Anthology of mystery and thriller short stories set in hot climates around the globe by acclaimed crime fiction authors.

This is an anthology of prose, poetry, fiction, journalism, photography, and art on the San Diego/Tijuana region. This is a 10th anniversary project of City Works Press and is a follow up to our first book, Sunshine/Noir.

In 'Bunker Hill Los Angeles: Essence of Sunshine and Noir', historian Nathan Marsak tells the story of the Hill, from the district's inception in the mid-nineteenth century to its present day. Marsak commemorates the poets and writers, artists and activists, little guys and big guys, and of course, the many architects who built and rebuilt the community on the Hill - time after historic time. Any fan of American architecture will treasure Marsak's analysis of buildings that have crowned the Hill: the exuberance of Victorian shingle and spindlework, from Mission to Modern, from Queen Anne to Frank Gehry, Bunker Hill has been home to it all, the ever-changing built environment.

Examines Florida's legacy of fictional detectives and mystery writers, revealing why the center of crime shifted from Los Angeles to Miami. Contains chapters on Florida's crime and detective fiction through 1945, South Florida noir and the grotesque, and Florida film noir from Key Largo to Body Heat. Includes a bibliography of Florida mysteries, 1895-1996. For students of popular culture and mystery lovers. Annotation copyrighted by Book News, Inc., Portland, OR

"Patrick Millikin...as if to prove his witty claim that 'sunshine is the new noir, ' offers one superb specimen, 'Whiteout on Van Buren, ' in which author] Don Winslow makes skillful use of a city street at high noon to provide the perfect metaphor for life and death."--New York Times Book Review Brand-new stories by: Diana Gabaldon, Lee Child, James Sallis, Luis Alberto Urrea, Jon Talton, Megan Abbott, Charles Kelly, Robert Anglen, Patrick Millikin, Laura Tohe, Kurt Reichenbaugh, Gary Phillips, David Corbett, Don Winslow, Dogo Barry Graham, and Stella Pope Duarte. Patrick Millikin is a bookseller at the Poisoned Pen Bookstore in Scottsdale. As a freelance writer, his articles, interviews, and reviews have appeared in Publishers Weekly, Firsts Magazine, Paradoxa, Yourflesh Quarterly, and other publications. Millikin currently lives in central Phoenix.

Tampa Bay joins Miami in representing the (alleged) Sunshine State in the Noir Series arena. “Fifteen tales that reveal the dark side of sunny Tampa Bay.” —Kirkus Reviews Akashic Books continues its award-winning series of original noir anthologies, launched in 2004 with Brooklyn Noir. Each book comprises all new stories, each one set in a distinct location within the geographic area of the book. Brand-new stories by: Michael Connelly, Lori Roy, Ace Atkins, Karen Brown, Tim Dorsey, Lisa Unger, Sterling Watson, Luis Castillo, Sarah Gerard, Danny López, Ladee Hubbard, Gale Massey, Yuly Restrepo Garcés, Eliot Schrefer, and Colette Bancroft.

Brent Spiner’s explosive and hilarious novel is a personal look at the slightly askew relationship between a celebrity and his fans. If the Coen Brothers were to make a Star Trek movie, involving the complexity of fan obsession and sci-fi, this noir comedy might just be the one. Set in 1991, just as Star Trek: The Next Generation has rocketed the cast to global fame, the young and impressionable actor Brent Spiner receives a mysterious package and a series of disturbing letters, that take him on a terrifying and bizarre journey that enlists Paramount Security, the LAPD, and even the FBI in putting a stop to the danger that has his life and career hanging in the balance. Featuring a cast of characters from Patrick Stewart to Levar Burton to Trek creator Gene Roddenberry, to some completely imagined, this is the fictional autobiography that takes readers into the life of Brent Spiner, and tells an amazing tale about the trappings of celebrity and the fear he has carried with him his entire life. Fan Fiction is a zany love letter to a world in which we all participate, the phenomenon of “Fandom.”

Film noir is a classic genre characterized by visual elements such as tilted camera angles, skewed scene compositions, and an interplay between darkness and light. Common motifs include crime and punishment, the upheaval of traditional moral values, and a pessimistic stance on the meaning of life and on the place of humankind in the universe. Spanning the 1940s and 1950s, the classic film noir era saw the release of many of Hollywood's best-loved studies of shady characters and shadowy underworlds, including Double Indemnity, The Big Sleep, Touch of Evil, and The Maltese Falcon. Neo-noir is a somewhat loosely defined genre of films produced after the classic noir era that display the visual or thematic hallmarks of the noir sensibility. The essays collected in The Philosophy of Neo-Noir explore the philosophical implications of neo-noir touchstones such as Blade Runner, Chinatown, Reservoir Dogs, Memento, and the films of the Coen brothers. Through the lens of philosophy, Mark T. Conard and the contributors examine previously obscure layers of meaning in these challenging films. The contributors also consider these neo-noir films as a means of addressing philosophical questions about guilt, redemption, the essence of human nature, and problems of knowledge, memory and identity. In the neo-noir universe, the lines between right and wrong and good and evil are blurred, and the detective and the criminal frequently mirror each other's most debilitating personality traits. The neo-noir detective—more antihero than hero—is frequently a morally compromised and spiritually shaken individual whose pursuit of a criminal masks the search for lost or unattainable aspects of the self. Conard argues that the films discussed in The Philosophy of Neo-Noir convey ambiguity, disillusionment, and disorientation more effectively than even the most iconic films of the classic noir era. Able to self-consciously draw upon noir conventions and simultaneously subvert them, neo-noir directors push beyond the earlier genre's limitations and open new paths of cinematic and philosophical exploration.

Artwork by Mike Kelley, David Hockney. Contributions by William Hackman, Lars Nittve. Text by Mike Davis.

Denver enters the Noir Series arena with a wide range of mile-high misgivings and perils. “Denver Noir presents an impressive range of perspectives and observations. Between the writers and their characters, you’ll encounter dozens of distinct and compelling relationships with this place. Maybe you’ll start to see our city—and even yourself—in new ways.” —Denver North Star “Denver Noir is a fascinating exploration of this sunny city’s dark side. Mountain views, a roughneck Gold Rush past, and stories of murder and mayhem make this anthology a must-read for anyone curious about Denver and its environs. Like the countless entries before it, Akashic Books allows an editor to craft an anthology filled with stories varying in tone and perspective.” —New York Journal of Books Akashic Books continues its award-winning series of original noir anthologies, launched in 2004 with Brooklyn Noir. Each book comprises all new stories, each one set in a distinct neighborhood or location within the respective city. Brand-new stories by: Peter Heller, Barbara Nickless, Cynthia Swanson, Mario Acevedo, Francelia Belton, R. Alan Brooks, D.L. Cordero, Amy Drayer, Twanna LaTrice Hill, Manuel Ramos, Mark Stevens, Mathangi Subramanian, David Heska Wanbli Weiden, and Erika T. Wurth.