A pirate eunuch had made a name for himself among the seventy-two concubines of the Three Palaces, Six Academies, and Six Academies ... This eunuch was not a human, he was first the Palace Maid's bed, then the concubine's bed, no matter what, he had to give his life to the future! The emperor being teased was just a side dish, he had the ability to clean up everything in the world. Behind them were the evil merchant Lv Buwei, the Young Villa Master of Duanren Villa, and the three of them formed a despicable trio, looking down on all the heroes of the realm! He wasn't satisfied with cleaning up the Central Plains, and he even had the ambition to set foot in a foreign land ...

As a broad category of identity, “transgender” has given life to a vibrant field of academic research since the 1990s. Yet the Western origins of the field have tended to limit its cross-cultural scope. Howard Chiang proposes a new paradigm for doing transgender history in which geopolitics assumes central importance. Defined as the antidote to transphobia, transtopia challenges a minoritarian view of transgender experience and makes room for the variability of transness on a historical continuum. Against the backdrop of the Sinophone Pacific, Chiang argues that the concept of transgender identity must be rethought beyond a purely Western frame. At the same time, he challenges China-centrism in the study of East Asian gender and sexual configurations. Chiang brings Sinophone studies to bear on trans theory to deconstruct the ways in which sexual normativity and Chinese imperialism have been produced through one another. Grounded in an eclectic range of sources—from the archives of sexology to press reports of intersexuality, films about castration, and records of social activism—this book reorients anti-transphobic inquiry at the crossroads of area studies, medical humanities, and queer theory. Timely and provocative, Transtopia in the Sinophone Pacific highlights the urgency of interdisciplinary knowledge in debates over the promise and future of human diversity.

She is special kind soldier, once fall across millennium, one day wake up beside really a abnormal condition beautiful male, she excry, you stem stem to pick up my clothes, feed, etc... Meowed...

His life was turned upside down by his sudden acquisition of martial arts skills and clairvoyance. After Li Tianyi's blood accidentally touched a stone, the stone turned into a shining white light and entered his forehead. At this moment, a lot of knowledge about practicing martial arts appeared in Li Tianyi's mind, and at the same time, he also found that his eyes actually had a perspective function! As long as he looks at the plants with his divine eyes, the plants that were seedlings the day before will become fruitful the next day. Some men who were jealous of him in the village succumbed under his mighty force. With excellent martial arts and perspective eyes, Li Tianyi's life in the countryside is flourishing. ☆About the Author☆ Huan Shou Dao, a well-known online novelist, has authored many urban fantasy novels. He has rich imagination and creative skills, which loved by many readers.

After Peng Xiaoshuai teleported to the Divine Dragon Continent, he discovered that he was a trash that was one in ten thousand. I'm tired of watching trash being bullied and being bullied. I'm here to see trash that's not bullied, how can I rely on the super system to turn the world upside down!

Young Wang Xiaoshan had crossed worlds and obtained the King's Glory System. As long as he had enough points, he could exchange them for all his heroes and skills. Joe: Hope and miracles exist! Li Bai: One poem, one drink, one song, one sword. Wang Zhaojun: Those guys who covet my beauty, they all calmly reflect under the ice plains. A-Ke: I don't know your name, but I know when you're going to die! Ruban: I tested the other person's IQ, so I can't use my full strength. Zhuge Liang: Bow to your heart's content so that you can die. — — The whole army will attack!

Xu Guangxia: "Uncle Yan, you're Ultraman, your reincarnation is already out of date. Right now, it's very popular, so why don't you judge the two of us to have teleported instead?" ********Yan Luo: "Heh heh, what a joke. Since everyone has to pass through, wouldn't the Underworld's reincarnation department be reading the newspapers and drinking tea everyday as a Landlord? The civil servants in the underworld are not so easy to mess with. No one is allowed to take their salary for nothing. "

She was originally the eldest daughter of the direct descendant of the Duke of Zhenguo Palace. Her father did not like her and her mother had died a long time ago. An imperial edict had chosen the Mansion of The State Direct Daughter as the foolish Qin Wang Princess. She, who had originally admired the King of Zhao, had become the shield for her stepsister. After being killed by mistake, what kind of brilliance would a cowardly soul emit when replaced by a genius who possessed a Special Ability? So what if you're a foolish king, her plant Special Ability can take a person's life and can also send a person's life, what if you can't cure a fool?

Mercenary King Chen Yang returned to the city to protect his comrade's sister, the goddess. In the bustling city, Chen Yang was like a fish in water, carefree and at ease. And to see how the previous generation's soldiers would use their iron fists and wits to build a business empire...

With actress Pam Grier's breakthrough in Coffy and Foxy Brown, women entered action, science fiction, war, westerns and martial arts films--genres that had previously been considered the domain of male protagonists. This ground-breaking cinema, however, was--and still is--viewed with ambivalence. While women were cast in new and exciting roles, they did not always arrive with their femininity intact, often functioning both as a sexualized spectacle and as a new female hero rather than female character. This volume contains an in-depth critical analysis and study of the female hero in popular film from 1970 to 2006. It examines five female archetypes: the dominatrix, the Amazon, the daughter, the mother and the rape-avenger. The entrance of the female hero into films written by, produced by and made for men is viewed through the lens of feminism and post-feminism arguments. Analyzed works include films with actors Michelle Yeoh and Meiko Kaji, the Alien films, the Lara Croft franchise, Charlie's Angels, and television productions such as Xena: Warrior Princess and Alias.