Level 1: Student books 1 and 2 were published in 2012. Level 2: Student books 3 and 4 were published in 2016 -- Introduction.

Finding a form in which to present the stories was difficult. Each piece is meant to stand on its own, no connection between them. I arranged these stories according to the location at which the events occurred and they follow roughly the time line of my moving about. For those of you who may enjoy viewing my photographs and reading some of my verses, you may visit my web site, Plato's Cave, at: cephalis.blogspot.com.

Travel narratives were the principal source of knowledge about the lands of the Near East and the Indian Ocean Basin in 17th-century France. Claiming the authority of first-hand observation, they paradoxically rely for their legitimization on the tropes of an established literary tradition. The status of these texts remained ambiguous, not least because of their anecdotal depictions of great riches, brutality or sexual promise. Drawing on the insights of post-colonial scholarship, this study tackles a question given scant attention in previous work and suggests that beyond the hazy representation of the Orient, an opposition emerges between the threatening Near East and the indolent East Indies. Distinguishing recognizable representations from those generated by new encounters, this book questions the feasibility of cultural representation through travel, exploring a large corpus of original sources written by French ecclesiastics, gentlemen-travellers, ambassadors and adventurers. Linguistic, religious, cultural or geographical barriers meant most travellers remained distanced from the peoples about whom they would simultaneously become authoritative. The encounter was further transformed in narratives that were intended to entertain and to satisfy the criterion of curiosité. The ‘Oriental’ that emerges is a supremely variable entity, alternately naked or veiled, barbaric or civilized, menacing or attractive.

The way a man thinks about his day-to-day living and the needs of his household reveals a great deal about his ambitions, his idea of himself, and his role in the community. And his house or castle offers many clues to his habits as well as those of the members of his household. This intriguing book explores the evolution of country house plans throughout Britain and Ireland, from medieval times to the eighteenth century. With photographs and detailed architectural plans of each house under discussion, the book presents a whole range of new insights into how these homes were designed and what their varied designs tell us about the lives of their residents. Starting with fortified medieval tower houses, the book traces patterns that developed and sometimes repeated in country house design over the centuries. It discusses who slept in the bedchambers, where food was prepared, how rooms were arranged for official and private activities, what towers signified, and more. Groundbreaking in its depth, the volume offers a rare tour of country houses for scholar and general reader alike.

Suite Encounters features hotel erotica in all its forms from honeymooners having sex on the beach to loving couples on holiday to co-workers meeting for secret quickies to the exhibitionist thrills (and chills) of getting it on in the pool on the roof at The Standard Hotel in front of everyone! Award-winning editor Rachel Kramer Bussel knows the winning formula of stories of sex in every possible setting - from luxury hotels to seedy motels and everything in between.

While television has always played a role in recording and curating history, shaping cultural memory, and influencing public sentiment, the changing nature of the medium in the post-network era finds viewers experiencing and participating in this process in new ways. They skim through commercials, live tweet press conferences and award shows, and tune into reality shows to escape reality. This new era, defined by the heightened anxiety and fear ushered in by 9/11, has been documented by our media consumption, production, and reaction. In Small Screen, Big Feels, Melissa Ames asserts that TV has been instrumental in cultivating a shared memory of emotionally charged events unfolding in the United States since September 11, 2001. She analyzes specific shows and genres to illustrate the ways in which cultural fears are embedded into our entertainment in series such as The Walking Dead and Lost or critiqued through programs like The Daily Show. In the final section of the book, Ames provides three audience studies that showcase how viewers consume and circulate emotions in the post-network era: analyses of live tweets from Shonda Rhimes's drama, How to Get Away with Murder (2010–2020), ABC's reality franchises, The Bachelor (2002–present) and The Bachelorette (2003–present), and political coverage of the 2016 Presidential Debates. Though film has been closely studied through the lens of affect theory, little research has been done to apply the same methods to television. Engaging an impressively wide range of texts, genres, media, and formats, Ames offers a trenchant analysis of how televisual programming in the United States responded to and reinforced a cultural climate grounded in fear and anxiety.

We've all heard the stories of what happens to those who go to lovers' lane and of the folly of flashing your lights at another car at night. We all know someone who knows someone that survived a meeting with Bloody Mary and another who picked up a hitchhiker that then disappeared. And we all know these stories aren't true. They're just urban legends. Right? Wrong. Sometimes the stories we hear are true. Often they're more than they seem. These are the urban legends with alien explanations and the alien encounters mistaken for urban legends. The line between one and the other is so blurred in this anthology of stories about Close Encounters of the Urban Kind that you will never look another urban legend the same way again. Featuring stories by Alma Alexander, Nathan Crowder, Carole Johnstone, Pete Kempshall, Jennifer Pelland, Erik Scott de Bie, Bev Vincent, and many others.

Strange Encounters is a novel made up of three short stories. Each character is faced with an unexplainable situation. "The Lost Souls" of I-95 takes place in a rural town. A young girl and her father are killed on I-95 by a drunk driver that has been covered up by the North Carolina Highway Patrol to protect one of their own during the summer of July 3, 1986. The highway then becomes haunted by the two lost souls, who won't rest until justice is served. But twenty years later, a young highway patrolman comes along and is put to the test to solve the mystery.

Shukri Z. Al-Dajani has led a most extraordinary life. His book depicts the realities of the endless torment of a refugee in search of security and a sense of belonging. It is a story of flight - at the age of twelve - from the Holy Land to Egypt, through Wales, East Africa and the Middle East, to a career at the International Labour Organization (ILO), a specialized agency of the United Nations, where he rose to the post of Assistant Director-General, responsible for the Arab States. He was the key player for the ILO in the Arab world at a time when the politics of the Middle East played a dominant role in the life of that organization. In this memoir, Al-Dajani recounts his interactions with a range of individuals including royalty, nation-builders and others in political power as well as adventurers, journalists and diplomats. His book presents a fine mosaic of the post-colonial world and the modern Middle East, and reveals the workings of politics at the highest of international diplomatic levels. The memoir includes a fascinating and intriguing analysis of the security and social problems that Europe, America and the Middle East are facing at present. It serves as an eye opener to the root causes of the current crises and presents a clear vision of the future ahead.