Summary, Analysis & Review of Nadia Bolz-Weber’s Accidental Saints by Eureka Preview: Accidental Saints: Finding God in all the Wrong People byNadia Bolz-Weber is a book about an unconventional pastor’s journey through the peaks and valleys of life as a Christian. Nadia Bolz-Weber uses stories from her life, and others’ lives, to convey messages about Christianity. The accounts deal with her own imperfections, how she tries to reach out to others in need, regardless of their background, and how others’ love and wisdom have helped her become a better Christian… This companion to Accidental Saints includes:Overview of the bookImportant PeopleKey TakeawaysAnalysis of Key Takeawaysand much more!

This guide for newcomers to the Episcopal Church is written and designed to provide accessible and user-friendly reading, with an easy-going look and style that's packed full of substance.

The phrase "I'm spiritual but not religious" has become a cliché. It's easy to find God amid the convenience of self-styled spirituality -- but is it possible (and more worthwhile) to search for God through religion? Minister and celebrated author Lillian Daniel gives a new spin on church with stories of what a life of faith can really be: weird, wondrous, and well worth trying. From a rock-and-roller sexton to a BB gun-toting grandma, a church service attended by animals to a group of unlikely theologians at Sing Sing, Daniel shows us a portrait of church that is flawed, fallible -- and deeply faithful. With poignant reflections and sly wit, Daniel invites all of us to step out of ourselves, dare to become a community, and encounter a God greater than we could ever invent. Humorous and sincere, this is a book about people finding God in the most unexpected of places: prisons, airports, yoga classes, committee meetings, and, strangest of all, right there in church.

Elaine Heath brings a fresh perspective to the theory and practice of evangelism by approaching it through contemplative spirituality. This thoroughly revised edition includes a new study guide. Praise for the First Edition Outreach Resource of the Year Award Winner "[Heath's] biographies of the mystics are inspiring, and her emphases on suffering and spiritual depth as the antidote to a prepackaged, method-obsessed, consumer-oriented evangelistic approach are refreshing."--Outreach

Open a window each day of Advent onto the natural world.

How can we build children's self-esteem and sense of well being? This book aims to guide teachers, youth workers, counsellors and parents through a range of accessible personal development exercises for children and adolescents, introducing relaxation, visualisation and mediation skills.

Today's moviegoers and critics generally consider some Hollywood products--even some blockbusters--to be legitimate works of art. But during the first half century of motion pictures very few Americans would have thought to call an American movie "art." Up through the 1950s, American movies were regarded as a form of popular, even lower-class, entertainment. By the 1960s and 1970s, however, viewers were regularly judging Hollywood films by artistic criteria previously applied only to high art forms. In Hollywood Highbrow, Shyon Baumann for the first time tells how social and cultural forces radically changed the public's perceptions of American movies just as those forces were radically changing the movies themselves. The development in the United States of an appreciation of film as an art was, Baumann shows, the product of large changes in Hollywood and American society as a whole. With the postwar rise of television, American movie audiences shrank dramatically and Hollywood responded by appealing to richer and more educated viewers. Around the same time, European ideas about the director as artist, an easing of censorship, and the development of art-house cinemas, film festivals, and the academic field of film studies encouraged the idea that some American movies--and not just European ones--deserved to be considered art.

Newbery Medalist Cynthia Rylant and two-time Caldecott Honoree Marla Frazee imagine a God living among us in this spirited and moving collection of illustrated poems. What if God was living a human existence? What might God do to pass the time? Write a fan letter? Get a desk job? Make spaghetti? Take a bath? Get a dog? A sublime book for all ages, God Got a Dog celebrates the simple things in our world while taking a long, close look at what it means to be human. The soft, reflective, and often humorous words and pictures create a glimpse into everyday life through wide and wondering eyes that blends the familiar with the profoundly spiritual. These poems were originally published by HarperCollins without illustrations as part of a larger collection entitled God Went to Beauty School ©2003.

Here is the long-awaited volume that provides both the theoretical foundations and practical guidance for developing new monastic and missional communities in contexts that are theologically progressive, racially and economically diverse, and multicultural. This book contains the wisdom and perspectives of people who live and serve in missional, new monastic communities in United Methodist and other mainline traditions, and it describes new forms of theological education that are emerging to resource a new generation of Christian leaders. Heath and Duggins challenge Methodists, Lutherans, Episcopalians, Presbyterians, and other Christians to reach into their own robust, mainline heritage for resources to develop small, intentional communities that practice a rigorous life of prayer, hospitality, and justice.