Winner of the first “Arabic Booker Prize,” a vivid compelling historical tale set in late nineteenth-century Egypt. When Mahmoud, a disgraced Egyptian officer, is posted to the remote desert town of Siwa, his Irish wife insists on accompanying him, to pursue the secrets of Alexander the Great. Neither is prepared for the stultifying heat, the hostility of the townspeople, or the astonishing and disturbing events that befall them in the dreamlike other-worldliness of the Sunset Oasis. In turns mesmerizing and shocking, Sunset Oasis is an enthralling story of mystery and frustrated passions set against the backdrop of an exotic locale in the late 1800s.

Desert Borderland investigates the historical processes that transformed political identity in the easternmost reaches of the Sahara Desert in the half century before World War I. Adopting a view from the margins—illuminating the little-known history of the Egyptian–Libyan borderland—the book challenges prevailing notions of how Egypt and Libya were constituted as modern territorial nation-states. Matthew H. Ellis draws on a wide array of archival sources to reconstruct the multiple layers and meanings of territoriality in this desert borderland. Throughout the decades, a heightened awareness of the existence of distinctive Egyptian and Ottoman Libyan territorial spheres began to develop despite any clear-cut boundary markers or cartographic evidence. National territoriality was not simply imposed on Egypt's western—or Ottoman Libya's eastern—domains by centralizing state power. Rather, it developed only through a complex and multilayered process of negotiation with local groups motivated by their own local conceptions of space, sovereignty, and political belonging. By the early twentieth century, distinctive "Egyptian" and "Libyan" territorial domains emerged—what would ultimately become the modern nation-states of Egypt and Libya.

This book offers a nuanced analysis of the ways in which Egyptian and British novels represent the Egyptian nationalist project in its struggle against British hegemony in the aftermath of two revolutions: the 1881-82 Urabi Revolution, known for inaugurating the British occupation of Egypt, and the 1919 Revolution celebrated in Egyptian national memory as the classic Egyptian revolution par excellence. Reading the novels against the grain, the study recovers female voices that are multiply marginalized, due to their gender and/or ethnicity, whether by colonial imperial powers, the nation, their immediate regional community or, finally, by the works under discussion themselves. Using a comparative lens, the study foregrounds the ways in which the authors confirm, critique, rewrite/revise, or reject developmental narratives. Female Voices and Egyptian Independence pays particular attention to women that range from the uneducated black slave, to the uneducated rural Siwan woman with artistic talent, to the wealthy cultured Coptic housewife, to the rising late nineteenth-century British female professional, and finally to the eclipsed twentieth-century Egyptian female national intellectual, all of whom play crucial roles in the journeys of the respective male protagonists, and by extension, the Egyptian national project.

This book provides an analysis of the relationship between the Egyptian army and the Muslim Brotherhood (MB). This is at times of cooperation, collaboration, rivalry, and enmity, offering a vivid perspective as to how the similarities of both political actors bring them together after decades of invisible presence in the Egyptian political field. Using ethnographic material that includes interviews, observations, and other forms of expression, both political actors’ common trajectories are analyzed in terms of power dynamics. The study allows an insight on the understanding of the differences between madani (civil), ‘askari (military), and dini (religious), how they are used and projected on the Egyptian political field. Finally, the book provides a dialogue simulation of the discourse of the MB and army, starting 2011, while analyzing the meaning of this exchange in terms of symbols, power, and mobilization. In highlighting similar elements to their respective governmentalities, this book outlines a new analysis of the rivalry, making it an important contribution for scholars and students interested in collective violence, civil–military relations, and political Islam in the Middle East.

The roots of America's image problem in the Middle East

This handbook provides an overview of the society, culture, geography, history, and politics of contemporary Egypt. While such historic monuments as the pyramids at Giza, the Karnak Temple, and the Valley of the Kings draw visitors to Egypt each year, the country is today a large and varied collection of some 79 million people. An important political and cultural force in the Middle East and home to one of Africa's most advanced economies, Egypt is rapidly becoming a major player in the 21st-century world. This comprehensive text examines all facets of life in Egypt, including its land, history, politics, and culture. It is written in a manner that makes the subject accessible and engaging for readers with little prior knowledge about the country, but also provides a critical analysis of the latest research for students and scholars familiar with Egypt and its people. Special attention is given to the historical period following the rise of Islam to enable a greater understanding of Egypt's contemporary government, religious practices, popular culture, and current events.

