Paperback reissue of one volume of the English Dominicans' Latin/English edition of Thomas Aquinas' Summa Theologiae.

In this work, respected scholar Andrew Lester discusses and incorporates the newest behavioral research models, contemporary biblical and theological scholarship, constructivist philosophy, and narrative theory into a comprehensive pastoral theology of anger. In revisiting through the lens of theological anthropology the very subject that brought him to the forefront of scholarship in pastoral care, Lester presents engaging new material and innovative new methods of interventions for dealing with this often-confusing human emotion.

This accessible and timely book uses a Christian perspective to explore ethical debates about nature. A detailed exploration of humanity’s treatment of the natural world from a Christian perspective. Covers a range of ethical debates, including current controversies about the environment, animal rights, biotechnology, consciousness, and cloning. Sets the immediate issues in the context of underlying theological and philosophical assumptions. Complex scientific issues are explained in clear student-friendly language. The author develops her own distinctive ethical approach centred on the practice of wisdom. Discusses key figures in the field, including Peter Singer, Aldo Leopold, Tom Regan, Andrew Linzey, James Lovelock, Anne Primavesi, Rosemary Radford Ruether, and Michael Northcott. The author has held academic posts in both theology and plant science.

Creaturely Theology is a ground-breaking scholarly collection of essays that maps out the agenda for the future study of the theology of the non-human and the post-human. A wide range of first-rate contributors show that theological reflection on non-human animals and related issues are an important though hitherto neglected part of the agenda of Christian theology and related disciplines. The book offers a genuine interdisciplinary conversation between theologians, philosophers and scientists and will be a standard text on the theology of non-human animals for years to come. Contributors include: Esther D. Reed (Exeter), Rachel Muers (Leeds), Stephen Clark (Liverpool), Neil Messer (Lampeter), Peter Scott (Manchester), Michael Northcott (Edinburgh), Christopher Southgate (Exeter)

In this book Celia Deane-Drummond charts a new direction for theological anthropology in light of what is now known about the evolutionary trajectories of humans and other animals. She presents a case for human beings becoming fully themselves through their encounter with God, after the pattern of Christ, but also through their relationships with each other and with other animals. Drawing on classical sources, particularly the work of Thomas Aquinas, Deane-Drummond explores various facets of humans and other animals in terms of reason, freedom, language, and community. In probing and questioning how human distinctiveness has been defined using philosophical tools, she engages with a range of scientific disciplines, including evolutionary biology, biological anthropology, animal behavior, ethology, and cognitive psychology. The result is a novel, deeply nuanced interpretation of what it means to be distinctively human in the image of God.

In this compelling interdisciplinary study, Linda Grasso demonstrates that using anger as a mode of analysis and the basis of an aesthetic transforms our understanding of American women's literary history. Exploring how black and white nineteenth-century women writers defined, expressed, and dramatized anger, Grasso reconceptualizes antebellum women's writing and illuminates an unrecognized tradition of discontent in American literature. She maintains that two equally powerful forces shaped this tradition: women's anger at their exclusion from the democratic promise of America, and the cultural prohibition against its public articulation. Grasso challenges the common notion that nineteenth-century women's writing is confined to domestic themes and shows instead how women channeled their anger into art that addresses complex political issues such as slavery, nation-building, gender arrangements, and race relations. Cutting across racial and genre boundaries, she considers works by Lydia Maria Child, Maria W. Stewart, Fanny Fern, and Harriet Wilson as superb examples of the artistry of angry expression. Transforming their anger through literary imagination, these writers bequeathed their vision of an alternative America both to their contemporaries and to subsequent generations.

Though the Christian church has a well-developed theology of Godward-facing remorse about sin, it has paid little attention to the interpersonal implications of the remorse that people feel when they wrong one another. Since the nineteenth century, important work has been done by psychologists, anthropologists, philosophers, ethicists, scientists, and lawyers that has implications for the way theologians might think about remorse. This book draws on the biblical record in its ancient settings as well as on insights from contemporary scholarship to offer a new and distinctively Christian contribution to an understanding of remorse.

During his lifetime, Dante was condemned as corrupt and banned from Florence on pain of death. But in 1329, eight years after his death, he was again viciously condemned—this time as a heretic and false prophet—by Friar Guido Vernani. From Vernani’s inquisitorial viewpoint, the author of the Commedia “seduced” his readers by offering them “a vessel of demonic poison” mixed with poetic fantasies designed to destroy the “healthful truth” of Catholicism. Thanks to such pious vituperations, a sulphurous fume of unorthodoxy has persistently clung to the mantle of Dante’s poetic fame. The primary critical purpose of Dante & the Unorthodox is to examine the aesthetic impulses behind the theological and political reasons for Dante’s allegory of mid-life divergence from the papally prescribed “way of salvation.” Marking the septicentennial of his exile, the book’s eighteen critical essays, three excerpts from an allegorical drama, and a portfolio of fourteen contemporary artworks address the issue of the poet’s conflicted relation to orthodoxy. By bringing the unorthodox out of the realm of “secret things,” by uncensoring them at every turn, Dante dared to oppose the censorious regime of Latin Christianity with a transgressive zeal more threatening to papal authority than the demonic hostility feared by Friar Vernani.

Emotions and Health, 1200-1700 examines the Aristotelian and Galenic understandings of the ‘passions’ or ‘accidents of the soul’ as alterations of both mind and body across a wide range of medieval and early modern cultural discourses: Aquinas’s Summa, canonization inquests, medical and natural philosophical texts, drama, and the London Bills of Mortality. The essays in this collection focus on notions such as death from sorrow, physiological explanations of fear, physicians’ advice on the harmful and beneficial effects of anger and of sex, medical and philosophical constructions of the melancholic subject, and theological and medical discussions on the impact of music in moderating the passions and maintaining health. Contributors include: Nicole Archambeau, Elena Carrera, Penelope Gouk, Angus Gowland, Nicholas E. Lombardo, William F. MacLehose, Michael R. Solomon and Erin Sullivan.

Book covers a broader range of topics than other books in this area. Notably, extensive coverage of the neurobiology of anger in context of psychology and sociology is unique. Book provides broad, integrative coverage while avoiding unnecessary duplication. Contributors have read each others’ chapters and there is extensive cross-referencing from chapter to chapter. Book contains a guide to content and organization of chapters and topics, along with interpolated commentary at the end of each section.