This book is a suspense thriller of a historical event where the reader stays glued to the book to see what comes next. The happenings described in the book are real, events related are real, only a story has been tailored to make the forgoing more interesting. It is story of 50 wealthy families who dare the odds and leave their familiar surroundings after repeated Muslim invasions of their hometown, during 1730-1760 AD period, after the collapse of the Moghul Empire in India. They migrate to the Hills of Punjab, now Himachal Pradesh in search of safety and security. They travel 130 miles to another kingdom with their bag and baggage. Secure in their new surroundings, they prosper again. Within a few years after their arrival they are wealthy but their prosperity became a thorn to the local unsavoury people. They conspired to grab some of their money. The conspiracy they hatch was to rob a returning wedding party fully laden with gold & silver and decamp with the money and jewellery. They succeed in their conspiracy but unfortunately kill the groom in the process. Heartbroken, the bride, only 17 years of age, jumps into her husband's funeral pyre. The book in two parts, covers both their travel while braving the elements as well as danger of wayside marauders and the growing up of a young accomplished girl during these unsettled times. Finally she is married and on her wedding day finds her husband dead, a victim of robbery. The place where all the forgoing happened is a place of worship and pilgrimage to her descendants. The site is marked by a century old stone structure and is visited by the family to remember her supreme sacrifice.

This exceptional Complete Works edition documents the enormous spectrum in the oeuvre of one of the most influential architects of the 20th Century. Published between 1929 and 1970, in close collaboration with Le Corbusier himself, and frequently reprinted ever since, the eight volumes comprise an exhaustive and singular survey of his work.

The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service,Bombay ,started on 22 december, 1935 and was the successor to the Indian Radio Times in english, which was published beginning in July 16 of 1927. From 22 August ,1937 onwards, it was published by All India Radio,New Delhi.In 1950,it was turned into a weekly journal. Later,The Indian listener became "Akashvani" in January 5, 1958. It was made a fortnightly again on July 1,1983. It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes,who writes them,take part in them and produce them along with photographs of performing artistS. It also contains the information of major changes in the policy and service of the organisation. NAME OF THE JOURNAL: The Indian Listener LANGUAGE OF THE JOURNAL: English DATE,MONTH & YEAR OF PUBLICATION: 07-07-1938 PERIODICITY OF THE JOURNAL: Fortnightly NUMBER OF PAGES: 92 VOLUME NUMBER: Vol. III, No. 14. BROADCAST PROGRAMME SCHEDULE PUBLISHED(PAGE NOS): 945-1020 ARTICLE: 1. Modern Tendencies In Indian Music 2. Sound Advice 3. The Village Club 4. Trouble Shooting And Maintenance AUTHOR: 1. John Foulds 2. Airvoice 3. Unknown 4. Trouble Shooter KEYWORDS: 1. Indian Musical Literature, Music Student, Ibn-I-Hasan Kaiser, Indian Orchestra 2. Apollo Reclamation, Morse Signals, Harmonic Frequencies, Ghost Stations, Short-Wave Bands 3. Rural Programmes, Indian Villager, Rural Radio, Village Club, Nau Tanki, Gulabo-Sitabo, Indar Sabha 4. Series Filament Circuits, Paraller Filaments, Easily Corrected Faults, Radio Engineer, Series Filament, Wavelengths Document ID: INL -1936-37 (D-D) Vol -I (14)

The Volume Aims At Evaluating Thematic Preccupations, Fictional Form And Narrative Techniques Of The Indian Novel Of The 1980S And The 1990S In A Systematic Way. The Writers Discussed Are: Amitav Ghosh, Rohinton Mistry, Vikram Seth, Upamanyu Chatterjee, Shashi Tharoor, Amit Chaudhuri, Allan Sealy, Farrukh Dhondy, Nina Sibal, Shashi Deshpande, Bharati Mukherjee, Namita Gokhale.