Pray you never find your Summerwood, Grandfather had said. I’d found something worse. I’d found his. In Summerwood, twelve-year old Rosalind Hero Cheung can’t wait to spend the summer in Toronto with her teenaged sister Julie and their famous author grandfather. Years ago Walter Denison wrote a series of bestselling children’s novels about a magical land called the Summerwood. But to Hero’s dismay, Walter is cold toward his granddaughters and Julie derides Hero’s hope that the Summerwood is real. Nevertheless, one day she and Julie stumble into the Summerwood. Ruled by the beautiful and enigmatic Lady of Summer, it is the idyllic fantasy land out of Walter’s books, complete with quaintly dressed talking animals. However, Hero discovers the Summerwood is far more sinister than Walter had ever let on. Julie is abducted and, to save her life, Hero must find the Summerwood’s sacred winter stag. Hero quickly learns that setting out on a fantasy quest is far more prosaic—and terrifying—than she’d ever imagined, and there is a steep and bloody price to pay for being the hero. In Winterwood, three years have passed since Lindy Cheung went into the Summerwood and emerged changed and broken. Now she’s getting into trouble—starting fights, skipping school, dating unsuitable boys. After her mother grounds her—again—she runs off to Toronto to her sister, the only person who knows what really happened three years ago. But Juliet has moved on from the trauma, and Lindy finds herself back in the Summerwood, where an old enemy tells her: The stag must die again. And this time, in order to save the Summerwood, she has to be the bad guy instead of the hero.

Japan is known to be a country of wood and "wood culture". Written sources on the practical aspect of traditional woodcraft, however, are scarce. For this reason it was decided to undertake a study based on in-depth interviews of craftsmen who are specialised in various fields of traditional woodworking. From the data thus obtained it was possible to study the materials used, the techniques, the nomenclature, the aesthetics and the culture prevailing in the various fields of woodcraft. As a result both the technical and the symbolic and aesthetic properties of wood and woodworking become apparent, as seen from the point of view of Japanese craftsmen who owe their skill and expertise to traditions passed from one generation to the next. As such, this study contributes towards opening a new field of research for art historians, ethnobotanists, archaeologists and japanologists by supplying them with new means and tools to supplement their own. Apart from that, the present study, focusing on wood in all its aspects as it does, ties in with an academic trend that has been developing in Japan over the past few decades.

The acclaimed author of the Mithgar novels, Dennis L. McKiernan enchanted fans and critics alike with the bestselling Once Upon a Winter’s Night. Now, this gifted author presents us with a delightfully new version of an age-old tale that fires the imagination and touches the heart… Once upon a summer day, Prince Borel of the Winterwood falls asleep, and a beautiful, golden-haired maiden with a shadowy band across her eyes comes to him in his dreams and pleads for aid. She returns time after time, and the prince is certain that she is real and in deadly peril. Yet he knows not who she is…nor where she is imprisoned. Opposed by witches and trolls and goblins and beings even more dreadful, and aided by a field sprite, Borel begins a desperate quest through the wonders and hazards of Faery, seeking a mysterious masked demoiselle guarded by perilous blades. And though time touches not this land of legend, time is running out… “Superb…charming and magical…McKiernan escorts fantasy lovers into an enchanted place that deserves more tales.”—Midwest Book Review

Vols. for Jan. 1896-Sept. 1930 contain a separately page section of Papers and discussions which are published later in revised form in the society's Transactions. Beginning Oct. 1930, the Proceedings are limited to technical papers and discussions, while Civil engineering contains items relating to society activities, etc.

Vols. 29-30 contain papers of the International Engineering Congress, Chicago, 1893; v. 54, pts. A-F, papers of the International Engineering Congress, St. Louis, 1904.

The national bestselling author of the beloved Mithgar fantasies, Dennis L. McKiernan continues his enchanting seasonal fairytale cycle with a spellbinding story of love and legend. Once upon an autumn eve, a wounded knight named Sieur Luc rides into the Autumnwood—and into the heart of Liaze, Princess of that demesne. Liaze soon discovers that Sieur Luc is not an ordinary knight, but a man with a secret past—a past not even he knows, filled with enemies he does not suspect and allies he has not seen. And even as love blooms between Luc and Liaze, dark forces snatch him away. The Fates themselves intervene—but the Fates are bound by rules of their own, and can only give guidance in riddles and spoken enigmas. Even so, alone and grimly determined, Liaze sets out on a desperate quest to follow the trail of her true love. But no tracks whatsoever mark the way, and for guidance, she has only arcane words and the way of her heart. “Dennis L. McKiernan always manages to enchant his readers with his fabulous fantasy novels . . . Readers will not be disappointed with this beautiful adult fairy tale.”—Midwest Book Review

National bestselling author of the Mithgar novels Dennis L. McKiernan delivers the exhilarating conclusion to his celebrated seasonal fairytale cycle, pitting the heroic couples of the Winter, Spring, Summer, and Autumn Woods against the ultimate darkness… Once upon a dreadful time, the vile witch Hradian conceives of a plan to set free her master, the wizard Orbane, now trapped in the Castle of Shadows. But her scheme results in unforeseen consequences—threatening not only the world of Faery but that of mortals as well. Rising to challenge this threat, the heroes and heroines of Winterwood, Summerwood, Springwood, and Autumnwood rally humans and Fey alike to a cause that may be lost before it begins. Guided by the enigmatic words of the Fates, the alliance battles the dark forces in a desperate attempt to prevail, only to be driven back, for nothing, it seems, can stop the affliction. And though Time touches not this land of legend, Time itself is a hazard… “Exhibits the author’s unflinching charm and obvious mastery of his art.”—Library Journal