Please note: This is a companion version & not the original book. Sample Book Insights: #1 Meg was a Japy, and a Protestant one at that. The family was known for its paternalism and commitment to hard work, thrift, and sobriety. Édouard had a slightly turbulent youth, but unlike many of his male relatives, he went much too far. #2 Édouard Raus, a Japy Protestant, married the wrong woman, and his family didn’t approve. They kept the couple at arm’s length until they realized how much they adored each other. #3 Meg was a Japy Protestant, and her family was paternalistic and committed to hard work, thrift, and sobriety. She was utterly and completely her father’s daughter. #4 Édouard Raus, a Japy Protestant, married the wrong woman, and his family did not approve. He and his daughter Meg had a very close father-daughter relationship.

"An unforgettable portrait of a woman who became one of the most notorious figures of her day and whose scandalous story sheds fascinating light not only on her own tumultuous time but ours as well." — Harold Schechter, author of Hell's Princess: The Mystery of Belle Guinness, Butcher of Men Sex, corruption, and power: the rise and fall of the Red Widow of Paris Paris, 1889: Margeurite Steinheil is a woman with ambition. But having been born into a middle-class family and trapped in a marriage to a failed artist twenty years her senior, she knows her options are limited. Determined to fashion herself into a new woman, Meg orchestrates a scandalous plan with her most powerful resource: her body. Amid the dazzling glamor, art, and romance of bourgeois Paris, she takes elite men as her lovers, charming her way into the good graces of the rich and powerful. Her ambitions, though, go far beyond becoming the most desirable woman in Paris; at her core, she is a woman determined to conquer French high society. But the game she plays is a perilous one: navigating misogynistic double-standards, public scrutiny, and political intrigue, she is soon vaulted into infamy in the most dangerous way possible. A real-life femme fatale, Meg influences government positions and resorts to blackmail—and maybe even poisoning—to get her way. Leaving a trail of death and disaster in her wake, she earns the name the "Red Widow" for mysteriously surviving a home invasion that leaves both her husband and mother dead. With the police baffled and the public enraged, Meg breaks every rule in the bourgeois handbook and becomes the most notorious woman in Paris. An unforgettable true account of sex, scandal, and murder, The Red Widow is the story of a woman determined to rise—at any cost.

In 1862 the Salpêtrière Hospital in Paris became the epicenter of the study of hysteria, the mysterious illness then thought to affect half of all women. There, prominent neurologist Jean-Martin Charcot's contentious methods caused furore within the church and divided the medical community. Treatments included hypnosis, piercing and the evocation of demons and, despite the controversy they caused, the experiments became a fascinating and fashionable public spectacle. Medical Muses tells the stories of the women institutionalised in the Salpêtrière. Theirs is a tale of science and ideology, medicine and the occult, of hypnotism, sadism, love and theatre. Combining hospital records, municipal archives, memoirs and letters, Medical Muses sheds new light on a crucial moment in psychiatric history.

Details the unsolved murder of successful attorney Charles Bravo, a cruel man who tormented his wife Florence, in a mystery that paints a portrait of Victorian culture and one woman's fight to exist in this repressive society.

In 1847, during the great age of the freak show, the British periodical Punch bemoaned the public's "prevailing taste for deformity." This vividly detailed work argues that far from being purely exploitative, displays of anomalous bodies served a deeper social purpose as they generated popular and scientific debates over the meanings attached to bodily difference. Nadja Durbach examines freaks both well-known and obscure including the Elephant Man; "Lalloo, the Double-Bodied Hindoo Boy," a set of conjoined twins advertised as half male, half female; Krao, a seven-year-old hairy Laotian girl who was marketed as Darwin's "missing link"; the "Last of the Mysterious Aztecs" and African "Cannibal Kings," who were often merely Irishmen in blackface. Upending our tendency to read late twentieth-century conceptions of disability onto the bodies of freak show performers, Durbach shows that these spectacles helped to articulate the cultural meanings invested in otherness--and thus clarified what it meant to be British—at a key moment in the making of modern and imperial ideologies and identities.

The Book of Zev is a political thriller that tells the story of two gentle people who change the course of history. Zev Bronfman, a strapping 32-year old-virgin, angry atheist, refugee from a religious Jewish life, and former engineer for the U.S. Patent Office in Alexandria, Virginia, drives a cab and sleeps around in New York City. After a bitter divorce, Sarah Hirshbaum, a beautiful, redheaded, depressed, God-hating kosher chef, seesaws between yoga and too much red wine. Independently, the two consult the same psychic who inadvertently sends Sarah Zev's session tape. When Sarah contacts Zev to pick up the recording, a series of events forces them to connect with a powerful terrorist in order to thwart his plans to destroy the UN and Israel.

In a small Minnesota town, a tale of love and intrigue whose protagonist is Lily Dahl, a young actress. The cafe where she works is a meeting place for eccentrics and a New York artist who has come to paint them, with whom Lily has an affair. But one customer is a murderer and Lily turns sleuth.

Vols. for 1957-61 include an additional (mid-January) no. called Directory issue, 1st-5th ed. The 6th ed. was published as the Dec. 1961 issue.

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