even Barbarella blush.

The Latin American novel burst onto the international literary scene with the Boom era--led by Julio Cortázar, Gabriel García Márquez, Carlos Fuentes, and Mario Vargas Llosa--and has influenced writers throughout the world ever since. García Márquez and Vargas Llosa each received the Nobel Prize in literature, and many of the best-known contemporary novelists are inspired by the region's fiction. Indeed, magical realism, the style associated with García Márquez, has left a profound imprint on African American, African, Asian, Anglophone Caribbean, and Latinx writers. Furthermore, post-Boom literature continues to garner interest, from the novels of Roberto Bolaño to the works of César Aira and Chico Buarque, to those of younger novelists such as Juan Gabriel Vásquez, Alejandro Zambra, and Valeria Luiselli. Yet, for many readers, the Latin American novel is often read in a piecemeal manner delinked from the traditions, authors, and social contexts that help explain its evolution. The Oxford Handbook of the Latin American Novel draws literary, historical, and social connections so that readers will come away understanding this literature as a rich and compelling canon. In forty-five chapters by leading and innovative scholars, the Handbook provides a comprehensive introduction, helping readers to see the region's intrinsic heterogeneity--for only with a broader view can one fully appreciate García Márquez or Bolaño. This volume charts the literary tradition of the Latin American novel from its beginnings during colonial times, its development during the nineteenth and the first half of the twentieth century, and its flourishing from the 1960s onward. Furthermore, the Handbook explores the regions, representations of identity, narrative trends, and authors that make this literature so diverse and fascinating, reflecting on the Latin American novel's position in world literature.

Offers advice on saving time and money on food, health care, home, automobiles, finances, clothing, telephones, child care, vacations, lawyers, and funerals

Reprint of the original, first published in 1882.

Spanning six continents, the Reach Out and Read the World sampler contains excerpts from a large selection of international fiction published over Europa’s twelve-year history as an independent publisher that encourages global and social empathy. The compilation is completed with an introduction by Europa’s Editor-in-Chief Michael Reynolds, country profiles, discussion questions and a “71 Reasons to Read International Literature” comment piece by booksellers from across the United States on the importance of reading internationally. Altogether, Reach Out and Read the World is a transformative read, one that helps humanize our world through the power of story.