The supernatural has become extraordinarily popular in literature, television, and film. Vampires, zombies, werewolves, witches, and wizard have become staples of entertainment industries, and many of these figures have received extensive critical attention. But one figure has remained in the shadows--the female ghost. Inherently liminal, often literally invisible, the female ghost has nevertheless appeared in all genres. Subversive Spirits: The Female Ghost in British and American Popular Culture brings this figure into the light, exploring her cultural significance in a variety of media from 1926 to 2014. Robin Roberts argues that the female ghost is well worth studying for what she can tell us about feminine subjectivity in cultural contexts. Subversive Spirits examines appearances of the female ghost in heritage sites, theater, Hollywood film, literature, and television in the United States and the United Kingdom. What holds these disparate female ghosts together is their uncanny ability to disrupt, illuminate, and challenge gendered assumptions. As with other supernatural figures, the female ghost changes over time, especially responding to changes in gender roles. Roberts's analysis begins with comedic female ghosts in literature and film and moves into horror by examining the successful play The Woman in Black and the legend of the weeping woman, La Llorona. Roberts then situates the canonical works of Maxine Hong Kingston and Toni Morrison in the tradition of the female ghost to explore how the ghost is used to portray the struggle and pain of women of color. Roberts further analyzes heritage sites that use the female ghost as the friendly and inviting narrator for tourists. The book concludes with a comparison of the British and American versions of the television hit Being Human, where the female ghost expands her influence to become a mother and savior to all humanity.

Originally published: New York: Arcade Pub.: Distributed by Little, Brown and Company, c1998.

Thefield guide to some of the most horrific and fascinating creatures found in mythology and...

The supernatural has become extraordinarily popular in literature, television, and film. Vampires, zombies, werewolves, witches, and wizard have become staples of entertainment industries, and many of these figures have received extensive critical attention. But one figure has remained in the shadows--the female ghost. Inherently liminal, often literally invisible, the female ghost has nevertheless appeared in all genres. Subversive Spirits: The Female Ghost in British and American Popular Culture brings this figure into the light, exploring her cultural significance in a variety of media from 1926 to 2014. Robin Roberts argues that the female ghost is well worth studying for what she can tell us about feminine subjectivity in cultural contexts. Subversive Spirits examines appearances of the female ghost in heritage sites, theater, Hollywood film, literature, and television in the United States and the United Kingdom. What holds these disparate female ghosts together is their uncanny ability to disrupt, illuminate, and challenge gendered assumptions. As with other supernatural figures, the female ghost changes over time, especially responding to changes in gender roles. Roberts's analysis begins with comedic female ghosts in literature and film and moves into horror by examining the successful play The Woman in Black and the legend of the weeping woman, La Llorona. Roberts then situates the canonical works of Maxine Hong Kingston and Toni Morrison in the tradition of the female ghost to explore how the ghost is used to portray the struggle and pain of women of color. Roberts further analyzes heritage sites that use the female ghost as the friendly and inviting narrator for tourists. The book concludes with a comparison of the British and American versions of the television hit Being Human, where the female ghost expands her influence to become a mother and savior to all humanity.

In this book, Frederique Apffel-Marglin draws on a lifetime of work with the indigenous peoples of Peru and India to support her argument that the beliefs, values, and practices of such traditional peoples are ''eco-metaphysically true.''

The Victorian Woman Question in Contemporary Feminist Fiction explores the representation of Victorian womanhood in the work of some of today's most important British and North American novelists including A.S. Byatt, Sarah Waters, Margaret Atwood, Angela Carter and Toni Morrison. By analysing these novels in the context of the scientific, religious and literary discourses that shaped Victorian ideas about gender, it contributes to an important inter-disciplinary debate. For while showing the power of these discourses to shape women's roles, the novels also suggest how individual women might challenge that power through their own lives.

After Hurricane Katrina devastated New Orleans and the surrounding region in 2005, the city debated whether to press on with Mardi Gras or cancel the parades. Ultimately, they decided to proceed. New Orleans’s recovery certainly has resulted from a complex of factors, but the city’s unique cultural life—perhaps its greatest capital—has been instrumental in bringing the city back from the brink of extinction. Voicing a civic fervor, local writer Chris Rose spoke for the importance of Carnival when he argued to carry on with the celebration of Mardi Gras following Katrina: “We are still New Orleans. We are the soul of America. We embody the triumph of the human spirit. Hell, we ARE Mardi Gras." Since 2006, a number of new Mardi Gras practices have gained prominence. The new parade organizations or krewes, as they are called, interpret and revise the city’s Carnival traditions but bring innovative practices to Mardi Gras. The history of each parade reveals the convergence of race, class, age, and gender dynamics in these new Carnival organizations. Downtown Mardi Gras: New Carnival Practices in Post-Katrina New Orleans examines six unique, offbeat, Downtown celebrations. Using ethnography, folklore, cultural studies, and performance studies, the authors analyze new Mardi Gras’s connection to traditional Mardi Gras. The narrative of each krewe’s development is fascinating and unique, illustrating participants’ shared desire to contribute to New Orleans’s rich and vibrant culture.

