The Sunday drive. Mom, dad and the kids would head out to see the countryside. An ice cream treat usually waited at day's end. Back in the Burma-Shave days, mom-and-pop drive-ins and gas station biscuits fed folks. Cheap gas filled cars, and people made Sunday drives through a land where See Rock City barns, sawdust piles and trains and junkyards gave them plenty to see. Men in seersucker suits ran old stores with oscillating fans, and if the kids ate too much penny candy, grandma had a home remedy for them. It was a time for dinner on church grounds, yard art and old-fashioned petunias. Join author Tom Poland as he revisits disappearing traditions.

In her debut short story collection, Quednau offers unsettling examinations of “what really happened” with rich, complex characters that might equally arouse our suspicions or sympathy: we pay attention. She gives voice to the interludes between actions, what almost occurred, or might yet, the skewed time of “before” and acute reckoning of “afterward.” Seemingly innocent gestures leave their marks in comeuppance: the blurt of an intimate nickname becoming an ad hoc striptease in a public place, a parked car leading to a woman flailing in a dunk tank, a garage sale with no early birds ending in vengeance, the redemptive act of shucking corn with an ex-husband’s new lover transforming into greater loss. These stories attest to Quednau’s belief that the most significant moments in our lives—the things that alter us—lie in the margins, just out of sight of what was once presumed or predicted. In these short fictions timing is everything, the rusted twentieth-century myths of ownership or conquest are set against the incoming reality of pandemic, our separate notions of love or of courage, of painful transformation, yet to be believed.

Girls left behind. Guys making bad choices. In his third book, "Sunday Drive," photographer Luke Smalley continues his journey for truth inside the lives of small town youth. This poignant photo novella tells the story of consequence when innocence takes a wrong turn. Girls getting ready, girls getting anxious. Boys bored. Wide-eyed, raw off the football field. Visiting hours: 1 to 8 p.m. As in his past volumes, humor pervades: the sobering boys' plight is juxtaposed at Smalley's bemusement of the girls' preoccupation of what to wear. Visitors Dress Code: No see through clothing. No shorts, skorts, or culottes. No leotards, spandex or leggings. No clothes that expose a person's midriff, side or back. No revealing necklines or excessive splits.

When Farmer Claude and Farmer Maude go for a drive witht their animals, the people in the cab and the animals in the back of the truck have entirely different opinions about the weather and the pleasure of the trip.

While family life has conspicuously changed in the past fifty years, it would be a mistake to conclude that family routines and rituals have lost their meaning. In this book Barbara H. Fiese, a clinical and developmental psychologist, examines how the practices of diverse family routines and the meanings created through rituals have evolved to meet the demands of today’s busy families. She discusses and integrates various research literatures and draws on her own studies to show how family routines and rituals influence physical and mental health, translate cultural values, and may even be used therapeutically. Looking at a range of family activities from bedtime stories to special holiday meals, Fiese relates such occasions to significant issues including parenting competence, child adjustment, and relational well-being. She concludes by underscoring the importance of flexible approaches to family time to promote healthier families and communities.

Slips of the tongue, unwitting favoritism, and stereotyped assumptions are just some examples of microaggression. Nearly all of us commit microaggressions at some point, even if we don’t intend to. Yet over time a pattern of microaggression can cause considerable harm by reminding members of marginalized groups of their precarious position. The Ethics of Microaggression is a much needed and clearly written exploration of this pervasive yet complex problem. What is microaggression and how do we know when it is occurring? Can we be held responsible for microaggressions and if so, how? How has social media affected the problem? What role can philosophy play in understanding microaggression? Regina Rini explores these highly topical and controversial questions in an engaging and fair-minded way, arguing that an event is a microaggression precisely because it causes a marginalized person to experience an ambiguous encounter with oppression. She illustrates her argument with compelling examples from media, politics, and psychology and explains the significance of essential concepts, such as media representation, reparative renaming, and safe spaces. The Ethics of Microaggression explains what microaggression is and offers strategies for combating it. Assuming no prior knowledge of the topic or philosophy, it demystifies a controversial and extremely important topic in clear language. It is ideal for anyone coming to the topic for the first time and for students in philosophy, gender studies, race theory, disability theory, and social and political philosophy.

This selection of fiction by many of America's best writers, each coupled with a distinguished critic's response, is designed to defy the chronological secondariness of critical interpretation. During the creation of this book the majority of the contributions, chosen by the writers themselves, were as yet unpublished, providing an unmediated encounter between author and critic. Every reader extends what editors, authors, and critics have begun by adding to the imaginary space in which all texts may be woven together. This process serves as metaphor for the changing nature of any latter-day encounter with one's own literary tradition. The interfacing of texts not only illuminates the fiction, and the relationship of fiction to critics, but also informs our conceptions of text, criticism, and fiction itself.

When Ward Degler graduated from journalism school, his mother speculated he would become a world-famous war correspondent or, at the very least, editor-in-chief of an influential newspaper. He did neither. Instead, he became a columnist, giving him the opportunity to write about subjects that interested him while avoiding everything that didnt. In The Dark Ages of My Youth, Degler shares a selected collection of the weekly columns written for the Times Sentinel in Zionsville, Indiana, from 1993 to 2010. The essays explore the way things were, where weve been, and where we are going. He reveals the challenges of an eight-year building project that was supposed to be completed in three months. He narrates his bafflement in dealing with the worlds most headstrong dog. With humor, he details the foibles and dilemmas of everyday living. And, he profiles the special people who have altered and enriched his life. From the simple to the complex, from the sublime to the silly, The Dark Ages of My Youth takes a charming walk through both the past and present.