The fascinating story of a pleasure-seeking Persian boy who became one of 'Abdu'l-Baha's leading English translators and united East and West in the first Persian-American Baha'i marriage. Here is the colourful story of Ali-Kuli Khan, the first to translate into English such important works as the 'Seven Valleys', the 'Kitab-i-Iqan', and the Glad-Tidings. Told by his daughter, herself a well-known author and translator, Khan's story is based on his memoirs and personal papers. Through them we are given a unique and detailed picture of life in Persia at the end of the century, complete with an explanation of that oft-met protocol 'ta'aruf'. We follow the young Khan, dressed as a dervish, on his adventurous walk to 'Akka and note his transformation from a frivolous youth to a skilled translator for 'Abdu'l-Baha. In his nearly two years as a member of 'Abdu'l-Baha's household, Khan both translated for those first groups of American pilgrims to visit the Holy Land and rendered 'Abdu'l-Baha's Tablets into English. In 1901 Khan was sent to America to assist Mirza Abu'l-Fadl and to translate the great teacher's book, The Baha'i Proofs, into English. It was in America that Khan met and fell in love with a Boston society girl, Florence Breed. Their Victorian romance unfolds in the delicate love-letters written by Florence to Khan. Their marriage, the first between a Persian and an American Baha'i, not only symbolized but portrayed the unity between East and West taught by the Baha'i Faith. 'Summon Up Remembrance' is peopled with such familiar figures as Mirza Abu'l-Fadl, Laura Barney, Edward and Lua Getsinger, Mary Hanford Ford and the Atabak. But this is a book dedicated to 'Abdu'l-Baha, and it is His wisdom and teaching that characterizes it. A unique feature is the inclusion of the Tablet of Cremation revealed by 'Abdu'l-Baha, here published for the first time in English in a new translation by the Research Department of the Universal House of Justice. The story continues in Arches of the Years.

What happens when cultural memory becomes a commodity? Who owns the memory? In The Memory Marketplace, Emilie Pine explores how memory is performed both in Ireland and abroad by considering the significant body of contemporary Irish theatre that contends with its own culture and history. Analyzing examples from this realm of theatre, Pine focuses on the idea of witnesses, both as performers on stage and as members of the audience. Whose memories are observed in these transactions, and how and why do performances prioritize some memories over others? What does it mean to create, rehearse, perform, and purchase the theatricalization of memory? The Memory Marketplace shows this transaction to be particularly fraught in the theatricalization of traumatic moments of cultural upheaval, such as the child sexual abuse scandal in Ireland. In these performances, the role of empathy becomes key within the marketplace dynamic, and Pine argues that this empathy shapes the kinds of witnesses created. The complexities and nuances of this exchange—subject and witness, spectator and performer, consumer and commodified—provide a deeper understanding of the crucial role theatre plays in shaping public understanding of trauma, memory, and history.

A Lambda Literary Awards Finalist Named one of the best books of 2017 by NPR's Book Concierge A revelatory narrative of the intersecting lives and works of revered authors Virginia Woolf, T. S. Eliot, E. M. Forster and D. H. Lawrence during 1922, the birth year of modernism The World Broke in Two tells the fascinating story of the intellectual and personal journeys four legendary writers, Virginia Woolf, T. S. Eliot, E. M. Forster, and D. H. Lawrence, make over the course of one pivotal year. As 1922 begins, all four are literally at a loss for words, confronting an uncertain creative future despite success in the past. The literary ground is shifting, as Ulysses is published in February and Proust’s In Search of Lost Time begins to be published in England in the autumn. Yet, dismal as their prospects seemed in January, by the end of the year Woolf has started Mrs. Dalloway, Forster has, for the first time in nearly a decade, returned to work on the novel that will become A Passage to India, Lawrence has written Kangaroo, his unjustly neglected and most autobiographical novel, and Eliot has finished—and published to acclaim—“The Waste Land." As Willa Cather put it, “The world broke in two in 1922 or thereabouts,” and what these writers were struggling with that year was in fact the invention of modernism. Based on original research, Bill Goldstein's The World Broke in Two captures both the literary breakthroughs and the intense personal dramas of these beloved writers as they strive for greatness.

Quotations have exercised a particular fascination for humanity since the birth of recorded language and their potency in the age of the soundbite is stronger than ever. We revel in quotations, compete to know them, love them, hate them and inscribe them in books and on buildings, and this freshly revised and updated dictionary includes a wealth of new material among its 13,000 familiar, serious, outrageous, witty and thought-provoking entries.The Wordsworth Dictionary of Quotations is an essential work of reference for every writer, journalist and speech-maker, as well as being a treasure-trove for the browser and the simply curious. From the Roman poet Ovid's observation that 'Judgement of beauty can er, what with the wine and the dark' to Oscar Wilde's that 'Experience is the name everyone gives to their mistakes', there is a wide diversity of sayings to add spice to our conversation and enrich our daily lives. The book is alphabetically arranged by author and indexed by keyword for ease of use.