When life hands you lemons, make lemonade—or, in Piper Brody’s case, make a Craigslist ad offering yourself up as a hired bridesmaid! A hilarious, touching, coming-of-age novel from debut author Anne Wagener. Piper is a recent college grad who decides to sell her body on Craigslist—as a hired bridesmaid. Her airport bookseller job just isn’t bringing home the turkey bacon, and no one’s going to pay her to analyze Milton’s poetry. Turns out, having an English literature degree from an upstanding university isn’t all it’s cracked up to be. Piper’s Craigslist endeavor soon picks up steam, netting her clients such as Southern peach Stacey, whose interracial marriage causes a family feud, and Alex, a bride-to-be who’s so type A she’s type A-plus. Between fighting off matching T-shirt–wearing teams of “bustle bitches” at gown sales and learning more about fondant than the Cake Boss, Piper falls for Charlie Bell, the brother of a client. A fellow aspiring writer, Charlie’s the only person recently who’s encouraged Piper to follow her dreams. Not to mention, he’s pretty darn cute. But when Charlie turns out to be the groom in one of her gigs—and set to marry the craziest bridezilla of them all—Piper must band together with her newfound friends and stop Charlie from making the biggest mistake of his life.

“From the hair-raising to the eyebrow-raising, this is a scintillating account of meetings with spirits through history” (Mark Booth, New York Times–bestselling author). It may seem incredible, but as bestselling novelist and occult expert J.H. Brennan reveals in this eye-opening new history, there is a wealth of evidence to suggest that the disembodied voices of spirits may have subtly directed the course of human events. In Whisperers, Brennan explores how the “spirit world”—whether we believe in it or not—has influenced our own since the dawn of civilization. With a novelist’s flair and a scholar’s keen eye, Brennan details the supernatural affinities of world leaders from King Nebuchadnezzar to Adolf Hitler, showing how the decisions and policies of each have been shaped by their supernatural beliefs and encounters. Brennan also examines the impact of visions, from shamanism in native cultures to prophets such as Joan of Arc. Chronicling millennia of contact between the spirit world and our own, Whisperers presents an entirely new and different way to look at history. “Prolific Irish author and lecturer Brennan’s lifelong fascination with psychic phenomena fuels this comprehensive analysis of potential supernatural influences on history. . . . Certain hokum for skeptics, but the more open-minded will savor this chillingly convincing testimonial.” —Kirkus Reviews “J.H. Brennan is an expert storyteller who paints an often terrifying picture of how human destiny has regularly been changed forever by individuals convinced they were in communication with intelligences from beyond. In Whisperers, Brennan has created a unique and timely history of spirit voices that is both brilliant and utterly chilling.” —Andrew Donkin, coauthor of Illegal

While some may wonder, “Does the world really need another flavored vodka?” no one answers this question quite so memorably as spirits writer and raconteur Jason Wilson does in Boozehound. (By the way, the short answer is no.) A unique blend of travelogue, spirits history, and recipe collection, Boozehound explores the origins of what we drink and the often surprising reasons behind our choices. In lieu of odorless, colorless, tasteless spirits, Wilson champions Old World liquors with hard-to-define flavors—a bitter and complex Italian amari, or the ancient, aromatic herbs of Chartreuse, as well as distinctive New World offerings like lively Peruvian pisco. With an eye for adventure, Wilson seeks out visceral experiences at the source of production—visiting fields of spiky agave in Jalisco, entering the heavily and reverently-guarded Jägermeister herb room in Wolfenbüttel, and journeying to the French Alps to determine if mustachioed men in berets really handpick blossoms to make elderflower liqueur. In addition, Boozehound offers more than fifty drink recipes, from three riffs on the Manhattan to cocktail-geek favorites like the Aviation and the Last Word. These recipes are presented alongside a host of opinionated essays that cherish the rare, uncover the obscure, dethrone the overrated, and unravel the mysteries of taste, trends, and terroir. Through his far-flung, intrepid traveling and tasting, Wilson shows us that perhaps nothing else as entwined with the history of human culture is quite as much fun as booze.