Brilliant and controversial, art critic Sadakichi Hartmann wrote copiously about American and European art and the shaping of American culture during the decades from 1890 to 1910. Jane Weaver has recovered and assembled over fifty of Hartmann's critical writings from influential, though often obscure, turn-of-the-century journals. These reviews and theoretical essays not only provide some of the earliest known criticism of important artists and photographers of the period, but also make Hartmann's fundamental—and uniquely American—definition of modernism available to students of art and cultural history. A most useful adjunct to the text is a complete bibliography of Hartmann's writings on art, as well as an annotated checklist of all the artists treated by Hartmann in this book. Sadakichi Hartmann (1867-1944), half German, half Japanese, learned the American cast of mind and heart as a beloved young disciple of the aged Walt Whitman. Reflecting the poet's zealous vision, Hartmann's piercing commentaries on the art centers of Boston and New York offer unparalleled documentation of the years before and after 1900.

SUGGESTIVISM is the companion catalogue to a vibrantly fresh exhibition presented by Cal State University's Grand Central Art Center from February to April 2011. The exhibit coins this new art term to refer to a genre of artwork encompassing the rising stars of the contemporary art world. Often intricate and evocative of the richness and languid decadence of historical tableaus, the artwork in SUGGESTIVISM contains elements of world-weariness, isolation and a sense of the absurd. Featuring more than fifty artists including studio shots and artist interviews.

San Francisco based artist and illustrator Felicia Chiao's "Sketchbook 6" is a faithful 1:1 reproduction of her personal sketchbook. Featuring 63 beautifully detailed color illustrations complete with Post-it note sketches and a personal handwritten introduction on a bleed sheet, this publication is as close to owning the original as one can get.

The third volume in the New York Times bestselling Wes Anderson Collection series showcases the best artwork from “Bad Dads,” an annual exhibition of art inspired by the films of Wes Anderson. Curated by Spoke Art Gallery in San Francisco, “Bad Dads” has continued to grow and progress as a dynamic group exhibition since its inaugural show in 2011, and has featured work from more than 400 artists from around the world. Those artworks range from paintings to sculptures to limited-edition screen prints and vary greatly in style, making for a diverse and lively show each year. Though each piece is distinct in its own right, the artworks’ unifying element is the shared imagery and beloved characters from: · Bottle Rocket · Rushmore · The Royal Tenenbaums · The Life Aquatic with Steve Zissou · The Darjeeling Limited · Fantastic Mr. Fox · Moonrise Kingdom · The Grand Budapest Hotel The book features an original cover by graphic artist Max Dalton, a foreword by writer and director Wes Anderson himself, and an introduction by TV and movie critic Matt Zoller Seitz, author of the bestselling Wes Anderson Collection books. A visual treasure trove, Bad Dads grants fans of Wes Anderson another creative avenue to explore his inspired worlds and movies. Also available from Matt Zoller Seitz: The Oliver Stone Experience, Mad Men Carousel, The Wes Anderson Collection: The Grand Budapest Hotel, and The Wes Anderson Collection.

Beloved by millions, praised by film critic Roger Ebert as "the best animation filmmaker in history," and referred to as the "Japanese Walt Disney," Hayao Miyazaki is known for his sense of whimsical adventure, deep reverence for nature, and strong female characters. As a prolific creator, his influence and admirers include Steven Spielberg, Wes Anderson, and Akira Kurosawa. Curated by Spoke Art Gallery, My Neighbor Hayao features work from more than 250 artists in celebration of the acclaimed Japanese filmmaker and animator. Showcasing a diverse array of original painting, embroidery, sculpture, and limited edition prints that were first exhibited at Spoke during three highly popular group exhibitions attracting more than 10,000 attendees, this beautiful book grants fans of Miyazaki another creative avenue to explore his inspired worlds through interpretations of characters and themes found in iconic films including My Neighbor Totoro, Howl's Moving Castle, Spirited Away, and Princess Mononoke.

A compendium of fifty full page illustrations and paintings collected from the 2014 and 2015 "Moleskine Project" group show at Spoke Art gallery in San Francisco. Featuring an all-star roster of international artists in an embossed leather bound cover with rounded corners, ribbon bookmark and elastic band closure.

Excerpts from criticism of the works of novelists, poets, playwrights, and other creative writers, 1900-1960.

Skinner is a self-taught artist from Sacramento, California who has meticulously crafted a balance of extraordinary mural work, mighty powerful wall-to-wall installations and a prolific commercial career. Influenced by 80s pop culture, human struggle, myths and violence, dungeons and dragons, and the heavy metal gods, Skinners mind is one full of mayhem fueled by a calculated chaos. His work has been shown all over the universe at places like the Museum of Graphic Design in Breta, Netherlands, the Illustrative Festival in Berlin, Germany, Japan, France, and the states from LA to New York and everywhere in between. He recently participated in the epic Suggestivism exhibition at the Grand Central Arts Center. His most recent solo exhibit entitled The Fear You May Know reigned at White Walls Gallery in San Francisco in the summer of 2010. Skinners work has been featured in many publications, including Blisss, Juxtapoz, Hi Fructose, and Beautiful / Decay.