From the INTRODUCTION. The material collected and edited in this book comprehends nearly all the temple liturgy of the official Babylonian and Assyrian religion yet published. By temple liturgy I mean services of public praise and penance. A sharp division must be made between public services and private services, a distinction which was observed by the Babylonians themselves. Religious literature in Babylonia originated from two distinct sources; on the one hand the priest of incantation exercised the mystic rites of magic over afflicted persons in huts in the fields; on the other hand the psalmists had charge of the public services of the temples. In the earliest period the Sumerians who created the entire form of Babylonian religious literature, had only these two classes of sacred literature. The temple services were called er-sem-mas or psalms to the flute'; the incantations, mystic sacramental formulae and prayers of the private rituals bore the title en. The priests or temple singers were named lagar, labar. As early as the period of Gudea distinct reference is made to the lagaru or kalu priests who play the balaggu or harp(?), and if the word lagal in another passage be really its earliest form, then Gudea himself tells us explicitly that he appointed these priests for the temple services'. Mention is made of a temple psalmist on a tablet at least pre-Sargonic [3ooo BC] Urukagina [circa 3200 BC] made provisions to regulate the salary of his temple singers. In a psalm 1 for the temple service the kalu's instrument is called the mesa, which with the halhallatu and the balaggu formed the principal instruments for temple music" Other instruments employed in temple music are the uppu and the lilissu. Of these five instruments the names of four are Sumerian loan-words; halhallatu whose meaning Prof. Meissner has shown to be reed flute, is Semitic. In Babyloniaca III I-3o, I attempted to prove that the asipu priests who had control of the rituals of magic of the fire and water cults had no part in the public services of the temples. Their sphere of activity seems to have been confined to the mysteries performed in huts in the fields. Yet we know that in every great religion the priests who con- trol the sacraments, who are directly commissioned with divine power over the unseen spirits, become the central factor, and it could not have been otherwise in Babylonia. Gudea says that he installed the high priest in the temple along with the psalmist, and direct evidence exists to prove that this high priest was the asipu, called en in Sumerian. Countless documents boar the dale, year when the high priest was elected. There can be, then, no possible doubt but that the asipu priests held the highest position of influence in the Sumerian and Babylonian religion. That they performed mysteries, attended at least by incense, is evident from the fact that the niknakku, or incense stand, was placed before the statues of the gods. While it is impossible to define the spheres of activity of the asipu and kalu priests, yet one fact remains clear, viz. that the psalmists (kalu) had full charge of the public services in so far as they were not connected with magic....

Excerpt from Sumerian and Babylonian Psalms Sumerian and Babylonian Psalms was written by Stephen Langdon in 1909. This is a 385 page book, containing 98890 words and 2 pictures. Search Inside is enabled for this title. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

In Donald A. Mackenzie's 'Myths of Babylonia and Assyria', the reader is taken on a captivating journey through the ancient myths and legends of Mesopotamia. Mackenzie's scholarly approach and meticulous research bring to life the gods, goddesses, and epic tales that once mesmerized the people of Babylonia and Assyria. With a blend of history, archaeology, and comparative mythology, this book not only provides valuable insight into the literary and religious traditions of the ancient Near East, but also sheds light on the cultural significance of these myths. Mackenzie's detailed analysis and engaging narrative style make this book a must-read for anyone interested in ancient civilizations and their mythologies. As a respected author and scholar in the field of mythology, Mackenzie's expertise and passion for the subject are evident in every page of this enlightening work. 'Myths of Babylonia and Assyria' is a timeless masterpiece that will continue to inspire and educate readers for generations to come.

A thorough and carefully researched 1937 account of the music of the Sumerians and their immediate predecessors, the Babylonians and Assyrians. On its publication, this book was one of the few studies to concentrate on the music of the ancient civilisations of modern-day Iraq, and is still valued today.

These studies take up several themes that the author has pursued in addition to his work on witchcraft literature and Gilgamesh. The volume contains general articles on Mesopotamian magic, religion, and mythology; studies, synchronic and diachronic, on Akkadian prayers; treatments of literary classics; comparative studies of terms and phenomena; and examinations of legal texts.