This book examines the ways in which fiction has addressed the continent since the Second World War. Drawing on novelists from Europe and elsewhere, the volume analyzes the literary response to seven dominant concerns (ideas of Europe, conflict, borders, empire, unification, migration, and marginalization), offering a ground-breaking study of how modern and contemporary writers have participated in the European debate. The sixteen essays view the chosen writers, not as representatives of national literatures, but as participants in transcontinental discussion that has occurred across borders, cultures, and languages. In doing so, the contributors raise questions about the forms of power operating across and radiating from Europe, challenging both the institutionalized divisions of the Cold War and the triumphalist narrative of continental unity currently being written in Brussels.

Ideal for students and general readers, this single-volume work serves as a ready-reference guide to pop culture in countries in North Africa and the Middle East, covering subjects ranging from the latest young adult book craze in Egypt to the hottest movies in Saudi Arabia. Part of the new Pop Culture around the World series, this volume focuses on countries in North Africa and the Middle East, including Algeria, Egypt, Iran, Iraq, Israel, Jordan, Kuwait, Lebanon, Libya, Morocco, Saudi Arabia, Syria, the United Arab Emirates, and more. The book enables students to examine the stars, idols, and fads of other countries and provides them with an understanding of the globalization of pop culture. An introduction provides readers with important contextual information about pop culture in North Africa and the Middle East, such as how the United States has influenced movies, music, and the Internet; how Islamic traditions may clash with certain aspects of pop culture; and how pop culture has come to be over the years. Readers will learn about a breadth of topics, including music, contemporary literature, movies, television and radio, the Internet, sports, video games, and fashion. There are also entries examining topics like key musicians, songs, books, actors and actresses, movies and television shows, popular websites, top athletes, games, and clothing fads and designers, allowing readers to gain a broad understanding of each topic, supported by specific examples. An ideal resource for students, the book provides Further Readings at the end of each entry; sidebars that appear throughout the text, providing additional anecdotal information; appendices of Top Tens that look at the top-10 songs, movies, books, and much more in the region; and a bibliography.

Charlie receives an assignment to drive a teen runaway girl back to her home in Arizona. It’s about a six hour drive each way, and all she has to do is deliver the girl back to her mother, enjoy a night in a nice hotel, turn around and drive back. She’ll be home in plenty of time to bake the Thanksgiving pies with Elsa and settle into the holiday season back in Albuquerque. Or not. From the get-go, the trip is fraught with problems. Traffic is horrible, weather is moving in, and the only motel they can get into is a dump. Sophie is a 13-year-old with attitude, challenging Charlie to keep her cool at every step. Basically, everything that can go wrong, does go wrong, and the quick job turns into a stress-filled trip. And then there’s a murder. The girl’s mother is a no-show and the dead guy is mom’s boyfriend, leaving Charlie to figure out what she’ll do with this obstinate teen. Things brighten up when Charlie meets a group of five Arizona women who have a bit of experience at the mystery game themselves. The Heist Ladies are on a case with tentacles that overlap with Charlie’s. Working together, can they find the missing mom and get the young teen settled, and will Charlie make it home in time for the holiday? Praise for this USA Today bestselling series: “Charlie is just what readers want.” –Booklist “The Heist Ladies series is going to be off the charts! Thank you Connie Shelton for such an awesome book.” – 5 stars, Goodreads reviewer “A page turner!” - K. Coonce, 5 star review (for Escapes Can Be Murder) “I always love Charlie’s escapades. She keeps me glued to the story, unable to put it down. Love the mixture of humor and suspense. Can’t wait for the next adventure!” – Meg, 5 stars on Amazon “Each book in the series just keeps getting better and better.” – Vine Voice reviewer on Amazon “Charlie is a fabulous amateur sleuth!” – Midwest Book Review