On the cusp of an evil plot to overthrow the Kingdom of Alloway, fifteen-year-old Donavah finds herself a pawn in the hands of an evil mage. The girl who can communicate with dragons is now fighting for herself, her family, and the rightful return of the Red Dragons. Held hostage, Donavah must be wary of who to trust and from whom to run.

It has been four years since Darian saw his village sacked and burned by barbarians. Taking refuge with the Hawkbrothers, he soon finds his life's calling--as a Healing Adept. But even as he learns the mystical ways of this ancient race, Darian cannot escape the dangers threatening his future. Another tribe of barbarians is approaching. The time has come...to stand up and fight.

Today, no matter where you are in the world, you can turn on a radio and hear the echoes and influences of Chicago house music. Do You Remember House? tells a comprehensive story of the emergence, and contemporary memorialization of house in Chicago, tracing the development of Chicago house music culture from its beginnings in the late '70s to the present. Based on expansive research in archives and his extensive conversations with the makers of house in Chicago's parks, clubs, museums, and dance studios, author Micah Salkind argues that the remediation and adaptation of house music by crossover communities in its first decade shaped the ways that Chicago producers, DJs, dancers, and promoters today re-remember and mobilize the genre as an archive of collectivity and congregation. The book's engagement with musical, kinesthetic, and visual aspects of house music culture builds from a tradition of queer of color critique. As such, Do You Remember House? considers house music's liberatory potential in terms of its genre-defiant repertoire in motion. Ultimately, the book argues that even as house music culture has been appropriated and exploited, the music's porosity and flexibility have allowed it to remain what pioneering Chicago DJ Craig Cannon calls a "musical Stonewall" for queers and people of color in the Windy City and around the world.

On the run from the Royal Guard, Donavah is brutally attacked by a surprising foe. Stripped of her voice, the use of her hands, and her maejic, the young mage is utterly helpless until rescued by a mysterious young man. Can Donovah break free from the terrible spell before the entire mage community is deceived by the traitor in their midst?

Longtime Chicagoan Nadia Oehlsen reveals her secrets for living the good life cheaply in the Windy City, including how to enjoy free concerts, movies, comedy acts, and magic shows, where to get free food and wine (including Sunday brunch on the house), information on free days at museums and the Shedd Aquarium, the lowdown on Chicago’s TV tapings and live shows, and much more.

Tells the full story of house music in Chicago, from its emergence to its queer remediation to its memorialization from the late '70s to the present.

In this thorough research guide to the career and music of Bill Dixon the author has documented how Dixon refined a sonically unique pan-tonal language of trumpet playing. As a trumpeter, composer, educator, and theoretician, Bill Dixon has politically and musically influenced many phases of the development of Black music in the second half of the 20th century. This authoritative guide details information about the life and music of Bill Dixon. Bill Dixon comments throughout the text on the familiar and unfamiliar aspects of his career as it unfolds between performances and recordings. The recollections of those who have collaborated with Bill Dixon over the years supplement the thorough research here presented on the life and career of Bill Dixon and, additionally, the New York avant garde artistic sphere in which he worked. Bill Dixon has refined a sonically unique pan-tonal language of trumpet playing. As a trumpeter, composer, educator, and theoretician, Bill Dixon has politically and musically influenced many phases of the development of Black music in the second half of the 20th century. This authoritative guide details information about the life and music of Bill Dixon. Bill Dixon comments throughout the text on the familiar and unfamiliar aspects of his career as it unfolds between performances and recordings. The recollections of those who have collaborated with Bill Dixon over the years supplement the thorough research here presented on the life and career of Bill Dixon and subsequently, on the New York avant garde artistic sphere in which he worked. Music and music history scholars, especially those interested in jazz and Black music, will be attracted to the wealth of information provided, often from primary sources, on Bill Dixon and Black music through the 50s, 60s, and 70s. The discography included encompasses issued and non-issued recordings as well as listings for every known Bill Dixon performance. Collaborations with dancers, directors, filmmakers and painters, among others, are also documented.

Donavah and the red dragon Xyla narrowly escape the dreaded dragonmasters. They are transported from the midst of a deadly battle to Stychs, a legendary and mystical land that looks just like Donavah’s home world. Donavah and her friends must undertake a treacherous journey to find the other red dragons to heal Xyla from a grave illness.

The four classical elements of earth, water, air and fire are present in Genesis and continue to be significant throughout Christianity. Different streams of thought, such as the School of Chartres, and Celtic Christianity, have emphasised them in different ways. In this unique book, Bastiaan Baan, an experienced spiritual thinker, brings these elements together with ideas from Rudolf Steiner's anthroposophy. He considers, in particular, how elemental beings -- nature spirits -- relate to the four elements, and explores the role of elemental beings in our world. This is a fascinating and original work on the connections between Christianity and the natural world.